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Book Review: Sweet Lamb of Heaven by Lydia Millet

Sweet Lamb of Heaven by Lydia Millet
W.W. Norton and Company, 2016
ISBN-13: 978-0393285543
Available: Hardcover, paperback, Kindle edition, and Audible audio

When Anna discovers she’s pregnant, her husband Ned wants nothing to do with her pregnancy and insists she have an abortion: when she chooses not to do so, he becomes hostile and absent in their relationship, spending all his time at work. In the hospital, in the first moments alone with her new baby, Anna has the first of many unexplainable auditory hallucinations. Having dismissed ear infections, neurological issues, mental illness, and demon possession, she learns from the Internet that at least she is not alone: there are others who also hear voices. Rather than getting drawn in, Anna decides to keep a diary of what she hears, and keep the voices to herself. After years of being alone with the voices and her little girl, Lena, she leaves Ned, and goes off the grid so he can’t find her and take back their daughter, Lena. Now Ned is running for office, though. Ironically, he needs his family back to promote his pro-life, family values agenda… and he’ll do anything he needs to, to make that happen.

This sounds like a fairly straightforward narrative, but it’s really not: while I started out wanting to believe Anna, she is an extremely unreliable narrator, and becomes more and more so as the book continues. Even she starts to doubt her perceptions, and it’s hard to tell whether this is because Ned is gaslighting her, or because she harbors paranoid delusions. Did she ever actually leave home? How long is Ned’s reach? Are her friends during her escape real people, and if they are, are they even sane? Are the voices evidence of God, or the absence of God, or something else? The only thing we know for sure is that she has a deep love for her daughter that transcends anything else that happens. And some very terrifying things do happen. If we trust Anna’s perception of what Ned is capable of at all, he is not just a narcissist, but a genuinely frightening force able to tamper with the brain, and, through that, our sense of reality.

Readers looking for a straightforward, fast-paced narrative won’t find that here. However, those who enjoy the puzzle of a compelling psychological thriller with a plot complicated by an unreliable narrator, or fragmented reality, with a taste of an apocalyptic future, will find a lot to chew on here. Recommended.

Reviewed by Kirsten Kowalewski

 


Book Review: Dead Souls by J. Lincoln Fenn

Dead Souls by J. Lincoln Fenn

Gallery Books, 2016

ISBN-13: 978-1501110931

Available: Pre-order, paperback and Kindle edition

 

Fiona Quinn is having a bad day. She’s soaking wet, freezing cold, barefoot, locked out of her apartment without her wallet, and she just saw her boyfriend, Justin, take off in a taxi with another woman. It’s hard to believe that anyone would give her a drink, but her background in marketing makes her very convincing, and she’s busy downing mojitos when a man walks up to her, offers to buy her a sandwich and a drink, and asks her what it would take to convince her to sell her soul. Being an atheist, she says she’d trade it for the power of invisibility… but apparently lack of belief doesn’t invalidate the deal, and suddenly she owes the Devil, now called Scratch, a favor of his choosing– one that’s likely to be horrifying, graphic, and newsworthy.

As a damned soul, Fiona can identify others, and she meets Alejandro, who traded his soul to become a famous photographer. He  introduces her to a support group for those who have traded their souls and are now waiting for their favor to be called in, and lends her a book compiled over time by other damned souls seeking a way out.  Having traded her soul for invisibility so she can spy on her boyfriend, she then learns that, rather than cheating, he actually was planning to propose before he developed pancreatic cancer, and is leaving his estate to her. Feeling guilty, and wanting to restore him to health, she tries to figure out a way to change her deal with the devil to save Justin. Alejandro warns her that the devil is always a few steps ahead of what any of his dead souls may be planning, but Fiona is sure she can successfully double deal with the devil, escape her fate, and change Justin’s.

Much like the devil, J. Lincoln Fenn managed to keep a few steps ahead of me all through the book, with a twisty plot that somehow managed to tie together the beginning of the story with the end in a manner that is both ironic and truly gruesome. The favors Scratch calls in are turned against Fiona and her fellow dead souls, as he forces them to use the gift they bargained for in warped, grotesque, and graphically portrayed ways, both against humanity in general and each other.  Social media, photography, and marketing strategies all take prominent roles in the way the story plays out: Alejandro uses his images to capture souls, and Fiona uses her marketing talents to manipulate others, using her marketing trinity of novelty, misery, and desire.

Fenn’s writing is a trap: it starts out slowly, and the first quarter of the book creates unease, but there is no indication of the stomach-churning events to come. While I don’t think Fenn is aiming to be extreme, this is not a book for the squeamish. Some of the favors called in create images and visceral reactions that I won’t be able to let go of easily. Dead Souls is a well-crafted tale that, in addition to provoking unforgettable reactions in the reader, also provides food for thought, and it will disturb your thoughts next time you turn on the news. I won’t be surprised if it makes the shortlist for the Stoker this year. Highly recommended for public library collections. Reader’s advisory note: try recommending Dead Souls to readers who enjoyed Fenn’s debut novel, Poe, or Lauren Beukes’ Broken Monsters.

 

Contains: Graphic violence and gore, suicide, implied cannibalism, suicide, torture, mutilation, and descriptions and imagery depicting mass killings.

Book List: The Dangers of Reality Television

People have been fearmongering about the dangers of television for decades. Before television became common in every household, they warned of the effects of comic books and rock and roll. More recently, criticism has been aimed at violent video games, heavy metal, and the Internet. But always there in the middle, media critics have had something to say about television, and usually it’s not good.

But as a culture, we got used to television. Then the same old thing, year after year, got kind of boring, and the question for the networks and the cable channels became “what do we do now?” Because we could record the shows and skip past commercials, television shows had to be edgy, to provide something different that would catch our attention enough to really grab us for long enough to get us to sit through an entire show, every week. And what’s more interesting than peeking into someone else’s life?

Actual reality isn’t all that interesting to watch, and it’s also got some really disgusting moments. Who wants to stare at people watching TV, or clipping their toenails? No, it’s the drama of taking people out of their own reality and making them interact in a completely unreal, compressed, environment that is so fascinating. A show like Survivor is kind of like a nonlethal re-enactment of Lord of the Flies— you watch it knowing every episode will mean the end for one of the characters. Watching The Osbournes gives the viewer a window into a world that’s totally bizarre to the rest of us, but normal for the participants. You know it’s all edited to create a storyline that will fit into a half hour or an hour of television, but it gives you a thrill.  And it gives viewers a window that not only allows them see what’s going on, but to separate from it. It’s kind of like watching the gladiators in the ring at the Coliseum, from the stands. It’s a game, but it’s not.  And that’s what makes reality television the perfect setting for a horror story. Here are seven novels that take advantage of the worst aspects of reality television to create nightmares for their characters. As always, not every book on this list will be appropriate or appreciated by every person, so know your reader!

 

 A Head Full of Ghosts by Paul Tremblay (pre-order)

This book messed with my head. It holds a funhouse mirror up to the creepiness of media manipulation. At the center of the story is Merry. As a child, she witnessed unexplainable and disturbing behaviors from her older sister that became the center of a reality television show, and resulted in family tragedy. The novel itself approaches the story from many angles. Merry as as a young adult, years later; Merry as a child living through the events that changed her life; and a mystery blogger dissecting the show in minute detail all get their say. This was sent to us for review, and is not even out yet, but it falls in the category of “unforgettable” for me.  For the purposes of this list, though,  it succeeds tremendously as a mind-bender that indicts the media, and especially reality television, for altering events, and lives, to fit a predetermined narrative.

 

 The Running Man by Stephen King (writing as Richard Bachman)

The Running Man takes place in a dystopian future where the gap between the haves and the have-nots is so tremendous that the desperate are willing to put themselves in lethal, televised ‘games’ for others’ entertainment. It’s a fast-paced, gripping, terrifying, science fiction thriller. When Stephen King wrote The Running Man in 1982, I am sure he had no idea how prescient the book would be.  At that time 2025 must have seemed endlessly far into the future, and the first reality television show was years away from being created. And yet, as we approach that time, much of what he predicted has become reality– affordable health care still hasn’t made the scene, income inequality has become more and more severe, and people are still bloodthirsty, greedy, and selfish. King created a horrifying world that has become even more so as time marches us forward to his future, set in the year 2025. As a reader’s advisory note, there is also a movie, with Arnold Schwarznegger, and a great media tie-in to one of the lesser-known works of Stephen King.

 

Broken Monsters by Lauren Beukes

A gritty, desolate atmosphere pervades Broken Monsters. While it’s framed as a serial killer novel, it is bizarre from the very beginning, with the discovery of the first body. As you might expect with either a serial killer novel or a horror novel, there’s a fair amount of gore, but it doesn’t overwhelm the story. The plot follows the detective on the case, her daughter, a homeless man, an Internet journalist trying to get his YouTube videos to go viral, and the serial killer. This is a memorable book for me not just because of the storytelling, character development, originality, and atmosphere of the story but also because of the effect the Internet journalist and his videos have on the events of the story. While Beukes is taking a larger look at how social media affects our reality, it’s the journalist’s actions during the climax of events that really struck home with me.

 

 The Hunger Games by Suzanne Collins

For those who have never heard of The Hunger Games, it’s a YA dystopian novel in which a totalitarian government randomly chooses two candidates from each of its districts to participate in a televised competition in which the participants all attempt to kill each other in order to be the last one standing.   The wealthy can slant the competition by providing favorite competitors with gifts. This is media used as not just an opiate, but as a weapon. It’s gripping, suspenseful, and manages to effectively integrate both friendship and love into a very hostile and dangerous situation that most people really do see as a game. It is the first in a series that also includes Catching Fire and Mockingjay. All of the books have been made into movies. In a move that is painfully ironic, the CW is making a reality show based on the book.

 

 Kitty’s House of Horrors by Carrie Vaughn

This paranormal novel is the seventh title in the Kitty Norville series. Talk show radio host and werewolf Kitty Norville agrees to participate in an all-supernatural  reality television show, expecting it to be a typical reality show with a focus on the drama that emerges from forced interpersonal relationships. Anyone who has read Agatha Christie can probably guess what starts happening once the participants arrive in the remote mountain lodge where the show will be filmed. Fans of Kim Harrison may enjoy this one.
 Fragment by Warren Fahy

Scientists on a ship in the South Pacific who are participating in an “educational” reality television show, SeaLife, land on a remote island, only to be attacked by bizarre predators, with the cameras rolling. Is the footage real, or is it a hoax? The U.S.  government doesn’t wait to find out– it blockades the island to prevent the creatures from escaping, Botanist Nell Duckworth, one of the participants on the show, is on the team of scientists that is sent to investigate the giant, ferocious, arthropods that populate the island. Grounded in science, this frightening, fast-paced thriller has been compared to Jurassic Park.

Castaways by Brian Keene

Trigger warning for graphic rape, gore, and violence. There are a lot of horror readers who enjoy having these ratcheted up– and this novel does that. This is Keene’s tribute to the work of Richard Laymon. According to reviews I’ve read, it’s not Keene’s most original work, either in style or content, although it’s well-paced and reasonably suspenseful, so if you are looking for a good introduction to Keene’s work, you might want to try a different book. However, the plot certainly fits our theme: contestants on a Survivor-style reality show, Castaways, are trapped on the island by a storm. The island, originally thought to be deserted, is in fact populated with monstrous cannibals with horrifying plans for the women trapped on the island.