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Book Review: Women in Horror Month: The Year I Flew Away by Marie Arnold

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The Year I Flew Away  by Marie Arnold

Versify, 2021

ISBN-13 : 978-0358272755

Available: Hardcover, Kindle edition, audiobook

 

Ten-year-old Gabrielle has left her home, family, and friends in Haiti to live in America with family she barely knows. Arriving in New York City in the winter, she is being bullied, having a hard time learning and understanding English and fitting in. She knows better than to trust a witch, but determined to be accepted, she accepts three slices of mango from the witch Lady Lydia. Each piece Gabrielle eats will grant a wish, but take something else away.

Gabrielle is a character who squeezes everything she can out of life. At the beginning of the book, she is mischievous and playful, active, curious, imaginative, loving, strong-minded, and brave. Marie Arnold sets her story to be descriptive of all the senses: flavors, textures, colors, and smells.  As much as Gabrielle loves her home, there is still poverty, hunger, and violence, and her parents, unable to get papers for themselves, decide to send her to America on her own, to stay with her uncle’s family. The qualities that serve Gabrielle well in Haiti, though, aren’t appreciated or apparent in New York City.

When she meets the witch, Lady Lydia, Gabrielle is wary, but after turning Lady Lydia away several times, Gabrielle finally decides she wants to belong enough to accept the consequences. Lady Lydia warns Gabrielle that if she eats all three pieces of the mango, she will have to give her essence to Lady Lydia. Gabrielle wishes for perfect English, and gains friends (Carmen and a talking rat named Rocky) but she also loses understanding of her home language, Haitian Creole, meaning she can no longer speak to or understand her family. What will the next wish take away? Gabrielle, along with help from her friends, must save herself and her family from Lady Lydia and figure out how to balance fitting in as an American with pride in her Haitian identity.

Arnold does a really wonderful job depicting the varying characters in the book, and addresses skillfully tough issues like racism and anti-immigrant sentiment. She presents a rounded picture of Gabrielle’s aunt and uncle, Carmen’s large family, and even the girl who bullies her. The tricky Lady Lydia is dramatically and vividly depicted, as is her nearly completed and disturbing spell. This is an entertaining, thoughtful, witchy, #OwnVoices book for middle grade students, and although the protagonist is a little young, could also be enjoyed by middle schoolers. Highly recommended for ages 8–12.

 

Reviewed by Kirsten Kowalewski

Book Review: The Crying Forest by Venero Armanno

Cover art for The Crying Forest by Veneno Armanno

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The Crying Forest by Venero Armanno

IFWG Publishing Australia, 2021

ISBN-13: 9781925956559

Available: Paperback, Kindle

 

Paul Munro and his young daughter Lía move from Hong Kong into a large country house in Australia. It becomes clear early on that Lía is more than what she appears. She sees things and has a power that others want to harvest for themselves. Agata Rosso, an ancient Italian witch, is one such individual. She used to hold so much power, but that power, and her youth, are long gone for her and her ailing husband, Giancarlo. Another party interested in restoring his vitality and power is the lecherous and wealthy Karl Haberman. After Agata Rossa endears herself to Karl by way of offering him something of a youth elixir, presented to him by a mutual acquaintance, Donatello Zappavigna. The old wretch and the aged witch join forces to track down the rich source of power in their midst.

 

Venero Armanno’s folk horror combines a good mystery, interesting characters, and both inhuman and very human monsters. I found myself unable to put the book down, while at the same time needing to take breaks to properly digest the chapters. Most of the characters are multifaceted, especially Donatello. I could go from having immense sympathy for him in one chapter, and absolutely hating him in the next. I liked discovering more about Lía as the story progressed, including details about her previous schooling and why she had to leave the hallowed halls of that school. She’s full of mystery and surprises, and a strength that shines through even from the first pages. I would recommend this for adult readers who enjoy folk horror works.

There is a content warning that needs to be addressed. Karl Haberman has certain sexual appetites that are disturbing. When Agata Rossa tells him what kind of person he needs to look for to pinpoint their target, it is revealed Karl has a liking for young girls.

Contains: blood, sex, pedophilia

 

Reviewed by Lizzy Walker

Book List: A Year of Witchy Reads

My library informed me that this year was the Return of the YA Vampire, and indeed we did see a number of YA vampire novels this year, not least of which was Stephenie Meyer’s latest addition to the Twilight saga, Midnight Sun. 

For myself, I discovered I had read a number of very good books focused on witches and witchcraft.

 

A Deadly Education by Naomi Novik was an interesting YA title that followed a teenage witch at a boarding school for witches, who is aggressively beleagured by her powerful talent in black magic that she is trying to avoid using. The school is regularly invaded by monsters who feed on the students and their magic and also surround the school, making survival until graduation and escape afterwards a deadly challenge. This is significantly different from Novik’s previous endeavors in alternate history and fantasy, and presents a unique twist on the “boarding school” genre.

 

 

 

   Gideon the Ninth by Tamsyn Muir is a strange combination of space opera, necromancy, and political maneuvering. In this book, there are nine Houses, each responsible for a different variety of magic. The Ninth House specializes in necromancy. When a competition for a high position working with the Emperor  arises, each House is required to send a magic user with a bodyguard. Gideon, much against her will, reluctantly agrees to accompany Harrow, the powerful and very unpleasant necromancer who heads the Ninth House.  I can’t even try to explain the puzzles, magic, politics, personalities, and relationship dynamics in this book except to say that Gideon and Harrow are a compelling pair, regardless of whether you love, hate, or are exasperated by either or both of them. The sequel, Harrow the Ninth, came out recently as well, and is also mindbending and disturbing.

 

Cemetery Boys  by Aiden Thomas is another  #OwnVoices YA novel that has gotten a lot of press, and a lot of praise. Our main character, a Latinx trans boy, proves he deserves to be accepted in the coming-of-age ceremony for brujos, who can see, control, and banish ghosts.  While not as thoroughly horrific as a genre reader might expect, the conclusion makes up for it, and this is an outstanding book with great representation.

 

 

 The Mercies by Kiran Millwood Hargrave is a terrifying work of historical fiction strongly grounded in fact, about a fishing village of women in an isolated, freezing location are left to manage everything on their own when the men are all swept away during a storm while they are on the water. Once the government steps in, the idea that women could be competent enough to take care of themselves suggests that at least some of them must be witches. I wrote a more extensive review of this book earlier this year and I really suggest that you read it, and then read the book.

 

Conjure Women by Afia Atakora is an #OwnVoices work of historical fiction with threads of horror and the supernatural throughout. It alternates between “slaverytime” and “freedomtime”. The “slaverytime” storyline takes place on an unnamed plantation in the South and follows Miss May Belle, the conjure woman responsible for healing, midwifery, and sometimes, casting curses and spells. The “freedomtime” storyline is told from the point of view of Rue, Miss May Belle’s daughter, who has taken over her responsibilities as conjure woman. The former enslaved people from a burned down plantation have built a hidden village nearby. While they respect Rue at first, after she delivers a baby with a caul over its head and an illness she can’t cure causes children to sicken and die, they turn against her. There’s no way to avoid horror when evoking slavery, and Atakora based a lot of her story on oral accounts and slave narratives. While the pacing was relatively slow and not everyone will appreciate the shifting points of view, I found this a compelling story.

 

The Graces by Laure Eve is a YA novel about a girl who believes she has magic and is looking for others like her. She finds them in the Grace siblings, beautiful and charismatic, who may or may not have magic. The narrator, identifying herself as River, is an unreliable reporter of events, making it a challenge to tell what is actually happening.

 

Cinderella is Dead by Kalynn Bayron is an #OwnVoices YA novel that explores what might happen after the happily ever after of the Cinderella story. If you’ve read any book about a repressive, patriarchal society, from The Handmaid’s Tale to The Grace Year, you’ll be able to guess that the answer is “nothing good”.  200 years after Cinderella married her true love, all teenage girls must know the government-approved version of the story by heart, and be ready to be chosen by an eligble man as his wife. Sophia would rather marry her friend Erin than any man, but she’ll have to take down the patriarchy to do it. I’d spoil the story if I revealed the part the witch takes in this story.

 

 Year of the Witching by Alexis Henderson is a dark tale of witchcraft, wildness, and the dangers of a patriarchal theocracy. Immanuelle is the child of a forbidden affair that led to her parents’ death and her grandparents’ ostracism, and she has been told never to enter the woods because dangerous witches live there and would seduce her into witchcraft. Entering the woods despite the warnings, she discovers her mother’s diary, which contains both evidence of her love for Immanuelle’s father and of a descent into madness. When inexplicable plagues begin to destroy her community, the head of the Church, known as the Prophet, decides they must be due to witchcraft and starts culling possible witches from the women, including Immanuelle. While the plagues send illness, darkness, and blood, the Prophet, his co-leaders, and his most devout followers are also sources of dark and terrible things.

 

 

 Undead Girl Gang by Lily Anderson was a surprise to me! Despite appearing on a list of YA vampire titles (there are no vampires) and a title suggesting a zombie romp, this book actually centers on a fat, Mexican, teenage witch, Mila, who is grieving the sudden death (and probably murder) of her best and only friend, Riley, following the sudden deaths (and probably murders) of Dayton and June, popular mean girls at school, all of which have been chalked up to suicide.  Mila discovers a grimoire with a dark spell that will allow her to bring Riley back from the dead for seven days to help prove and solve her murder, but when she casts it, she accidentally also brings back Dayton and June– and now they’re all connected okay, so maybe it is a little of a zombie romp, but the plot centers on Mila and her witchery). The reunion with Riley isn’t exactly what Mila expects it to be, and both Dayton and June turn out to be a little more three-dimensional than they seemed while they were alive and tormenting Mila. The mystery is pretty predictable– it’s the girls, and especially Mila, who make it fun. Anderson sensitively deals with grief, death, and friendship, with touches of humor.

 

The Once and Future Witches by Alix Harrow was also published this year,  but I haven’t yet had an opportunity to read it. But there are great books of all kinds on witches, for teens and adults, for lovers for horror, fantasy, space opera, dystopia, and historical fiction… If you are looking for a little witchcraft to spice up your holiday season, you might want to check one of these out.