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Book Review: Out of Water by Sarah Read

Out of Water by Sarah Read

Trepidatio Press, 2019

ISBN-13: 978-1950305056

Available: Paperback, Kindle edition

 

There are a handful of authors who have emerged in the past year or two that have made a splash in the world of horror. Thankfully, many of them have been recognized either by review sites such as this one or through awards. I was handed The Bone Weaver’s Orchard last year and was impressed with the writing. Sarah Read immediately established herself in the top tier of new writers that would soon make waves in publishing. That novel overflowed with style and character that lent a “classic” tone to the story that felt both natural and fresh.

When Out of Water arrived from the always quality Trepidatio Press, I waited until I had time to enjoy these stories. That old cliche rang true once again: good things do come to those who have to wait for ideal times for great stories in the middle of chaotic lives!

Instead of hitting on every story here, I’ll focus on a few that resonated with me long afterwards or jarred me with an emotion right away. There were plenty.

“Endoskeletal” is a perfect representation of the modern horror story. Archaeology in the genre is always a treat. What begins as something that seems typical goes sideways pretty quickly, with a character who sticks with the reader in a memorable, claustrophobic tale.

“Making Monsters” grips the reader by the throat. Read examines the inner workings of its disturbing lead character, while making the story enteraining just as much as it is bleak.

“In Tongues”- just read it. Weird religious tales written well have a tendency to burrow under the skin, and the author nails it here.

Finally, “Underwater Thing” feels a bit Lovecraftian, yet wholly original as well. The father-daughter dynamic is painful but full of suspense. It’s probably the highlight of the collection.

Other stories hit on different cylinders, with topics that are wide-ranging but have a common thread. There’s a sense that mood will determine which story could be a favorite for that particular day which, for me, is a strong sign of a stellar collection. The writing is  detailed, but not flowery. Read imbues each story with just enough imagery for the reader to conjure the visions to bring each to life.

It’s easy to see why this book was shortlisted for the Bram Stoker Awards. Recommended.

 

Reviewed by David Simms

 

Editor’s note: Out of Water was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Fiction Collection.

 

Book Review: Lady Bits by Kate Jonez


Lady Bits by Kate Jonez

Trepidatio Publishing, 2019

ISBN-13: 978-1947654815

Available: Paperback, Kindle edition

 

Lady Bits is a collection of stories with struggling female protagonists: daughters, mothers, sisters, young women with dreams, cynical and desperate older women. In addition to their other fears and strategems, almost all of them are living in poverty, without a support system. They are the invisible women and girls, inhabiting the shadows in an uncaring world. Jonez’ spare language leaves space for the reader to wander and wonder through the words.  This means that while some stories, like “Francie”,  where a runaway teenage girl is offered a potentially lucrative job, are predictable, the writing is enough to keep the reader going.  Many of the stories have an imaginative creature, such as a hobgoblin, fairy, or demon, at the center, but in an everyday environment that throws the fantastic into sharp relief. “Mountain”, in which a former diner waitress returns from college to discover the owners’ new baby is a nightmare, is a gruesome example of this. Other stories have protagonists who have an unreliable grip on reality. “Fairy Lights,” in which a mother discovers the perils of partying with the fairies, and “A Thousand Stitches”, in which a young seamstress is encouraged by her colorful coworker to escape to the city, use this to advantage.

Jonez is not afraid to venture into the gruesome and squicky, as she does in “Rules for Love”, in which a woman prepares for an unusual Valentine’s Day with a helping of arsenic and body horror, and in “Envy”, in which a wealthy white woman uses her privilege in disturbing, extreme, and deadly ways. “Accidental Doors”, in which a woman who botched her business partner’s murder finds she can step through portals to the past to fix her mistakes, also gets pretty gory. When Jonez’ women decide to do evil, they aren’t worried about getting their hands bloody.

I did start to feel beaten up by the number of stories featuring murderous or uncaring mothers. “A Flicker of Light on Devil’s Night” and “The Moments Between”, in particular, felt very repetitive, and the choice to put one right next to the other was not well thought-out. Followed by the gripping, if incoherent “Poor Me– And Ted”, this is a trio of stories that nearly did me in from exhaustion.

Other stories in this collection included the colorful “All The Day You’ll Have Good Luck,” an entertaining and exasperating story about a girl who is flattered into a dangerous position by a strange young man;  “Effigy”, in which a job interview for a nanny position goes very, very wrong; “By the Book”, in which a murderous babysitter discovers patience; “Like Night and Day”, in which Marla Ann’s new neighbor turns out to be more dangerous than he seems, although not enough to keep her from inviting him in for sweet tea; “Silent Passenger”, in which a truck driver discovers a way to alleviate her pain and grief over her husband’s death; and “No Fear of Dragons”, in which the narrator encounters a girl who is not what she seems.

It’s nice to see a variety of female characters taking on different roles in the story, instead of always being passive or victims, but I also wish some of the characters had been easier to relate to. Although feelings were communicated clearly, many character motivations seemed unclear, and that made it hard to get into the flow of the story. This isn’t a collection you can just power through; it takes time to explore what’s going on in each story, and it’s difficult for me to do that and also feel the intense emotions Jonez is trying to evoke. Lady Bits is an interesting, if imperfect collection, and moving forward, I hope we’ll see more strong stories with varied female characters.

 

 

Contains: Violence, murder, rape, necrophilia, child murder, terrorism, body horror, sexual situations.

 

Editor’s note: Lady Bits was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Fiction Collection.

Graphic Novel Review: Illuminati Transport Volume 1 by the Fillbach Brothers

Illuminati Transport Volume 1 by the Fillbach Brothers

First Comics, Inc., 2017

ISBN-13: 9781618550385

Available: Paperback

 

Jim Kowalski makes his living as a transporter for Illuminati Trucking, picking up supernatural threats captured by the Department of Paranormal Experts, or DPE. With his dog, Geech, and Crystal Skull of Doom, named Rico, they travel across the United States, picking up the team’s leavings. It’s a thankless job, as all of the credit for the capture of the supernatural threats go to the DPE, and never to the lowly driver. Their most recent job is to pick up a captured shapeshifting demon and return the container to headquarters, but things do not go as planned. The creature escapes, with its own plans of opening the doorway to Hell. Along with zombies, Merlin, the Chupacabra, Bluegrass Johnson, a mysterious knight hell-bent on killing whoever summoned him, and other supernatural wrenches thrown into their path, Jim, Geech, and Rico must navigate the landscape and the paranormal to save the planet.

This is a great story. Jim’s banter with Rico provides the perfect amount of humor. There’s even a bit of romance, with Betty the lab scientist, who worries for their safety out in the field. The book has great illustrations, and the artwork is in black and white. The creature designs are stellar.

The Fillbach brothers tell an awesome story. Pick this up if you enjoy a Teen+ rated read full of horror and humor. Highly recommended.

 

Reviewed by Lizzy Walker