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Book Review: They Say A Girl Died Here Once by Sarah Pinborough

They Say A Girl Died Here Once by Sarah Pinborough
Earthling Publications, October 2016
ISBN-13: 978-0996211833
Available: $35 signed & numbered hardcover; $400 lettered edition

It’s time once again for Earthling Publications’ Halloween present to horror readers. For the past 11 years, Paul Miller has given the gift that keeps on frightening; not once has he chosen a story, or author, that has disappointed. Every year, Earthling offers something different– a new twist on the classics, or a story that delves into a dark corner of the genre’s history.

This time, he has chosen author Sarah Pinborough, who has penned novels in various genres but always seems to return to horror, where she originally staked her claim, through a number of paperbacks from the defunct Leisure line, as one of those “writers to watch.”

With the success of Mayhem and The Forgotten Gods trilogy, she proved she wasn’t a flash in the pan. She is a master of thriller writing. Her ability to create a dark, horror-infused atmosphere lifts every one of her novels into a realm few writers have reached. Last year’s Death House pushed her into the ranks of the horror-writing elite, and should have swept the awards.

Now she’s back, with They Say A Girl Died Here Once, a ghost story that is as much a psychological thriller and a mystery as it is a horror novel. This disturbing family drama centers on teenage Anna and her family: her mother, little sister, and grandmother. While the tale of a family moving into a house with a dark past is a common trope, Pinborough sidesteps the expected, and delivers a new take on haunting, dark, family secrets.

Anna and her family have moved into a new town to escape the “thing” that happened to her back home: an incident that has fractured all her relationships, as well as her own sanity. She attempts to fit in with the teens she meets, and to participate in the normal activities of high school. Anna’s mother works odd hours, so Anna is also tasked with taking care of her grandmother, Evelyn, who is in the advanced stages of dementia. Evelyn’s behavior becomes increasingly erratic. She begins wandering the house, often winding up at the basement door, and speaking phrases that make little sense. The discovery of what has happened, both in the house and in the town, makes Anna curious enough to delve into the mystery, as she attempts to decipher the words of what has been speaking through her grandmother. What ensues pushes the tale down a new avenue in ghost stories. Each relationship Pinborough weaves is tenuous at best, from the creepy handyman who courts Anna’s mother, to the rebellious friend, to the other teens bent on finding out what the “thing” is in her past.

In lesser hands, They Say A Girl Died Here Once could have been just another ghost story. With her exquisite writing, Sarah Pinborough molds it into something special and unexpected. Her deft hand in creating atmosphere as a character is on display here, along with the individual characters who drag the reader into the depths of her nightmarish visions.

With this author, and Earthling as the publisher, this novel is very much recommended. The only downside is the limited print run, so pick it up quickly.

Reviewed by David Simms


Book Review: Sherlock Holmes and the Servants of Hell by Paul Kane

Sherlock Holmes and the Servants of Hell by Paul Kane

Rebellion/Solaris, 2016

ISBN: 9781781084557

Available: Paperback, Kindle edition

 

Sherlock Holmes and Cenobites sound like a combination that would be truly awful together, but I have to say, Sherlock Holmes and the Servants of Hell blew my assumptions out of the water. With an introduction by Barbie Wilde, I was put at ease.

The book opens with a man solving the Lament Configuration. That man is Sherlock Holmes.

It’s 1895. Moriarty is declared dead, and Holmes miraculously survives the tumble off the cliff in his final adventure. Holmes and Watson are engaged by Laurence and Juliet Cotton, newlyweds with a strained relationship, to investigate the disappearance of Laurence’s brother, Francis. Their investigation leads them to look into a series of unusual missing persons’ cases, in which the missing parties vanish in impossible ways. One man disappears from a locked room, the only traces left behind being the faint scent of vanilla.

This is just the beginning of an investigation that will draw the pair into contact with an organization whispered about and known only as ‘The Order of the Gash.’ Clues lead the sleuth and the doctor to an underground club that services the most depraved of the upper crust of society, a sinister asylum in France, and the underworld of London. They encounter shady operators, meet old acquaintances in the strangest of circumstances, enter a world of depravity and pain, and make dangerous associates—the Cenobites, from hell.

Kane, previously editor of the tribute anthology Hellbound Hearts, clearly has a familiarity with and love of the Hellraiser universe. In this book, in addition to new Cenobites, Kane includes storylines and characters from Barker’s novella The Hellbound Heart, as well as the Hellraiser films.  I was pleasantly surprised to also find an authentic Holmes feel and pacing that shows a familiarity with the characters and style of Holmes’ stories. Kane was able to keep with the atmosphere and period sensibilities of Sir Arthur Conan Doyle’s style while still creating the feel of Clive Barker’s world of Cenobites–  and he makes it work. Recommended. Reader’s advisory note: Fans of both Sherlock Holmes and Hellraiser should enjoy this. Other horror/Holmes crossover titles include Sherlock Holmes: The London Terrors and others by William Meikle, and Gaslight Arcanum, edited by Kim Newman and Kevin Cockle.

Contains: mentions of body horror, allusions to sexual activity and gore

Reviewed by Lizzy Walker


Book Review: Dead Souls by J. Lincoln Fenn

Dead Souls by J. Lincoln Fenn

Gallery Books, 2016

ISBN-13: 978-1501110931

Available: Pre-order, paperback and Kindle edition

 

Fiona Quinn is having a bad day. She’s soaking wet, freezing cold, barefoot, locked out of her apartment without her wallet, and she just saw her boyfriend, Justin, take off in a taxi with another woman. It’s hard to believe that anyone would give her a drink, but her background in marketing makes her very convincing, and she’s busy downing mojitos when a man walks up to her, offers to buy her a sandwich and a drink, and asks her what it would take to convince her to sell her soul. Being an atheist, she says she’d trade it for the power of invisibility… but apparently lack of belief doesn’t invalidate the deal, and suddenly she owes the Devil, now called Scratch, a favor of his choosing– one that’s likely to be horrifying, graphic, and newsworthy.

As a damned soul, Fiona can identify others, and she meets Alejandro, who traded his soul to become a famous photographer. He  introduces her to a support group for those who have traded their souls and are now waiting for their favor to be called in, and lends her a book compiled over time by other damned souls seeking a way out.  Having traded her soul for invisibility so she can spy on her boyfriend, she then learns that, rather than cheating, he actually was planning to propose before he developed pancreatic cancer, and is leaving his estate to her. Feeling guilty, and wanting to restore him to health, she tries to figure out a way to change her deal with the devil to save Justin. Alejandro warns her that the devil is always a few steps ahead of what any of his dead souls may be planning, but Fiona is sure she can successfully double deal with the devil, escape her fate, and change Justin’s.

Much like the devil, J. Lincoln Fenn managed to keep a few steps ahead of me all through the book, with a twisty plot that somehow managed to tie together the beginning of the story with the end in a manner that is both ironic and truly gruesome. The favors Scratch calls in are turned against Fiona and her fellow dead souls, as he forces them to use the gift they bargained for in warped, grotesque, and graphically portrayed ways, both against humanity in general and each other.  Social media, photography, and marketing strategies all take prominent roles in the way the story plays out: Alejandro uses his images to capture souls, and Fiona uses her marketing talents to manipulate others, using her marketing trinity of novelty, misery, and desire.

Fenn’s writing is a trap: it starts out slowly, and the first quarter of the book creates unease, but there is no indication of the stomach-churning events to come. While I don’t think Fenn is aiming to be extreme, this is not a book for the squeamish. Some of the favors called in create images and visceral reactions that I won’t be able to let go of easily. Dead Souls is a well-crafted tale that, in addition to provoking unforgettable reactions in the reader, also provides food for thought, and it will disturb your thoughts next time you turn on the news. I won’t be surprised if it makes the shortlist for the Stoker this year. Highly recommended for public library collections. Reader’s advisory note: try recommending Dead Souls to readers who enjoyed Fenn’s debut novel, Poe, or Lauren Beukes’ Broken Monsters.

 

Contains: Graphic violence and gore, suicide, implied cannibalism, suicide, torture, mutilation, and descriptions and imagery depicting mass killings.