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Graphic Novel Review: Woodstake: Three Days of Peace, Music, and Blood Volume 1, by Darin S. Cape, art by Felipe Kroll, lettering by Stephen Kok

 

Woodstake bookcover

Woodstake: Three Days of Peace, Music and Blood by Darin S. Cape, art by Felipe Kroll; lettering by Stephen Kok
SHP Comics, 2025
ISBN-13: 979-8992749915
Available: paperback
Buy: Bookshop.org

 

Woodstake begins in March 1927, in upstate New York, in a lone cabin where Dracula awakens, feeding on the wildlife in the forest to regain his strength. Nearby, Jack Heyward and Lucy Westin are in love, but the latter is hunted and turned by Dracula.

 

Sheriff Obadiah Wood is investigating a strange murder, and Marius Van Helsing believes he has killed the creature that used to be Lucy. As time passes, Van Helsing’s son Alexandru takes on the mantle of the family legacy of hunting vampires, and Obadiah’s son Jim becomes the acting sheriff of Sullivan County.

 

The setting then changes to San Francsico in July 1969. Jonathan distributes his free music publication to interested readers, struggling to keep it going while his father gives him an ultimatum. Jon needs to turn a profit so he can make a living, or be cut off financially and return home to work for Boeing, something he is vehemently against, as he is opposed to the Vietnam War. He reaches out to his friend Artie, and they, along with Artie’s friend Nina, head to Woodstock with the hopes of getting a front-page interview with Jimi Hendrix. They receive a rude welcome at the diner from a couple of locals, one of whom has returned from Vietnam and the other who can’t wait to go fight. The situation escalates into a confrontation in the woods, where the sheriff does something that goes against his regular duties. When the trio get to the music festival, nobody expects that a vampire horde is about to descend on the crowd of festival-goers.

 

The publisher’s summary includes that this is a “darkly funny, genre-bending thrill ride.” Unfortunately, the humor doesn’t land for me, and for anyone who is a fan of 1960s and 1970s vampire horror flicks, this story is not genre-bending, as there are several films that combine hippies and vampires. Perhaps with the addition of music history, sure, but not when it comes to the merging of horror and counterculture movements. However, although there is so much going on in Woodstake that it is hard to track some of the plot, it is still a good read. The subplot of anti-war protests and two very different groups clashing reflects the period well. For music fans, look for musical references included in various scenes. Maybe dig those albums out, or access them via streaming, and give them a listen while reading. It does add atmosphere, so kudos to Cape for including them in the book.

 

While Kroll’s art style is unique and vivid for the most part, there are some shadows that do not seem to play well on the page, and sometimes expressions do not match the emotion in some panels. However, when he uses vibrant colors, his artwork really comes alive, where his shadow work is excellent. His chapter break pieces are phenomenal.

 

Another aspect of comics and graphic novels I have been tracking lately is lettering. Stephen Kok’s lettering in this book is clear, and it is obvious who is communicating, and how.

 

This book is recommended for those who like horror and music history, as well as for readers who are looking for a good vampire story. Libraries looking to grow their comics and graphic novels offerings should consider this for their collection. Recommended.

 

 

Reviewed by Lizzy Walker

They Drink Our Blood by Lucy Leitner

cover art for They Drink Our Blood by Lucy Leitner

They Drink Our Blood by Lucy Leitner
Blood Bound Books, 2025
ISBN: 9781940250700
Available: Paperback, Kindle edition
Buy: Amazon.comBookshop.org

 

They Drink Our Blood is another engrossing tale from this author, and it demonstrates yet another facet of her writing style.  Leitner has already proven adept at dystopian satire with Outrage Level 10 and Bad Vibrations, as well as detective stories featuring the lovable, bumbling private investigator Thor Cole in The Girl With The Lollipop Eyes.  However, They Drink Our Blood is a darker, grimmer tale of vampires, and a possibly confused reality.  After the reader is done, they likely still won’t be sure if the overarching narrative was as it was portrayed, or simply the protagonists twisting the evidence to fit their own version of reality.

 

Taking place entirely in a small, somewhat run-down section of Pittsburgh, it seems that vampires have been living in the USA for years, and are now starting to come out of the shadows, as a few grisly murders around the country seem to attest.  Lisa is a thirty-something, struggling artist living in Pittsburgh, and the murders inspire her to try to do something to protect the people of her neighborhood.  She’s a fascinating character, as we watch her transition from painter to crusader, which alters her whole perspective on her own life.  Before the vampires, she never really had any doubt about what she was doing, and her paintings were her entire reason for being. Once she perceives a threat to her town, her outlook alters substantially, as she finds she may have found her actual purpose.  That means confronting the possibility that all the paintings she did were pointless, despite her telling herself for years that people simply didn’t “get it” when it came to her work. There are a few very good monologues from Lisa throughout the book that help illustrate the character’s uncertainty home in terms of her career choice, and it gives the reader something to ponder over as well, when concerning the overall purpose of art.

 

Lisa’s few friends and bar buddies in her section of town eventually buy into the idea that the vampires are real and a threat, and decide they need to do something to fight back.  That’s the point where the real skill in the narration comes in, as the evidence for bloodsuckers is rather ambiguous.  Lisa has an Uber passenger and she can’t see his face in the mirror?  Good evidence, but it was dark and he was wearing a hoodie.  Murders with a torn throat, and maybe some bite marks?  Sure, but this is the USA, and there are some real weirdos out there, as we all know.  Besides, the bodies weren’t drained, were they?  Or maybe the cops didn’t reveal that part?  Garlic and silver, classic undead repellents, are suddenly hard to find in the neighborhood, but the author wisely does NOT say if the rest of the country is the same way.  She keeps the focus on one little area, which keeps the level of uncertainty for the reader at a high level, as well as making the story theme much more believable.

 

Eventually, the story does build to a messy climax, but true to form, it doesn’t resolve the big question: were vampires present and making their move for domination, or were Lisa and her friends part of some sort of mass psychosis, where they saw what they wanted to see?  Was it real, or all in their minds?  Did they just need a scapegoat for their own humdrum, unfulfilled lives?  That’s for the reader to decide, as Leitner plays her cards close right through the end, and never gives it away.  Another well-done tale from an author who is proving to be a chameleon when it comes to writing.  Recommended.

 

Reviewed by Murray Samuelson.

Book Review: The Last Breath Before Death by Alan Golbourn

cover art for The Last Breath Before Death by Alan Golbourn

The Last Breath Before Death by Alan Golbourn

Gelbs Publishers Ltd, 2924

ISBN: (Hardback) 978-1-03690245-2, (Paperback) 978-1-9993795-9-9,                  (eBook) 978-1-9993795-8-2

Available: Hardback, Paperback, eBook

Buy:  Bookshop.orgAmazon.com

 

The Last Breath Before Death is the fourth horror novel by Alan Golbourn, who is of British and American descent. The principal character is Jimmy Cochran, a freelance writer and graphic novel illustrator. Jimmy lives in New York City but spent his early life in England. He has personally experienced paranormal phenomena but is skeptical of public claims of hauntings and other paranormal events. He investigates some of these and publishes his findings in newspapers and magazines.

 

His mother, who lives in England, tells him that his estranged half-brother and a friend have gone missing during a camping trip in Germany. Jimmy agrees to travel to England and investigate after a psychic tells him that the pair are in danger. Jimmy learns that they were investigating the provenance of a mysterious relic. Jimmy eventually learns that the relic is integral to the resurrection of a powerful cult of vampires and revenants, called “Nachzehrers”. The cult has ties to the Serbian “Black Hand” terrorists, who assassinated Archduke Ferdinand of Austria and his wife Sophie, the event that kicked off World War I.

 

Jimmy and a few local policemen from a town in northern Germany find a site in the mountains where the cult plans to torture and eat Jimmy’s brother and other captives to gain strength and immortality during the “Blood Moon”. The last few chapters describe the violent and gory battle with the cult in detail.

 

The plot’s first half moves along slowly as it progresses through lengthy and stilted dialogue. Although readers will learn some British slang and idioms, it is difficult to believe that people speak so formally. There are a few gratuitous digressions, such as the urban legend about cat and dog meat in Chinese food and rants about being dumped in dating apps. Once Jimmy arrives in Germany, the plot advances at a nice pace. The dramatic ending is worth waiting for. There is moderately intense, casual sex with a tattoo artist and mild use of profanity.

 

Reviewed by Robert D. Yee