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Women in Horror Month: 5 Books By Women Writers That Horror Readers Might Not Know (But Should)

Far be it from me to dictate an entire canon of works (at least today) but there are definitely some books by women authors that deserve to be known better than they are, and they often get shorted because the story of Mary Shelley and Frankenstein is pretty amazing, so everybody writes about her. There are lots of great women writers who aren’t Mary Shelley, though, and I can only claim to have read a few of them, despite my intention to do better. Here are some books you might have heard of but passed on for some reason– or maybe they are unknown to you.

1.) Beloved by Toni Morrison.

Toni TheMorrison is a great American writer, so I hope most people at least recognize her name. Beloved was made into a movie, so it’s you may at least know of that. The story concerns Sethe, an escaped slave, living in Ohio many years after her escape, in a house haunted by a ghostly child.  To say more than that is to give away what was (to me, anyway) the breathtaking, visceral shock of some of  the book’s later events. Morrison uses a nonlinear writing style, and the events move back and forth in time, so this is not a quick, light, beach read. But it is certainly one that will leave an impact.

2.)  The Keep by Jennifer Egan

The Keep is a nested story, with a story about a character situated in a Gothic trope– visiting an acquaintance who is renovating a castle with Gothic terrors and trappings, which is also a playground for bored people who want to imagine they are living in the Gothic… and all of this is framed by yet another story. The Keep does not tie up all of its loose ends, so if that bothers you, be warned. It’s really hard to describe this in just a few sentences without giving up some of the surprises in the plot, but suffice it to say that it is suitably creepy and unsettling. I’d save this for when you have plenty of time.

3.) The Castle of Los Angeles by Lisa Morton

The Castle of Los Angeles won a Stoker award in 2010, and was mentioned in the second edition of The Readers’ Advisory Guide to Horror. Two of our reviewers chose to review it independently of each other, and both of the reviews were glowing. Despite her reputation as a horror writer, though, it is possible that you might not have come across this book, because it was published by a small press, Gray Friar Press, that does not (to my knowledge) seem to exist anymore. Cemetery Dance has republished it as an ebook, but hard copies appear to be only available used, so you would probably have to be looking for it specifically, or be blessed with serendipity, to come across it. The Castle of Los Angeles  takes place in a haunted theater, the Castle. While it uses many Gothic tropes, Morton makes them her own, and her eccentric mix of characters and their reasons for living in the Castle make it a unique contribution to the haunted house genre. It is a treasure for lovers of quiet horror.

4.) Doomsday Book by Connie Willis

If you are purely a horror reader you might not have come across the brilliant Connie Willis, who is primarily known as a science fiction writer. Among her other works, she has written a loosely connected series of books about historians in an alternate future who use time travel in their research. In Doomsday Book, history student Kivrin’s research trip to the Middle Ages is derailed when the tech running the machine collapses, having entered incorrect coordinates that send her to the time of the Black Death. The tech turns out to have contracted an unknown and deadly disease that spreads rapidly through the area, and the time travel lab is quarantined due to suspicion that the disease escaped from the past when Kivrin went through, trapping her there. This isn’t horror in the traditional sense, but the reader is a witness, through Kivrin, to the despair and terror caused by the Black Death. The parallel plot of the quarantine during the spread of the unknown disease in the future is more science-fictional, but Willis does not pull her punches, and she doesn’t seem to have compunctions about killing off characters you’ve grown to care about. The story builds over the course of the novel, and it is exhaustive in its detail, so you have to be patient, but it is so worth poking your toe outside the horror genre to delve into the horror and consequences of the spread of an epidemic disease.

5.) Nameless: The Darkness Comes by Mercedes M. Yardley

While she has published short stories and novellas before, this is Mercedes Yardley’s debut novel, and the first book in her Bone Angel trilogy. It’s relatively new, having just been released in December. We just reviewed it here, and when I asked my reviewers for a book by a top woman writer in the horror genre, this is the one that was suggested.  Luna, the protagonist, can see and speak to demons. When her niece is kidnapped by Luna’s brother’s ex-wife, a demon named Sparkles, the game is on! Described as “whimsical”, “gritty”, and “macabre”,  this novel, while technically an urban fantasy, gets high marks from lovers of horror as well.

 

I hope you’ve had a great month of reading women horror writers this month– but don’t stop now! Enjoy!

Book Review: Departure by A.G. Riddle

Departure by A.G. Riddle

HarperVoyager, 2015

ISBN-13: 978-0062431660

Available: Used hardcover, paperback, Kindle edition, Audible edition

 

Flight 305 from New York to London crashes in the English countryside, with half the plane in an icy lake. The survivors assemble to help save those they can and help everyone stay alive. Writer Harper Lane and venture capitalist Nick Stone are the protagonists, easy to root for as they seek to unravel the mystery into which they have been thrust. As passengers begin to fall ill to a deadly virus, it becomes clear that genetics expert Sabrina Schroeder and computer whiz Yul Tan, also passengers from Flight 305, are hiding something.

When Nick and a team venture out to find help, they discover they have crashed into a different time, years into the future.

That’s when the horror starts and the twists begin. What ensues makes this thriller one of the best reads of the year, and it has already been set into production by 20th  Century Fox for the following year. Recommended.

Reviewed by Dave Simms

Book Review: Thinner Than Thou by Kit Reed


Thinner Than Thou by Kit Reed

Tor, 2005

ISBN-13:978-0765311955

Available: Paperback, used hardcover, Kindle edition.

 

I haven’t gone back to them lately, but I remember how breathtaking and gruesome I found the stories of Kit Reed as collected by Connie Willis in Weird Women, Wild Women when I first discovered them.  Reed’s stories push the edge of our existing world just a step beyond into a reality that is both plausible and unreal.  In general, her stories have a feminist slant, and focus on taking issues and situations that primarily affect women and taking them to the next level. Even for her, though, this novel is message-heavy.

Thinner Than Thou is a novel that expresses in detail the consequences of taking “beauty culture” to extremes on a systemic level. It’s told from multiple points of view, but is centered on teenage anorexic Annie Abercrombie, whose parents sign her over to an organization called the Dedicated Sisters, which treats extreme cases of people with eating disorders. Annie’s siblings, Betz and Davey, angry at their parents, run off to search for their sister without a clue as to where she might be. Annie’s mother, who regrets signing her daughter away, is being pressured into getting plastic surgery in order to look younger, resists it and takes off to find all three of her missing children. A connected storyline involves the wealthy, overweight Jerry Devlin, who has signed up for a weight-loss “boot camp” run by the “Reverend Earl”. Devlin has a strong personality and his insider’s view helps shape the story as Annie’s family searches for her, unable to find her from the outside. Betz and Davey’s storyline, as well as their mother’s, is pretty random, as they wander from place to place seeking out the facilty in which Annie is being held. Eventually they run into each other, manage to discover where Annie is and rescue her, and lead a resistance movement to the headquarters in hopes of publicly overthrowing the Reverend Earl on television.

As grotesque as this future is, the stereotypes are taken to such extremes that character development suffers. The plot is unsatisfying because of the randomness of events and the convenient way everything falls into place at the end. While individual characters are interesting, especially those who change (like Devlin and Annie’s mother) and Reed does an excellent job of creating a disturbing near-future that can be easily pictured in the mind’s eye, I think that she is a much better writer in the short story format, and that this novel would have been more successful as a group of linked short stories. Thinner Than Thou isn’t the most satisfying book I’ve read recently, but it is still well worth reading, and provides a great deal of food for thought. Recommended.

Contains: Torture, sexual situations.