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Booklist: Final Girls

      cover art for My Heart Is A Chainsaw by Stephen Graham Jones  Wow, final girls have really had a great summer! July saw the release of The Final Girl Support Group by Grady Hendrix (reviewed here), and with the very end of August, I see Stephen Graham Jones’ newest book, My Heart Is A Chainsaw, is being released. The final Girls Support Group by Grady HendrixI have not had the opportunity to read that yet, but I highly recommend The Final Girls Support Group (on a side note, my daughter was delighted that the characters were getting therapy).

The final girl is the survivor who takes down the monster in slasher movies. When fiction touches on her, it’s usually in a meta sort of way. Here are a couple of titles to try out if you are in the mood for a tale about final girls.

 

 

 

 

Final Girls by Riley Sager follows Quincy Carpenter. the lone survivor of a massacre at a cabin in the woods ten years earlier. Quincy, along with two other girls, Lisa and Sam, who survived slasher-style massacres, were labeled “Final Girls” by the media.cover art for Final Girls by Riley Sager  She has done her best to move on, finding a boyfriend and starting a baking blog, but things start to fall apart when Lisa apparently dies from suicide, leaving a message on Quincy’s voicemail. Then Sam, who has been off the grid for years, appears at Quincy’s door and Quincy’s carefully constructed life starts to fall apart. The twist in this story was not what I expected it to be. Sager does a great job of deconstructing the final girl trope and this was a very difficult book to put down.

 

 

 

 

cover art for Final Girls by Mira Grant  Final Girls by Mira Grant introduces Esther Hoffman, a journalist determined to debunk proprietary virtual reality technology that situates participants in horror movie scenarios to force them to face their worst fears. The scientist in charge, Dr. Jennifer Webb, challenges Esther to try it out with her. Events out of their control result in the two of them being trapped in the virtual reality scenario together, with disturbing results.

 

 

 

 

Final Girl by David Hutchison

Final Girl Pocket Manga vol. 1 by David Hutchison drops four girls in a seemingly abandoned, isolated town, where they are stalked by its residents, and must escape their nightmare situation. Only one of them can be the final girl, though… Readers voted for their choice of final girl, and a bloody, full color climax reveals the survivor.

 

 

 

 

 

cover art for The Last Final Girl by Stephen Graham Jones  The Last Final Girl  is also by Stephen Graham Jones. Taking a . chance with an experimental format, he has written it in a screenplay format, following the structure of a slasher movie. His love of the genre is clear, with many references to existing movies and “in-jokes”. The structure and the dependence of the audience’s understanding of the text on comprehension mean this will appeal to a very niche audience, but that audience will love it. Graham has also written an amazing final girl in his last novel, The Only Good Indians. 

 

 

 

 

The Mary Shelley Club by Goldy Moldavsky starts us out with a final girl– Rachel Chavez, who was attacked in her home and survived. Rachel is a scholarship student at a fancy private school who starts out with no friends, cover art for The Mary Shelley Club by Goldy Moldavskyuntil she discovers a secret club of horror lovers, The Mary Shelley Society, who create “fear tests”, horror scenarios that they try out on friends, classmates, and family. There’s no way this could end badly, right?

Book Review: 56 Days by Catherine Ryan Howard

cover art for 56 Days by Catherine Ryan Howard

56 DAYS by Catherine Ryan Howard.

Blackstone Publishing, 2021

ISBN-13 ‏ : ‎ 978-1982694654

Available: Hardcover, hardcover large print, CD Bookshop.org )

 

We knew it was coming. Just as 2020 had to finally hang up its tainted spurs and 2021 decided it needed some negative attention, a novel about COVID-19 was inevitable.

 

The only mystery was whether it would be any good, or just capitalizing on the modern plague.

 

Set in Dublin, Oliver and Ciara meet 56 days ago, just as the virus hits Ireland. 35 days ago, the lockdown begins. Yet, instead of doing what most fledgling couples would, Ciara moves in with Oliver. I highly recommend NOT doing this in real life. Relationships are tough enough; the virus can cause isolation to drive the most “normal” person to near homicidal tendencies.

 

Oliver is not who he seems to be, and with the pandemic, prolonged time together shaves away the masks we wear, leaving behind the true faces underneath. What did Oliver and Ciara learn about each other? What drove one to kill the other?

 

Catherine Ryan Howard takes a chance with allowing 56 Days to build at a slow, steady burn. If readers hang on, they will be rewarded in a blistering second half that delivers on what is promised.  She has produced a quality suspense novel here that will undoubtedly win her new fans with this story that refuses to play by the rules. That’s a very good thing.

 

The format is interesting, beginning with the discovery of the body and then jumping between the lovers and the pair of officers, Kurt and Lee, who struggle to piece together this timely mystery.

 

The reader is immediately thrust into a story that is narrative heavy, describing the scene where a dead body is found.

 

Is it Oliver or Ciara?

 

It’s an intriguing puzzle that will keep readers buzzing.

 

Recommended for any suspense/mystery readers who are ready for the first big COVID hit.

 

Reviewed by David Simms

 

Book Review: Constance by Matthew Fitzsimmons

cover art for Constance by Matthew Fitzsimmons

Constance by Matthew Fitzsimmons

Thomas & Mercer, 2021 (release date Sept. 1 2021)

ISBN: 9781542014274

Available: Hardcover, paperback, Kindle edition, audiobook ( Bookshop.org | Amazon.com )

 

Constance is an outstanding thriller written in the vein of Michael Crichton.  It’s extremely fast paced and  emotionally deep. Its version of Earth in the future is beautifully detailed, with a lot of thought put in to how technology may evolve in the next 15 years.  This is a “can’t miss” book, and it wouldn’t be surprising to see Hollywood snap it up, it would be perfect material for Christopher Nolan (Interstellar, Inception) to direct.

 

The backbone of the book centers on human cloning, but not for replacement parts.  It’s for cloning replacement human beings in the event of  their untimely deaths.  Anyone with a clone in stasis has to re-download their consciousness into the clone every thirty days.  If a person dies, the clone is activated and the only memory lag should be between the last “refresh” of the clone and their time of death.   The protagonist, Constance D’Arcy, has a clone, a gift from her eccentric and very rich aunt.  When Constance wakes from her latest refresh, she learns she is not Constance, but Constance’s clone, just activated after 18 months of the original Constance being missing.  The clone (called “Con” here to eliminate confusion) is quickly on the run for her life, as various parties want her for… something.  It’s a complex puzzle for Con to learn what Constance was up to in the last 18 months, and how it relates to her being hunted by the various antagonists in the story.

 

Any more would spoil the plot, but it’s enough to say this is an incredible novel.  The characters are perfectly done and filled with depth, the thrills never stop, and the puzzle is a tough one to unravel as you read it.  Also, the science is explained well enough that the average reader won’t get overwhelmed.  Like the movie Inception, there are layers to the story, in terms of clones… and their clones… and the consciousness of some characters cloned into completely new bodies unrelated to the original.  It might be a lot to handle, but the author’s clear style keeps it easy to follow for the reader.  It helps make the story great, as the reader will never know for sure who a character actually is, until the author reveals it.  In the hands of a less talented author this could have been a labyrinthine mess, but Fitzsimmons pulls it off to perfection.

 

Fitzsimmons also does an excellent job painting some of the ethical and political problems of cloning into the story.  Different viewpoints on cloning are expressed through characters that are essential to the story.  The push/pull dynamic between the characters and their viewpoints on cloning adds depth to the story without controlling the narrative, and it is extremely well done.

 

Simply put, anyone who loves a good story has to get this one when it is released.  For a thriller, it doesn’t get any better than this.  Highly recommended.

 

Contains: profanity, mild violence

 

Reviewed by Murray Samuelson