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Into the Forest: Tales of the Baba Yaga edited by Lindy Ryan with a foreword by Christina Henry

Cover art for Into the Forest; Tales of the Baba Yaga edited by Lindy Ryan

Into the Forest: Tales of the Baba Yaga with a foreword by Christina Henry, edited by Lindy Ryan

Black Spot Books, 2022

ISBN-13 ‎978-1645481232

Available: Paperback, Kindle edition, audiobook, audio CD  Bookshop.orgAmazon.com )

 

This anthology collects stories inspired by the Slavic folk character Baba Yaga, a child-eating witch with iron teeth who lives deep in the woods in a house with chicken feet, rides in a mortar and pestle, and can either help or hurt visitors, especially women, for a price, and depending on her whim. All the stories are by women writers of horror.

 

Standout pieces include Stephanie M. Wytovich’s vivid poem “Dinner Plans with Baba Yaga”; Gwendolyn Kiste’s “Last Tour into the Hungering Moonlight”, a real estate pitch that draws neighborhood women into the woods; Sara Tantlinger’s “Of Moonlight and Moss”, a fairytale that isn’t; “Wormwood” by Lindz MacLeod, and “Flood Zone” by Donna Lynch, both with the witch as justice-bringer, in very different ways; “Sugar and Spice and the Old Witch’s Price” is a dread-inducing counterpart to Kiste’s earlier story; “Herald the Knight” by Mercedes M. Yardley is Baba Yaga’s love story; Jill Baguchinsky’s “All Bitterness Burned Away” is an interesting reversal of Hansel and Gretel; “A Trail of Feathers, A Trail of Blood” by Stephanie M. Wytovich is a heartbreaking story that explores the true meaning of sacrifice; “Baba Yaga Learns to Shave, Gets Her Period, and Comes Into Her Own” by Jess Hagemann reflects the teenage girl’s experience of being trained to conform;  EV Knight’s memorable and powerful “Stork Bites”, in which Roe vs Wade has been dismantled, leaving an unusual method of illegal abortion, with disturbing consequences, as the only resort for ending a pregnancy; “Where The Horizon Meets the Sky” by R.J. Joseph is a sort of “Monkey’s Paw” tale; the vivid and gruesome “Maw Maw Yaga and the Hunter” by Alexandrea Weis; and the descriptive, poetic stories “Baba Yaga in Repose” by Heather Miller and “Shadow and Branch, Ghost Fruit Among The Lullabies” by Saba Syed Razvi.

There is a lot of variety in approach and interpretation. If you have an interest in Baba Yaga, witches, folklore, or supporting women writers, this is a collection to enjoy. Recommended.

 

Reviewed by Kirsten Kowalewski

Book Review: Extasia by Claire Legrand

Extasia by Claire Legrand

Extasia by Claire Legrand

Katherine Tegen Books, 2022

ISBN-13 ‏ : ‎ 978-0062696632

Available: Hardcover, paperback, Kindle edition, audiobook

Bookshop.org |  Amazon.com )

 

Extasia is a fiercely feminist dark novel of a post-apocalyptic community drenched in patriarchy and cult-like violent misogyny straight from The Crucible and Year of the Witching. The dogma is that women were responsible for the destruction of the world and thus four young girls are honored with the “sacred duty” of becoming saints, scapegoats who once a month face brutal mob violence from the community in order to expiate their sins. A serial killer has been murdering men, and the upcoming sainthood of Amity Barrow is expected to bless the community and end the killing. When the murders continue, Amity and her sister saints realize they must find a way to either solve the murders or escape. Just as things seem desperate, she is transported with her sister saints to a secret world, Avazel, and invited to join a coven and learn to wield the magical, dark power of extasia to end the killings and realize her own strength… but there’s more going on under the surface than she knows.

 

Extasia is visceral, violent, and disturbing in its intensity, but Amity is not completely isolated. She develops imperfect but strong relationships with girls and women from her community and the coven that survive even significant disagreements. While it’s somewhat heavy-handed, Legrand has outdone herself in creating a dark, powerful, horror story made even more terrible by the foundation of lies, grisly violence, and hate on which human survival after the apocalypse has been built..Recommended for ages 16+

 

Contains: violence to and killing of animals, attempted rape, torture, gore, murder, body horror, violence, gaslighting, religious trauma.

 

Reviewed by Kirsten Kowalewski

Book Review: Don’t Break The Oath: Women of Horror Anthology #4 edited by J Girardi and J Pipe

 

Cover art for The Oath

 

Don’t Break the Oath: Women of Horror Anthology #4 edited by J Girardi & J Pipe

Kandisha Press 2021

ISBN-13: 979-8750064694

Available: Paperback- Kindle edition

 

Women are increasingly taking the lead as horror authors and the present anthology is already number four in a successful series penned exclusively by female writers.

Unfortunately, I’ve missed the previous three volumes but I’ll certainly do my best in order to secure a copy of the whole series.

The current volume features twenty-three tales and, as customary with short story anthologies, not all the included material worked for me, although the average quality is certainly more than acceptable. But, as always, some stories really stand out and here they are.

“The Coachman’s Cottage” by Anna Taborska is a conventional, yet powerful, tale about the ghost of a woman walled up alive by her vengeful husband, haunting a man occupying an abandoned cottage.

Sonora Taylor contributes “Capable of Loving”, an insightful, disquieting piece featuring a creepy little girl bound to become a criminal, while Angela Yuriko Smith pens “Perfect Girlfriend”, an offbeat tale with a distinct SF flavor, featuring an inhuman doll endowed with extraordinary abilities.

“The Kinda True Story of Bloody Mary”  by Tracy Cross is an intriguing, very dark horror story about Bloody Mary, unfortunately wrapped up in a slightly boring context.

The vivid “ Fluid” by RA Busby is a piece of body horror addressing the terrible consequences of physical transformation.

While a fifth installment has been already announced, please enjoy what those dark lady writers have produced so far.

 

Reviewed by Mario Guslandi