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Memorable Short Stories

 

After my last post on how short stories are awesome, it was suggested to me that maybe I could make a few recommendations. So here you go– my totally subjective choices. These are stories that I personally have found memorable– either because I never, ever want to read them again, or because they draw me back, again and again. A few of them may not be in print anymore, and some are considered classics (you might have read them in school) but some are relatively new. Some might be considered YA, but don’t feel excluded! They are great reading for us older folks too.  And I’d say nearly all of them have either a creep factor, or a fear factor (with the possible exception of “In The Jaws of Danger”. Almost all those images are clickable, just in case you’re interested in checking out these authors on your own. If you have a memorable short story of your own that you would like to share, I’d be very interested in your comments!

Please don’t be thrown off by the overuse of blockquotes. It’s hard to tell when I’m formatting what it will look like when I’m done, and frankly, while I was a little startled to see how it looked when I previewed it, I’m way too tired to fix it right now. Thanks for understanding!

 “The Lurking Fear” by H.P. Lovecraft

My best friend in high school handed me her used copy of  The Lurking Fear and Other Stories and said “You’ve gotta read this”! I handed it back to her after reading just this story, and have never read Lovecraft since. It terrified me that much.

 “The Lottery” by Shirley Jackson

Anyone who has made it through high school without reading “The Lottery” should go do it right now. It is a chilling tale.

 

“High Beams”, collected by Alvin Schwartz

I love to tell this story to kids at Halloween, but it’s hard to go wrong with any story by Alvin Schwartz.

“The Tell-tale Heart” by Edgar Allan Poe

Poe is a master of the short story form. “The Tell-tale Heart” is only one of many memorable stories he has written: others include “The Cask of Amontillado”, “The Masque of the Red Death”, and “The Fall of the House of Usher”.

“The Veldt” by Ray Bradbury

Bradbury is another master of the short story. This list would be a much longer one if I included every story by him that I have found memorable. If you can believe it, I first read this in elementary school as part of the Junior Great Books program. I always found “The Veldt” to be a creepy story, and now that I’m a parent living in a hyperreal world, it’s chilling. Other stories I considered listing here included “A Sound of Thunder”, “There Will Come Soft Rains”, “The Flying Machine”, “The Third Expedition”, and, of course, Bradbury’s homage to Poe and to monster movies, “Usher II”

 

“Harrison Bergeron” by Kurt Vonnegut

Ah, the nightmare of a world where everyone is required to be average. Welcome to the Monkey House, which contains “Harrison Bergeron” also has a memorable title story involving Ethical Suicide Parlors, and one of my favorite stories of redemption ever, “The Kid Nobody Could Handle.”

“The Most Dangerous Game” by Richard Connell

“Survivor” has nothing on this masterpiece about hunter and hunted.

“Leinengen Versus The Ants” by Carl Stephenson

I can’t think of a better illustration of “man vs. nature”, which is probably why this story appeared in my high school English textbook. By the way, this particular book I’ve linked to here also has some other great stories, including Ambrose Bierce’s “Occurence at Owl Creek Bridge” and Jack London’s “To Build a Fire”.

“We Can Get Them For You Wholesale” by Neil Gaiman

Neil Gaiman does a wonderful job with the short story form, be it in the flash fiction format used in Half Minute Horrors, the parody of “Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire”, or the poetic brutality of “Harlequin Valentine” (both in Fragile Things). “We Can Get Them For You Wholesale” is, for me, anyway, unforgettable.

“The Open Window” by Saki

Saki is brilliant. “The Open Window” is extremely creepy. Another story of his I find very thought-provoking is “The Toys of Peace”.

“The Yellow Wallpaper” by Charlotte Perkins Gilman

A hallucinatory, semi-autobiographical tale of one woman’s descent into madness, this is also a vivid illustration of how many women with intelligence and will were treated at the time that it was written.

 “Monster” by Kelly Link

“Monster” could have been just a tale about bullying gone horribly wrong. But it’s much more frightening than that. It’s nearly impossible to go wrong with this collection, though. There are notably creepy, weird, and fantastical stories in here. Kelly Link is a true artist.

 “In The Jaws of Danger” by Piers Anthony

That cover image illustrates “In The Jaws of Danger” pretty effectively. Who knew dentistry could be so hazardous? Young Extraterrestrials is a book I treasure. It is filled with great stories, as you would expect from anthologists like Greenberg, Waugh, and Asimov. I can’t begin to tell you how many of their anthologies I devoured as a kid. Unfortunately it is now out of print.

“Mother of Monsters” by Guy de Maupassant

This is a truly horrifying story of calculated and twisted cruelty to children in the name of profit and fashion. Maupassant doesn’t need to get graphic to illustrate the tragedy and horror of the situation and of the culture that encourages it.

“Love Will Tear Us Apart” by Alaya Dawn Johnson

This  fantastic story appears in the YA anthology Zombies vs. Unicorns. It’s about a zombie and a human who fall in love, and the sacrifices they both make to be together. There are many strong stories in the anthology, and it is well worth it to check it out.

 

“Nightfall” by Isaac Asimov

If the stars should appear for just one night in a thousand years, how would humanity react? The answer: not well. This is classic Asimov. I read it first in high school, and I keep coming back to it. Make sure you’ve got the story and not the novel.

 

 

 

Women in Horror Month: Guest Post by Colleen Wanglund– Women Writers of Horror

Yes, I know it’s March 1. Believe me, this guest post is worth extending Women in Horror Month for an extra day.

Colleen Wanglund is a reviewer, writer, and passionate reader of (and about) horror, both in cinema and on the printed page. She reviews books for MonsterLibrarian.com and Horror Fiction Review (among other places) and writes about Asian horror films as the Geisha of Gore for Cinema Knife Fight. In short, she is one of the awesome women of horror this month celebrates.

Because Women in Horror Month usually focuses on horror movies, Colleen wanted to make sure that the women writers of horror and their books got some recognition too. She has written a fantastic piece that is essential reading for anyone seeking out excellent women authors of horror and their books, from Frankenstein to the present. These are her personal choices, not a canonical list, but you can rest assured she has read every one of these books and authors, and many, many more. If you love to read horror, any horror, or if you’re looking to specifically seek out great women writers in the genre, read what she’s written, print it out, and, if you are a reader’s advisory librarian, keep it with your Reader’s Advisory Guide to Horror.

 

 

Women in Horror

 

February is Women in Horror Recognition Month, thanks to a cool chick and my friend Hannah Neurotica. While most of the focus tends to be on the film industry (after all it is a boys’ club) I’m pushing female horror authors. I recently saw a comment left on a particular forum where someone had asked for some recommendations for female authors. The comment in question was a response and went something like “….it is an unassailable fact that men are better writers…” and it really pissed me off. Really? You think across the board that men write better than women? Well, tell me, my friend, who have you been reading? I can name dozens of female horror authors that write stories that are just as disturbing, if not more so. Personally, I believe women can tap into the deep well of our emotions because we tend to lead with them, whether they are positive or negative. This gives women a perspective that men don’t necessarily have.

Let me begin with the obvious. Mary Shelley. Without her there would be no Frankenstein or his monster. There have been countless books and movies that use Shelley’s central theme against playing God, whether it’s creating life or destroying it. Sadly, when her novel Frankenstein was first published, it was done so anonymously, because it was believed that no one would read the book if it were written by a woman.

Then there’s Anne Rice. Lestat is easily one of my favorite literary characters. In the third book of the Vampire Chronicles, Queen of the Damned (Ballantine Books 1989), Rice presents one of the best origin stories I’ve ever read for vampires, and Maharet cuts an imposing figure. How about Shirley Jackson and her novel The Haunting of Hill House (Penguin Books 1959)? It’s been adapted into a few successful films over the years. Daphne du Maurier’s Rebecca (Penguin Books 1969) was adapted into a film by Alfred Hitchcock. Two short stories by du Maurier were adapted into Hitchcock’s The Birds (1963) and Don’t Look Now (1973) which has turned up on a few scariest horror movie lists.

I also think you should be reading Linda Addison, the first African-American to win a Bram Stoker Award—and she’s won three for her horror poetry collections—Consumed, Reduced to Beautiful Grey Ashes (Space and Time 2001), Being Full of Light, Insubstantial (Space and Time 2007), and How to Recognize A Demon has Become Your Friend (CreateSpace 2011). Elizabeth Massie’s short story “Abed” is one of the most disturbing zombie stories I’ve ever read—by a male or female author. Massie’s Bram Stoker Award-winning novel Sineater (CompletelyNovel 2010) has been re-published for a new audience. Monica O’Rourke’s Jasmine & Garlic (Biting Dog Publications 2011) was so gory and violent it has forever changed how I approach a visit to the gynecologist!

There’s Carole Lanham’s collection The Whisper Jar (Morrigan Books 2011) with its subtle but frightening horror themes, including “The Blue Word”, another very unsettling zombie story with a twist that you won’t see coming. Suzanne Robb’s Z-Boat (CreateSpace 2011) is another great zombie story with a twist—and a relevant message about overpopulation and dwindling resources. Tonia Brown expertly covers all of horror lit’s sub-genres, and Jessy Marie Roberts wrote one of my favorite short stories ever about a woman who literally puts her all into a special Halloween dinner, titled “Pumpkin Soup”.

You should also seek out:

Poppy Z. Brite—Exquisite Corpse (Touchstone 1997), Drawing Blood (Dell 1994)

Mary Sangiovanni—The Hollower (Leisure Books 2007), Found You (Leisure Books 2008)

Carol Weekes—The Color of Bone (Genius Publishing 2012), Dead Reflections (JournalStone 2013)

Lisa Morton—The Castle of Los Angeles (Gray Friar Press 2010), Night-Mantled: The Best of Wily Writers (Wily Writers 2011)

Chesya Burke—Dark Faith (Apex Publications 2010), Dark Dreams: A Collection of Horror and Suspense by Black Writers (Kensington 2004)

Yvonne Navarro—Music of the Spears: Aliens Series (Spectra 1996), Deep Cuts: Mayhem, Menace and Misery (Evil Jester Press 2013)

Melanie Tem—The Deceiver (Leisure Books 2003), Slain in the Spirit (Leisure Books 2002)

Billie Sue Mosiman—Widow (Berkley 1995), Red Moon Rising: A Vampire Novel (DAW 2003)

Caitlin R. Kiernan—The Drowning Girl (Roc Trade 2012), Tales of Pain and Wonder (Subterranean Press 2008)

Gemma Files—Kissing Carrion (Prime Books 2003), The Worm in Every Heart (Prime Books 2006)

Sheri Gambino—Vicious Verses and Reanimated Rhymes: Zany Zombie Poetry for the Undead Head (Coscom Entertainment 2009), Rellik (2011)

Damien Walters Grintalis—Ink (Samhain Publishing 2012), Arcane (CreateSpace 2011)

Fran Friel—Mama’s Boy and Other Dark Tales (Apex Publications 2008), “Wings With Hot Sauce” (The Horror Library 2005)

Tananarive Due—The Between (Harper Perennial 1996), Domino Falls: A Novel (Atria Books 2013)

Lucy Snyder—Chimeric Machines (Creative Guy Publishing 2009), Shotgun Sorceress (Del Rey Books 2010)

Alexandra Sokoloff—The Unseen (St. Martin’s Press 2009), The Harrowing (St. Martin’s Press 2006)

Sarah Pinborough—The Taken (Dorchester Publishing 2007), Breeding Ground (Leisure Books 2006)

Sarah Langan—The Keeper (HarperTorch 2006), Audrey’s Door (Harper Publishing 2009)

Tonia Brown—Badass Zombie Road Trip (Books of the Dead Press 2012), Skin Trade: An Historical Horror (CreateSpace 2012)

Jessy Marie Roberts—Bloody Carnival (Pill Hill Press 2010), Kinberra Down (Pill Hill Press 2010; with Eric S. Brown)

I hope the women I left out will forgive me.

Do yourself a favor and read some of these fantastic women. You will find women have been greatly overlooked in the horror industry, whether it’s film or literature. I’ve heard it said that these women “write like a man” and I guess if that’s what you need to hear to check out female authors, then so be it—but don’t say I didn’t warn you.

~Colleen Wanglund

Women in Horror Month: GIRLS NIGHT OUT Podcast at Charred Remains

I’m a little late to the party, but, as part of Women in Horror Month, our fantastic reviewer Colleen Wanglund participated in GIRLS’ NIGHT OUT, an episode of Char Hardin’s podcast Charred Remains, devoted to women in horror in both visual and written media. Movie producers, directors, actresses, reviewers, writers, podcasters, and more, all participated in this Women in Horror Month themed episode.  Be warned, there is content and language you may not want children or coworkers to hear, but it’s fun to hear the women of horror speak about it with passion.

As Char said, the genre can be pretty male-driven, but women can be “just as twisted, just as perverse, and just as gross.”  Maybe more. Read Colleen’s reviews, and you’ll see. Whether you listen to the podcast or not, it’s definitely important for reader’s advisory librarians to understand that the audience (and the creators) of the horror genre, are a varied group, and one that is certainly not limited by gender.