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Book Review: Lost Highways: Dark Fictions From the Road edited by D. Alexander Ward

Lost Highways: Dark Fictions From The Road edited By D. Alexander Ward

Crystal Lake Publishing, 2018

ISBN-13: 978-1643704722

Available: Paperback, eBook(Kindle)

 

On the open road, opportunities abound.  Anything can happen: you can hitchhike your way across the country depending on the kindness of strangers; go on a pilgrimage to find a lost relative last known to be in a cult; dispose of a cheating ex; run for your life from a mysterious pursuer; clean up your act by traveling through time to hunt yourself; explore the history of a deadly stretch of road.  You can get revenge.  Try the local cuisine, or become it.  Rob a gas station or stop a heist.  Meet a ghost.  Tour the country.  Take a ride with Death.  All this, and more, awaits you on the road.

Lost Highways: Dark Fictions From The Road had a lot of fun stories– 20 to be exact– and a bonus of 5 works of art.  The title got my attention from the start, and I was curious what tales of the road I would find.  I was not disappointed.  The majority of the stories had plotlines that kept me interested and challenged me.  Many gave me twists that I did not expect.  The tone throughout these works was creepy, with the occasional feeling of vindication or awe.  The characters were believable for their situations.  There was enough background to set each story up.  Usually, I was thrown straight into the action and the details of the past popped up as needed.  Fun stuff.  The descriptions and pacing flowed well.  The only complaint I can make is that there were a few grammar issues, mostly typos.  My favorite stories were: Mr. Hugsy by Robert Ford; Jim’s Meats by Kelli Owen; Not From Detroit by Joe R. Lansdale; Room 4 At The Haymaker by Josh Malerman; and The Widow by Rio Youers.  I have not read any of these authors’ work previously, with the exception of I Can Taste the Blood by Josh Malerman. Recommended for adult readers.

 

Reviewed by Aaron Fletcher

 

Editor’s note: Lost Highways: Dark Fictions from the Road is a nominee on the final ballot for the 2018 Bram Stoker Awards in the category of Superior Achievement in an Anthology.

 

Book Review: Coyote Songs by Gabino Iglesias

Coyote Songs by Gabino Iglesias

Broken River Books, 2018

ISBN-13: 978-1940885490

Available: Paperback, Kindle edition

 

Some books are difficult to review. Others are very difficult, even impossible to truly convey.  Coyote Songs is a brutal beauty of a novel, a blistering read that is fascinating, and incredibly raw. Gabino Iglesias takes on one of the most controversial topics in America today– the border and immigration– viewed through the eyes of individual Latinos.

Pedrito, The Mother, The Coyote, Jamie, Alma and La Bruja– these are the voices of Coyote Songs. Each has a story to tell about the terrors of life today as a Latinx who seeks peace, safety, and acceptance here in the United States. Each speaks of his or her horrors in a manner that chills the reader. Many of the stories within are short, so I won’t summarize them in this review. However, here are a few tidbits, to intrigue the reader to pick up this book.

Pedrito is a young boy fishing with his father before tragedy strikes in the form of brutal violence and racism. The event will shape his being in a manner that readers view on the news daily. The Coyote ferries young souls across the border in the hope for a better life–  but the manner in which this is accomplished will leave a scar on the reader’s soul. The other characters express emotions varying from despair to hope to terror as they maneuver through the current environment of ICE, Border Patrol, and the current American administration, forcing a lens to focus on the ordeals of the innocent souls who are attempting to simply live in America.

Gabino Iglesias tackles important issues here, that are crucial to the fabric of our nation, and reveals the gritty underbelly that many people prefer to ignore. His writing is pure. His prose is sharper than a rusted strand of barbed wire, unadorned by the language that would obscure the raw poetry underneath. These tales need to be read. This is fiction that reveals an ugly reality that we all should be aware of.  Highly recommended reading, but have a drink ready for afterwards.

 

Reviewed by Dave Simms

 

Editor’s note: Coyote Songs is a nominee on the final ballot of the 2018 Bram Stoker Awards in the category of  Superior Achievement in a Fiction Collection. 

 

 

Book Review: The Devil and the Deep edited by Ellen Datlow

The Devil and the Deep: Horror Stories of the Sea edited by Ellen Datlow

Nightshade Books, 2018

ISBN: 978-1-59780-946-7

Availability: Hardcover, paperback, audiobook, Kindle edition

 

On the surface, it seems like a good idea.  A collection of short horror stories with the ocean as a common theme, written by authors with solid track records.  Unfortunately, it fails to live up to its premise.  In terms of story quality, there are roughly four treasures and a few nice baubles, but you have to dig through a lot of sand to find them.

These stories all come in at around 20 pages, so there isn’t a lot of space for character development or backstory, and things often happen for no reason.  That’s part of what makes writing short stories challenging.   But, you still need to create an interesting plot and make sure that each event ties into another, using limited space.  The stories here that qualify as treasure do that very well.  Christopher Golden’s ‘The Curious Allure of the Sea” is a perfect example.  A young woman finds a necklace bearing a unique symbol on her dead father’s boat.  She has it tattooed on her arm, and soon many different living (and sometimes dead) creatures are flocking from everywhere to be with her, and sometimes attack her.  The weirdness escalates, and she is soon forced to make difficult choices to try to save her own life.  This story is a perfect example of how to write an excellent short story.  You never get an explanation for why her dad had the necklace, or what the symbol means, but who cares?  Details like that can be skipped as long as the story makes sense and moves along, and it does.  Golden keeps in just enough to keep the plot rolling, and anything else is cheerfully tossed over the side.  Seanan McGuire’s “Sister, Dearest Sister, Let Me Show You to the Sea,” and Brian Hodge’s “He Sings of Salt and Wormwood” also do an excellent job of getting in fast, blowing the reader away, and getting out without any unnecessary filler.  Michael Marshall Smith’s “Shit Happens” also deserves praise. It’s an excellent story, and written in an off-kilter, hilarious way that reminds me of how Stephen King used to write for some of his oddball characters.  People don’t have sex, they are interested in “activities that would have a bedstead banging against a cabin wall into the small hours.”  Advice on hot sauce consists of  “some of those local brand bad boys will put you in a world of sphincter pain.”   It’s a great horror story, and the author’s hilarious way of narrating it will have you laughing out loud at times.

As for the other stories, a few are decent, but the rest suffer from the same problem: a lack of coherence in the plot.  They aren’t sleek, fast jetboats: they are more like a collection of parts thrown together to get from one harbor to another.  The authors do have some very original ideas and the tales start well, but then they get too metaphysical and abstract, which drags the story down.  Quite often, you will get to the end of a story and find yourself asking “what just happened?” The stories go in a sensible fashion for a while, then wander off the deep end into nonsensical events.  It’s a shame, because many of the stories had promise, but wound up as unrealized ideas, leaving this reader annoyed.

If you have the money to spare, it may be worth picking this one up for the few gems. Otherwise, the reader would probably be best to pass on this one.

Contains:  violence

 

Reviewed by Murray Samuelson

Editor’s note: The Devil and the Deep: Horror Stories of the Sea is on the final ballot for the 2018 Stoker Awards in the category of Superior Achievement in an Anthlogy.