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Book Review: Definitely Not Kansas: Book One in the Nocturnia Cycle by F. Paul Wilson and Thomas Monteleone

Definitely Not Kansas  Curses! The problem with missing out on getting up a review in a timely fashion is that this book, Definitely Not Kansas: Book One in the Nocturnia Cycle, initially published in a limited edition, is not currently available. I hope the publishers will put it out as a trade paperback or at least an ebook soon, though, as that’s the best way to reach the market this is actually intended for. Most readers of YA or middle grade fiction aren’t seeking out small presses for their reading material, and this sounds like a book that would definitely snag their interest. Here’s the review for Definitely Not Kansas, anyway, though, because with a recommendation this enthusiastic, certainly those outside the horror community ought to know about it. You know, like librarians. Who can’t purchase a book that is out of print, so come on, great publishers, and get that book out in a more easily available edition! Read on for a great review and go hassle these folks into getting it out into more hands.

–The Editor

 

 

Definitely Not Kansas: Book One of the Nocturnia Chronicles by F. Paul Wilson & Tom Monteleone

Borderlands/Gauntlet Press, 2013.

 

We’re definitely not home anymore, and I doubt Dorothy would last a minute in Nocturnia. Munchkins would likely find themselves on a menu in this imaginative, fascinating homage to Oz.

The last time Borderlands Press and Gauntlet Press combined their talents to produce a single book, readers were treated to Shadow Show, which garnered a Bram Stoker Award.  So when the two presses decided to collaborate again, fans wondered how the presses could top that title.  The result of their partnership is a young adult novel penned by two well-known authors.  F. Paul Wilson and Thomas F. Monteleone are no strangers to awards, blockbuster books, or each other.  Where many collaborations fall short due to varying factors, these two created a fantastic, delightfully horrific world , with writing that flows effortlessly. It could be due to the fact that they’ve been buddies for decades or that they both know how to tell a lean, mean, story.  Merging styles is difficult– here, however, the writing is seamless and it feels like a single author penned the entire novel.  Not once does the reader feel as if he or she is holding a book; instead, the covers disappear as the reader falls into the grand world Wilson and Monteleone have created.

Definitely Not Kansas owes something to The Wizard of Oz, of course, but that inspiration is merely jumping off point.  Nocturnia is a much darker, more frightening place and when the tornado drops Emma and Ryan into the strange world, the similarities end and all bets are off.  On a quest to find Telly, their missing older brother, Emma and Ryan are pulled through a vortex where reality ceases to exist. Nocturnia operates in parallel to Emma and Ryan’s world, separate and deadly, as readers discover the origins of these creatures on Earth and even the flowers can kill.  The nation of monsters is a nation of states which exist uneasily with each other and something much darker frightens them all.

Humans are considered slaves and cattle, bred for labor– and food — in a land inhabited by vampires, werewolves, zombies, and more. This could be considered a “kitchen sink” story, cashing on popular tropes, and likely would be just that in lesser hands. Yet here, the setting is character, and the creatures reside in a well-constructed world where they are anything but clichés.

Emma and Ryan propel this tale as they take the reader along a journey of survival and discovery. Both are strong lead characters and the cast of monstrous villains are anything but cookie-cutter caricatures. Surprises await around every corner and one can only imagine where the next book will travel.

An interesting afterword is included, on how the series was created by both authors, and will only further intrigue the reader. Monteleone and Wilson obviously love living in Nocturnia, and it shows on the pages.  It’s doubtful that readers will be able to resist, either, on this frightening, but fun, ride.

Nocturnia takes the reader by the throat and the heart, and never relents. Anyone who loves a good story, and who still embraces the youth within, will tumble head over heels into the vortex for this new series.

 

Reviewed by Dave Simms

The Chosen One: YA Dystopias @ your library

So, it has come to my attention that Divergent, based on Veronica Roth’s YA novel of the same name, is coming soon to theaters. In fact, Barnes and Noble has put out a list of suggested teen reads to try out as fans of the books await the movie. I know Divergent is part of an incredibly popular series, but the thing that strikes me about it the most is its emphasis on choosing a life path. This actually isn’t an uncommon theme in teen and tween literature, and it’s central to the plot of some really excellent books (and some others that aren’t so great, but I digress). It’s absolutely worth it to check them out.

 

 

  The Giver by Lois Lowry

You can’t go wrong with this Newbery Award winner that tells the story of Jonas, living in a future utopian society, who is chosen, in a ceremony with his peers where they are all assigned jobs for their adult lives, to be the Receiver of Memories, the one person allowed to know the memories of the past in human history. It’s not as action-oriented as Divergent, but packs a much more powerful and memorable emotional punch. The Giver is part of a four-book series, but the first is the best and definitely stands alone. A movie based on the book is due out later this year.

 

 

  The City of Ember by Jeanne duPrau

The city of Ember is an underground city built as a last refuge in a world about to be annihilated by nuclear weapons. Two hundred years later, everything, from food to electricity, is running out. After the ceremony where Lina and Doon, along with their peers, are assigned their future careers, the two of them trade places, and discover a puzzling mystery they must solve to save the residents of Ember from darkness. This has more action than The Giver, and more of a mystery at its center, and is a compelling read even for those of us well over the target age range. The City of Ember is also part of a series, and all of them are great reads. It has been made into a movie already, with Bill Murray as the corrupt mayor. and I really enjoyed it.

 

 

  Enclave by Ann Aguirre

This is the first book in the Razorland trilogy, and it’s quite a bit more graphic than the first two books, probably on par with Divergent. In yet another post-apocalyptic underground world (one decidedly more primitive than Ember) Deuce goes through her naming ceremony and becomes a Hunter in her enclave, a sort of tribal society. As a Hunter, Deuce is supposed to find and catch food and rid the tunnels around her enclave of Freaks, ravening zombie-like creatures. Although she’s a believer in the way things work in her enclave, her exposure to a wider world and a partner who’s not so convinced lead her to question the actions of her leaders.

 

 

  Across the Universe by Beth Revis

A science fiction thiller told from the point of view of  two teenagers– Amy, the only person not specifically chosen for a role in settlement of a new planet, and Elder, whose future leadership of the spaceship Godspeed was chosen early in his life. There’s mystery, cloning, genetic and hormonal manipulation, general lying and betrayal, and a surprising amount of action given that this all takes place in a closed environment. There’s suicide, near-rape, and euthanasia in this book, among other things, although I think Revis handles it all pretty well. The target audience for Divergent should enjoy this.

 

 

 Legend by Marie Lu

June is the elite of the elite, being groomed for a position high up in the military in a dystopian society that’s more or less under military rule. Day is a rebel trying to undermine it.  What could possibly go wrong when their lives intersect?

 

 

 Uglies by Scott Westerfeld

Here’s one that’s interesting because almost everyone is chosen, eventually. It’s not wanting to be chosen that makes Tally stick out. Or, to make it more complicated, it’s wanting to be chosen but having to pretend she doesn’t want to be chosen and standing out as special when she wants to blend in. And then changing her mind. And changing it again. While it could stand alone, I think, it’s a good thing it’s part of a series because I have no clue where it’s going to end up. Westerfeld pretty much turns the tropes on their heads.
 

Enjoy!x

Stoker Finalists Named

The finalists for the Stoker ballot have been named! It’s unbelievable that Women in Horror Month is already drawing to an end and it will soon be Stoker time! As in past years, we at ML will make a heroic effort to review the finalists (I hope that’s not a surprise, guys). Yes, our reviewers are heroes. Any finalists who happen to be reading this… Please contact us at monsterlibrarian@monsterlibrarian.com so we can get this (heroic) party going!

And now:

“We are proud to present a particularly notable slate of nominees this year, showing the horror genre is strong and popular,” Rocky Wood, the HWA’s President, said.

IMPORTANT: Voting begins on 2/28 and ends on 3/15. Only Active and Lifetime members can vote.

The nominees are:

Superior Achievement in a Novel

      Joe Hill – NOS4A2 (William Morrow)
      Stephen King – Doctor Sleep (Scribner)
      Lisa Morton – Malediction (Evil Jester Press)
      Sarah Pinborough and F. Paul Wilson – A Necessary End (Thunderstorm/Maelstrom Press)
      Christopher Rice – The Heavens Rise (Gallery Books)

Superior Achievement in a First Novel

      Kate Jonez – Candy House (Evil Jester Press)
      John Mantooth – The Year of the Storm (Berkley Trade)
      Rena Mason – The Evolutionist (Nightscape Press)
      Jonathan Moore – Redheads (Samhain Publishing)
      Royce Prouty – Stoker’s Manuscript (G.P. Putnam’s Sons)


Superior Achievement in a Young Adult Novel

      Patrick Freivald – Special Dead (JournalStone)
      Kami Garcia – Unbreakable (Little, Brown Books for Young Readers)
      Geoffrey Girard – Project Cain (Simon & Schuster Books for Young Readers)
      Joe McKinney – Dog Days (JournalStone)
      Cat Winters – In the Shadow of Blackbirds (Harry N. Abrams)


Superior Achievement in a Graphic Novel

      Ed Brubaker – Fatale Book Three: West of Hell (Image Comics)
      Caitlin R. Kiernan – Alabaster: Wolves (Dark Horse Comics)
      Brandon Seifert – Witch Doctor, Vol. 2: Mal Practice (Image Comics)
      Cameron Stewart – Sin Titulo (Dark Horse Comics)
      Paul Tobin – Colder (Dark Horse Comics)


Superior Achievement in Long Fiction

      Dale Bailey – “The Bluehole” (The Magazine of Fantasy & Science Fiction, May/June 2013)
      Gary Braunbeck – “The Great Pity” (Chiral Mad 2, Written Backwards)
      Benjamin K. Ethridge – “The Slaughter Man” (Limbus, Inc., JournalStone)
      Gregory Frost – “No Others Are Genuine” (Asimov’s Science Fiction, Oct./Nov. 2013)
      Greg F. Gifune – House of Rain (DarkFuse)
      Rena Mason – East End Girls (JournalStone)

Superior Achievement in Short Fiction

      Michael Bailey – “Primal Tongue” (Zippered Flesh 2, Smart Rhino Publications)
      Patrick Freivald – “Snapshot” (Blood & Roses, Scarlett River Press)
      David Gerrold – “Night Train to Paris” (The Magazine of Fantasy & Science Fiction, Jan./Feb. 2013)
      Lisa Mannetti – “The Hunger Artist” (Zippered Flesh 2, Smart Rhino Publications)
      John Palisano – “The Geminis” (Chiral Mad 2, Written Backwards)
      Michael Reaves – “Code 666” (The Magazine of Fantasy & Science Fiction, March/April 2013)


Superior Achievement in a Screenplay

      Fabien Adda and Fabrice Gobert – The Returned: “The Horde” (Ramaco Media I, Castelao Pictures)
      Brad Falchuk – American Horror Story: Asylum: “Spilt Milk” (Brad Falchuk Teley-Vision, Ryan Murphy Productions)
      Bryan Fuller – Hannibal: “Apéritif” (Dino De Laurentiis Company, Living Dead Guy Productions, AXN: Original X Production, Gaumont International Television)
      Daniel Knauf – Dracula: “A Whiff of Sulfur” (Flame Ventures, Playground, Universal Television, Carnival Films
      Glen Mazzara – The Walking Dead: “Welcome to the Tombs” (AMC TV)


Superior Achievement in an Anthology

      R.J. Cavender and Boyd E. Harris (ed.) – Horror Library: Volume 5 (Cutting Block Press)
      Eric J. Guignard (ed.) – After Death… (Dark Moon Books)
      Michael Knost and Nancy Eden Siegel (ed.) – Barbers & Beauties (Hummingbird House Press)
      Joseph S. Pulver, Sr. (ed.) – The Grimscribe’s Puppets (Miskatonic River Press)
      Anthony Rivera and Sharon Lawson (ed.) – Dark Visions: A Collection of Modern Horror, Volume One (Grey Matter Press)

Superior Achievement in a Fiction Collection

      Nathan Ballingrud – North American Lake Monsters: Stories (Small Beer Press)
      Laird Barron – The Beautiful Thing That Awaits Us All and Other Stories (Night Shade Books)
      James Dorr – The Tears of Isis (Perpetual Motion Machine Publishing)
      Caitlin R. Kiernan – The Ape’s Wife and Other Stories (Subterranean)
      Gene O’Neill – Dance of the Blue Lady (Bad Moon Books)
      S. P. Somtow – Bible Stories for Secular Humanists (Diplodocus Press)


Superior Achievement in Non-Fiction

      Barbara Brodman and James E. Doan (ed.) – Images of the Modern Vampire: The Hip and the Atavistic (Fairleigh Dickinson)
      Gary William Crawford (ed.) – Ramsey Campbell: Critical Essays on the Modern Master of Horror (Scarecrow Press)
      William F. Nolan – Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction (Hippocampus Press)
      Jarkko Toikkanen – The Intermedial Experience of Horror: Suspended Failures (Palgrave Macmillan)
      Robert H. Waugh (ed.) – Lovecraft and Influence: His Predecessors and Successors (Scarecrow Press)

Superior Achievement in a Poetry Collection

      Bruce Boston – Dark Roads: Selected Long Poems 1971-2012 (Dark Renaissance Books)
      Helen Marshall – The Sex Lives of Monsters (Kelp Queen Press)
      Marge Simon and Sandy DeLuca – Dangerous Dreams (Elektrik Milk Bath Press)
      Marge Simon, Rain Graves, Charlee Jacob, and Linda Addison – Four Elements (Bad Moon Books/Evil Jester Press)
      Stephanie M. Wytovich – Hysteria: A Collection of Madness (Raw Dog Screaming Press)

HWA’s voting members will now vote on this Final Ballot, with voting closing on March 31 (only Active and Lifetime Members are eligible to vote).

The Bram Stoker Awards® will be presented at the 27th annual Bram Stoker Awards® Banquet held during the WORLD HORROR CONVENTION 2014 in Portland, Oregon, on May 10th. Purchase of tickets to both the convention and the banquet are open to the public. The awards will also be live-streamed online for those who cannot attend in person.