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Book Review: Hall-Lore-Ween: Thrice the Fright by Josh Spero, illustrations by TT Hernandez

cover art for Hall-Lore-Ween: Thrice the Fright by Josh Spero

Hall-Lore-Ween: Thrice the Fright, by Josh Spero, illustrations by TT Hernandez

Castle Bridge Media, October 2026

ISBN: 9798994041062

Available: Paperback, Kindle edition

Buy: Bookshop.org |  Amazon.com

 

 

In what’s become a happy Halloween tradition, author Josh Spero returns with his third collection of spooky tales, poems, and illustrations, just in time for Halloween. It’s good, clean Halloween fun for younger readers.

 

As always, the stories are introduced by Jacko, the creepy looking, pumpkin-headed mascot of the series. There are three stories, ranging in length from 40 to 80 pages. The theme is still spooky good, Halloween fun that tends to have somewhat happy endings. Keep in mind, this is oriented to younger readers, so the cheerful finishes (well, relatively cheerful) are good for the intended audience.

 

The first story, “The Collector”, deals with a spate of missing kids in a small town, and the Halloween angle is, goblins of some sort keep showing up. It’s a fun tale, and thankfully, never veers into the ugly side of abduction, a la The Black Phone. This is written for kids, so there is some magic and monsters involved with the disappearances. This one was a good tale.

 

“What Answers Back” didn’t work as well for me. This is a story of a young schoolgirl being picked to join an actual witches’ coven. I think I may just have seen that plot one too many times, and am worn out on it, but other readers will probably like it. The last story, “Three Lantern Pumpkins Farm”, is the best of the bunch, as it contains a good dose of that Halloween ‘”magic” that the series sprinkles throughout its spook-themed, but also very uplifting, stories. This one has a very thoughtful ending that leaves you feeling happy all over.

 

The author did very well with the “cemetery ghost jamboree” in the previous volume of the series, and he does it again with the “Pumpkin Farm” story. This is a story of two kids who go to a fantastical Halloween-themed farm festival every year with their uncle. The fair keeps getting bigger and better, and the ghostly angle works into the story towards the end. It’s a great ending, and the author does a good job keeping the surprise under wraps until the last few pages. This story alone is enough to justify the price of the book.

 

One happy addition to the series: more illustrations! I know I groused about the fact that the last two books usually only had one illustration per story, this time there are two to three per story. Hooray!

 

Bottom line is, it’s as much fun as the last two books. Please keep the tradition going, I’ve grown to look forward to it each year. Recommended.

 

 

Reviewed by Murray Samuelson

 

 

Book Review: Poesy the Monster Slayer by Cory Doctorow, illustrated by Matt Rockefeller

Poesy the Monster Slayer by Cory Doctorow, illustrated by Matt Rockefeller.

Every page of this book made me laugh.

Cory Doctorow is the author of Pirate Cinema, Down and Out in the Magic Kingdom, and Little Brother, three books I love, among many others. He’s also an activist for the EFF. This is totally different from his previous work that I am familiar with. It is a sweet picture book about a little girl who has done her research into how to defeat monsters and waits until bedtime to take action. Poesy is not afraid of the monster under the bed and doesn’t want to befriend it– she has creative plans to use what she has at hand to defeat them, and puts them into action, much to her exhausted parents’ dismay. It is short, funny, sweet, and easy to understand, with colorful, slightly cartoony illustrations. Poesy is determined to save the day, tiara in place, armed with bubblegum perfume and a butterfly net.

For early educators, here’s an opportunity to define parts of a book near the beginning of the book as Poesy and her dad debate the beginning, middle, and title page of the monster book he is reading her.

A side note, both Poesy and her mother are Black, adding a little diversity to children’s book illustration.

Highly recommended for children of all ages.

 

Reviewed by Kirsten Kowalewski

Book Review: Root Magic by Eden Royce

cover art for Root Magic by Eden Royce

Root Magic by Eden Royce

Walden Pond Media, 2021

ISBN-13 : 978-0062899576

Available:  Hardcover, Kindle edition, audiobook  ( Bookshop.org | Amazon.com )

 

 

Root Magic takes place on Wadmalaw, one of the Sea Islands off the coast of South Carolina that is home to the Gullah-Geechee nation, a unique ethnic group with a combined heritage from African and indigenous individuals with its own language and traditions. Author Eden Royce, creates a vivid picture of Gullah-Geechee culture and traditions in the setting of the Sea Islands around the time of the Kennedy assassination though her eleven-year old narrator, Jezebel.

After her grandmother dies, Jezebel’s grandfather decides it is time to teach Jezzie and her twin brother Jay the basics of root magic for the purposes of protection, such as painting their house “haint blue” so evil spirits and boo-hags can’t enter, mixing potions, and creating root bags.  The nearby marsh, previously a place the twins used to play, becomes dangerous as it tries to suck Jezzie in.  Still, the twins are fascinated by root magic and can’t wait to learn more.  Jezzie, in particular, starts to develop new powers, such as the ability to astrally project.

Things are not so easy at school. Jezzie has been jumped a year forward, and new girls from families with more money have moved to town. Jezzie, with her darker skin, mended clothes, and rumors of witchiness, becomes a target. Her only friend is Suzie, who can’t invite her over or visit her home, for reasons that become clear later.  In his grade, Jay has become friendly with the other boys, and Jezzie is worried that her connection to him is breaking.

In addition to troubles at school, there are troubles at home. A police officer has taken a particular interest in Jezzie’s family, invading their home in their absence, demanding food, threatening them, and breaking their things. He knows they are a family of root workers and his behavior towards them escalates. While Jezzie and Jay do face supernatural threats in the book, it is Jezzie’s compassion to animals and creatures in trouble (including boo-hags) that helps protect her family from this dangerous but not at all supernatural threat.

Royce’s descriptions make it feel almost like the reader could step through to the island, and she is able to set the time period effectively with just a few sentences. Jim Crow and racist policing are alive and well, and that’s built into the story. Children questioning why the school would still be segregated, the police searching Jezzie’s house without a warrant, and the effect of the Kennedy assassination on the community will get their answers without an exposition dump.  Royce’s presentation of the controversy over passing on root working practices both in the community and in the same family is also interesting, and she illustrates that root work is not a religion, but is a way of connecting with the world.

While the Gullah-Geechee nation became official in 2000, its existence is not well known, and it has a unique culture and language. Introducing Gullah-Geechee culture and language to a more mainstream audience through a middle-grade novel makes it very accessible. Eden Royce is a member of the Gullah-Geechee nation, and I think it would be very difficult to write about it from outside (in fact, there was a controversy over this not that long ago). Royce has a background as a horror writer for adults, with writing grounded in folklore and the Southern Gothic. I’m so glad she chose to use some of these same elements in this engaging historical Southern Gothic #OwnVoices novel for children. Children who enjoy this book may also enjoy Tracey Baptiste’s The Jumbies, Claribel A. Ortega’s Ghost Squad, and Marie Arnold’s The Year I Flew Away. Highly recommended for ages 8-12.

 

Contains: racism, police brutality, violence