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Guest Post by Paula Cappa: The Literary Ladies of Horror’s Haunted Mountain

It may not be February, but October is just as good a time (if not a better one) to recognize women in horror, especially women writers. Paula Cappa, author of the supernatural novels The Dazzling Darkness and Night Sea Journey (both reviewed here), gives us her take on women writers in the genre from the beginnings of their journey until the present day. Love quiet horror? Visit her blog to discover what classic story she’s presenting as her Tuesday Tale of Terror. Really. It’s awesome.

Want another take on women writers in the horror genre? Check out this post by Colleen Wanglund, which includes a fantastic list of contemporary women writers and recommended titles.

The Literary Ladies of Horror’s Haunted Mountain

By Paula Cappa

If there is ever a time to hear a night-shriek, it is October, a month that welcomes readers to the dark mountain of the horror genre. Listen to the hallowed voices, their devouring muscular growls and hot stinging hisses. Canadian writer Margaret Atwood, author of MaddAddam, says “Some may look skeptically at ‘horror’ as a subliterary genre, but in fact, horror is one of the most literary of all forms.”

The literary ladies at the summit are as ghoul-haunted as the gentlemen claiming Haunted Mountain as their territory with their persistent footprints and pulsing voices. Their names are familiar: Poe, Hoffman, James, Blackwood, LeFanu, Lovecraft, Stoker, King, Koontz, Herbert, Straub, Saul, Strieber, Bradbury, Barker, Campbell– the list goes on.

With women so under-represented, one would think the only woman writing horror in the early years was Mary Shelley, setting up ropes and spikes, blazing a wide path up horror’s haunted mountain with Frankenstein in 1818. But look closely at the mountain, and you’ll find the distinctive footprints of Ann Radcliffe, who tore open supernatural paths with The Mysteries of Udolpho as early as 1794. Radcliffe’s writing of suspense about castles and dark villains influenced Dumas, Scott, and Hugo. Mary Elizabeth Braddon, author of Eveline’s Visitant, wrote eighty novels and volumes of short stories during the 1800s, and was known as the Queen of Sensation. The little-known and much-overlooked Margaret Oliphant scaled the rocky mountainside with a heady ghost story, “The Secret Chamber.

By 1865, Amelia Edwards’  The Phantom Coach cut popular tracks across the haunted mountain. Helena Petrovna Blavatsky cleared the way for future women writers with her collection of nightmare tales, The Ensouled Violin, as did Elizabeth Gaskell with The Poor Clare, which deals with a family evil curse, complete with witches and ghosts. Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”, written at the turn of the century, became the earliest feminist literature to expose 19th century attitudes against women’s mental health, in less than 6000 words. I like to think of Charlotte as the Wallerina, dancing up the haunted mountain.

Gothic writers like Edith Wharton (Afterward) and Mary Wilkins (Collected Ghost Stories) remain treasures.  V.C. Andrews, Shirley Jackson, Daphne du Maurier, Mary Sinclair, Rosemary Timperley, Victoria Holt, Mary Stewart, Joan Aiken, Phyllis Whitney, and Barbara Michaels, all were prolific writers on horror’s haunted mountain during the 20th century, and some are still writing today. Then, of course, there’s Anne Rice, with her newest release The Wolves of MidWinter. This queen of the damned has practically established a private driveway up the haunted mountain, with more than thirty enormously successful novels of vampires, angels, demons, spirits, wolves, and witches.

Horror’s haunted mountain, traveled by women writers from Ann Radcliffe to Anne Rice, is still being trailblazed by fresh talents, writers of gothic, ghost, supernatural, traditional, and dark horror: Alexandra Sokoloff, The Unseen; Barbara Erskine, House of Echoes; Caitlin R. Kiernan, The Drowning Girl; Chesya Burke, Dark Faith; Elizabeth Massie, Hell Gate; Gemma Files, The Worm in Every Heart; Joyce Carol Oates, The Accursed; Kelley Armstrong, Bitten; Linda D. Addison, How to Recognize a Demon Has Become Your Friend; M.J. Rose, Seduction; Melanie Tem, Slain in the Spirit; Nancy Baker, Kiss of the Vampire; Nancy Holder, Dead in Winter; Poppy Z. Brite, Drawing Blood; Rose Earhart, Salem’s Ghost; Susan Hill, The Woman in Black; too many more to list.

What about the short story? Look to Billie Sue Mosiman, with 150 short stories to her credit. Her “Quiet Room” is about a ruthless evil killer, written in “quiet horror” fashion. For collections, try authors Kaaron Warren’s Dead Sea Fruit, Carole Lanham’s The Whisper Jar, and Fran Friel’s Mama’s Boy and Other Dark Tales.

Men may continue to dominate horror’s haunted mountain, just as women continue to be fierce climbers with hawkish voices. But story is story; writers are writers. What does gender matter in art? In the words of Virginia Woolf: “It is fatal for anyone who writes to think of their sex. It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly.” Oh wait, I forgot one more ghostly title for you: Virginia Woolf’s A Haunted House.

Bio:

Paula Cappa is a published short story author, novelist, and freelance copy editor. Her short fiction has appeared in SmokeLong Quarterly, Every Day Fiction, Fiction365, Twilight Times Ezine, and in anthologies Human Writes Literary Journal, and Mystery Time. Cappa’s writing career began as a freelance journalist for newspapers in New York and Connecticut. Her debut novel Night Sea Journey, A Tale of the Supernatural launched in 2012. The Dazzling Darkness, her second novel, won the Gothic Readers Book Club Choice Award for outstanding fiction. She writes a weekly fiction blog about classic short stories, Reading Fiction,Tales of Terror, on her Web site http://paulacappa.wordpress.com/

 

Posted on October 3, 2013 by , 1 comment

More Short Stories: Paula Cappa’s “Tales of Terror”

According to our statistics, it appears that I was correct in saying that there actually is a LOT of interest in short stories. I’d like to share with you a resource I just discovered that can direct you to some excellent ones. Paula Cappa, author of Night Sea Journey (reviewed here)  and The Dazzling Darkness (reviewed here) has a blog with a feature called Tuesday’s Tale of Terror. Each blog entry gives a brief synopsis and background on a supernatural short story(almost always in the public domain, meaning they are older stories), with links to the actual story when available,  for free. Sometimes she even has links to additional formats: in her entry on W.W. Jacobs’  “The Monkey’s Paw”, she also provides a link to an adaptation on YouTube. Middle and high school teachers, take note: I see at least a few stories here that appeared in my English textbooks. With the Common Core emphasis on nonfiction driving spending, this could be a good supplemental resource for building a fiction collection.

I do want to note that the titles to Cappa’s blog entries are not the names of the stories, but are descriptive of content. The title is listed just below, at the top of the entry (meaning you can’t just scroll quickly down the page and have a story’s title jump out at you) “The Chilly and Darksome Vale of Years”, for instance, is the title for the entry on “Dr. Heidegger’s Experiment”.

If you are looking for more current stories, you will have to look elsewhere, but there’s a lot of good stuff here, and plenty to explore.  Paula has done all the hard work for you.

Posted on August 14, 2013 by , Reply

Memorable Short Stories

 

After my last post on how short stories are awesome, it was suggested to me that maybe I could make a few recommendations. So here you go– my totally subjective choices. These are stories that I personally have found memorable– either because I never, ever want to read them again, or because they draw me back, again and again. A few of them may not be in print anymore, and some are considered classics (you might have read them in school) but some are relatively new. Some might be considered YA, but don’t feel excluded! They are great reading for us older folks too.  And I’d say nearly all of them have either a creep factor, or a fear factor (with the possible exception of “In The Jaws of Danger”. Almost all those images are clickable, just in case you’re interested in checking out these authors on your own. If you have a memorable short story of your own that you would like to share, I’d be very interested in your comments!

Please don’t be thrown off by the overuse of blockquotes. It’s hard to tell when I’m formatting what it will look like when I’m done, and frankly, while I was a little startled to see how it looked when I previewed it, I’m way too tired to fix it right now. Thanks for understanding!

 “The Lurking Fear” by H.P. Lovecraft

My best friend in high school handed me her used copy of  The Lurking Fear and Other Stories and said “You’ve gotta read this”! I handed it back to her after reading just this story, and have never read Lovecraft since. It terrified me that much.

 “The Lottery” by Shirley Jackson

Anyone who has made it through high school without reading “The Lottery” should go do it right now. It is a chilling tale.

 

“High Beams”, collected by Alvin Schwartz

I love to tell this story to kids at Halloween, but it’s hard to go wrong with any story by Alvin Schwartz.

“The Tell-tale Heart” by Edgar Allan Poe

Poe is a master of the short story form. “The Tell-tale Heart” is only one of many memorable stories he has written: others include “The Cask of Amontillado”, “The Masque of the Red Death”, and “The Fall of the House of Usher”.

“The Veldt” by Ray Bradbury

Bradbury is another master of the short story. This list would be a much longer one if I included every story by him that I have found memorable. If you can believe it, I first read this in elementary school as part of the Junior Great Books program. I always found “The Veldt” to be a creepy story, and now that I’m a parent living in a hyperreal world, it’s chilling. Other stories I considered listing here included “A Sound of Thunder”, “There Will Come Soft Rains”, “The Flying Machine”, “The Third Expedition”, and, of course, Bradbury’s homage to Poe and to monster movies, “Usher II”

 

“Harrison Bergeron” by Kurt Vonnegut

Ah, the nightmare of a world where everyone is required to be average. Welcome to the Monkey House, which contains “Harrison Bergeron” also has a memorable title story involving Ethical Suicide Parlors, and one of my favorite stories of redemption ever, “The Kid Nobody Could Handle.”

“The Most Dangerous Game” by Richard Connell

“Survivor” has nothing on this masterpiece about hunter and hunted.

“Leinengen Versus The Ants” by Carl Stephenson

I can’t think of a better illustration of “man vs. nature”, which is probably why this story appeared in my high school English textbook. By the way, this particular book I’ve linked to here also has some other great stories, including Ambrose Bierce’s “Occurence at Owl Creek Bridge” and Jack London’s “To Build a Fire”.

“We Can Get Them For You Wholesale” by Neil Gaiman

Neil Gaiman does a wonderful job with the short story form, be it in the flash fiction format used in Half Minute Horrors, the parody of “Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire”, or the poetic brutality of “Harlequin Valentine” (both in Fragile Things). “We Can Get Them For You Wholesale” is, for me, anyway, unforgettable.

“The Open Window” by Saki

Saki is brilliant. “The Open Window” is extremely creepy. Another story of his I find very thought-provoking is “The Toys of Peace”.

“The Yellow Wallpaper” by Charlotte Perkins Gilman

A hallucinatory, semi-autobiographical tale of one woman’s descent into madness, this is also a vivid illustration of how many women with intelligence and will were treated at the time that it was written.

 “Monster” by Kelly Link

“Monster” could have been just a tale about bullying gone horribly wrong. But it’s much more frightening than that. It’s nearly impossible to go wrong with this collection, though. There are notably creepy, weird, and fantastical stories in here. Kelly Link is a true artist.

 “In The Jaws of Danger” by Piers Anthony

That cover image illustrates “In The Jaws of Danger” pretty effectively. Who knew dentistry could be so hazardous? Young Extraterrestrials is a book I treasure. It is filled with great stories, as you would expect from anthologists like Greenberg, Waugh, and Asimov. I can’t begin to tell you how many of their anthologies I devoured as a kid. Unfortunately it is now out of print.

“Mother of Monsters” by Guy de Maupassant

This is a truly horrifying story of calculated and twisted cruelty to children in the name of profit and fashion. Maupassant doesn’t need to get graphic to illustrate the tragedy and horror of the situation and of the culture that encourages it.

“Love Will Tear Us Apart” by Alaya Dawn Johnson

This  fantastic story appears in the YA anthology Zombies vs. Unicorns. It’s about a zombie and a human who fall in love, and the sacrifices they both make to be together. There are many strong stories in the anthology, and it is well worth it to check it out.

 

“Nightfall” by Isaac Asimov

If the stars should appear for just one night in a thousand years, how would humanity react? The answer: not well. This is classic Asimov. I read it first in high school, and I keep coming back to it. Make sure you’ve got the story and not the novel.

 

 

 

Posted on July 30, 2013 by , Reply
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