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Book Review: Rose by Rami Ungar

Rose by Rami Ungar

Castrum Press, 2019

ISBN-13: 978-1912327430

Available: Paperback, Kindle Edition

 

Rose wakes alone from a deep sleep, disoriented, unable to remember most of the past two years, and, in a horrific discovery, discovers she is part plant. She is soon joined by Paris, who tells her he is her fiance, and saved her from a stalker who had fatally harmed her by taking her to his greenhouse and casting a Japanese spell on her that saved her life but appears to have gone somewhat awry. Since it’s winter, and freezing outside, as a plant she is trapped in his greenhouse and connecting apartment with no choice but to trust that he is telling her the truth, although observations of his behavior show that he can be disturbingly erratic and possessive.  Despite her memory loss, Rose’s character hasn’t changed, and she finds it difficult to believe that she would have willingly agreed to marry Paris. A search of his apartment one day when he is out leads to the discovery of a secret diary (in Dutch, a language Rose happens to know) as well as his Japanese spellbook. The diary details Paris’s relationship with Rose, but something about it doesn’t seem right. When Paris’ father breaks into the apartment and discovers Rose, he is shocked, because it has been in the news that Rose was kidnapped and her fiance was killed by a stranger who violently attacked them. The two of are caught and dragged away on a cross-country journey where neither of them knows what might happen next, except that it won’t be good.

Paris reveals that his actions toward the women who reject him and their lovers stem from a traumatic incident that occurred when his father sent him to a camp that promised to “make him into a man”.  He has learned to command spells from the Japanese spellbook that give him the ability to take what he wants, control other people, and torture and kill people, and intends to use these on Rose and his father.  However, a cruel, mischief-making Japanese demon controls the spellbook, and after enough mayhem ensues, gives Rose an opportunity to end Paris’ cruelty and madness and save herself… at a price.

The first half of this book is creepy because the reader is getting only Rose’s perspective, and with her trauma and amnesia she is not a reliable narrator. In addition, only the least observant of readers will miss the way Paris gaslights and terrorizes Rose, while at the same time expressing his adoration for her. The setup screams “abusive, violent scenario” and watching Rose come around to this understanding is kind of like watching a trainwreck in slow motion. There’s also some pretty strong and heavy-handed foreshadowing about societal expectations of boys and men and the unintended consequences of toxic masculinity and bullying, which Paris claims is the origin of his behavior.  The second part is where Ungar’s fantastical imagination of ways to torment people comes into its own (although I’m curious about his idea to use of acupuncture needles to cause pain, since they’re supposed to awaken self-healing and cause soreness at the most). He does not shy away from describing the impact of Paris’ spells and insanity. I don’t think I will ever get the vivid descriptions of tormented trees out of my head. One thing I found particularly disturbing was that Paris used a spell on the young teenage sisters of the women he tortured to make them fall in love with him, assist in torturing their siblings, and become his willing sexual slaves (this isn’t graphically depicted, but what you do see is bad enough).

Rose is supposed to be a tale of the supernatural, but with the exception of the protagonist, the supernatural aspect takes a backseat to the human antagonist and his agenda for almost all of the book. And for most of the book, the supernatural terrors are more of an enhancement of the methods and agenda of the villain, rather than the main force driving the story. The ending is pretty close to being a deus ex machina, and left me feeling unsatisfied. However, I did like the character of Rose and her resilience in spite of baffling and frightening circumstances, and I feel like the book successfully spotlighted the damage gaslighting and toxic masculinity can have on individuals trapped by circumstance and those they touch. Ungar successfully evinced feelings of dread in this reader, and while readers of extreme horror probably won’t be fazed, it was more than gruesome and stomach-turning enough for me.

It isn’t often that a novel with a sentient plant as narrator comes along, so Rose is worth checking out just to see what Ungar did with the concept. And although I found the ending somewhat unsatisfying, the journey there with Rose was worth taking.

 

Graphic Novel Review: Jenny Finn by Mike Mignola and Troy Nixey, art by Troy Nixey and Farel Dalrymple

Jenny Finn by Mike Mignola and Troy Nixey, art by Troy Nixey and Farel Dalrymple

Dark Horse, 2018

ISBN: 9781427606754

Available: hardcover, paperback, Kindle edition, comiXology edition

A mysterious girl, Jenny Finn, arrives in Victorian England and leaves death, destruction, and a strange curse in her wake. There is a plague causing gruesome lesions in the crooked streets of London. Joe, a slaughterhouse worker, aims to find out what’s going on in his city. When the pursuit of his investigation leads him to Jenny, Joe is attacked by a religious zealot named Hornsbee who attempts to kill her, and has a number of strange and disturbing encounters: a serial murderer bent on wiping out the “ladies of the night” is loose, the ghosts of the murdered women roam the streets, and mutated half-human, half-fish people devote themselves to Jenny Finn. Pippa Platt, who clearly loves the oblivious Joe, takes him to a séance to see if a group of spiritualists can help him track down Jenny and what is happening in the town.

I liked this story for several reasons. The Lovecraftian tone and the Victorian setting were essential elements for this kind of tale. The griminess of old London and themes of punishment, forgiveness, and doom are exactly what I like in my horror. The art for this volume fits with the story well. Sequential art that includes body horror has always been a draw for me. The hybrid humans in particular are interesting in these pages.

While Jenny Finn does not compare to the Hellboy mythos, it is an interesting tale with great artwork. If you enjoy Lovecraftian tones, Victorian settings, and body horror, this would make a nice addition to your collection.

Recommended

Contains: body horror, nudity, implied rape, sex

 

Reviewed by Lizzy Walker

Book Review: The Devil Aspect by Craig Russell

The Devil Aspect by Craig Russell

Doubleday Books, 2019

ISBN-13: 978-0385544368

Available: Hardcover, paperback, Kindle edition

Historical horror can be a fascinating subgenre, if it is done right, but it is a balancing act. The amount of detail for the period often overshadows the atmosphere, with information overloading story and character. When the author successfully balances the elements, the result can result in a treasure.

The Devil Aspect reads like a perfect offspring of The Alienist, Silence of the Lambs, The Exorcist, and Shutter Island.  It is a stunning novel that captures the best of these, yet adds to it a flavor all its own, leaving the reader with a chill that feels like it needs to be washed away.

In the shadows of the rising tide of the Nazi movement in 1935, Czechoslovakia is a dangerous country. Hrad Orlu Asylum for the Criminally Insane exists as a state of the art hospital outside of Prague, but holds a horrific reputation in local lore as having been built on the mouth of hell. When Viktor Kosarek arrives with a new psychiatric approach, the tiny town cringes as they sense the horrors that brew within the stone walls. Viktor believes in “The Devil Aspect,” a method he believes can cure even the world’s most heinous creatures, while Hitler’s crew infects the country in a slow-moving plague, its tendrils snaking inside the walls of the castle to infect some of the staff.

Within the walls themselves exist the Devil’s Six–  The Woodcutter, The Vegetarian, The Clown, The Scionancer, The Glass Cutter, and The Demon, each with a detailed backstory. None can be dealt with without full restraints, and even so, attacks on staff still occur, events that defy logic.

Outside the castle, another murderer is feeding on the citizens of the city: Leather Apron, a Jack The Ripper type serial killer. The suspects can’t recall committing the murders, and swear a shadowy figure is mocking them, forcing them to witness its horrors.  Detective Lucas Smolak scours the streets for clues, and grows frustrated as every clue leads to a darker truth. He senses a connection to the legends around him, yet holds onto the assertion nothing is supernatural in these crimes.

How the two storylines intertwine is brilliant, as are the characters. Smolak and Kosarek are imperfect, both committing errors that could end more lives as their humanity holds them back from achieving their goals.

Russell’s novel is one of those rare entities that is intelligent yet readable, full of historical accuracies and folklore but somehow still relatable, and scary as the hell that may exist beneath the castle. What brings the story success is the ambiguity of the horror. Russell keeps the supernatural aspect on the periphery of the reader’s psyche. He plays his cards close and the revelation of which evil is worse, human or demonic, burrows beneath the skin as the mysteries begin to unravel.

The reader must wrestle the secrets away from the characters with each alternating chapter, the clues muddy yet fitting together. The story’s serpentine descent into madness is a challenge that is worth the effort.

A highly recommended novel for the new year that will linger long after the final page is closed.

 

Reviewed by Dave Simms