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Book Review: Gabriel Finley and the Raven’s Riddle by George Hagen

Gabriel Finley and the Raven’s Riddle by George Hagen

Schwartz & Wade, 2014

ISBN-13: 978-0385371032

Available: Hardcover, Kindle edition, audiobook, audio download

 

Once humans and ravens were friends, and then one day a desperate raven, told he could achieve immortality by eating human flesh, betrayed a human friend and transformed into a murderous valraven, an immortal bird with an insatiable appetite for gore, but otherwise identical to ordinary ravens.  Unable to tell the difference, human/raven relationships dissolved.  Now, the only way to tell the difference between an ordinary raven and a valraven is by asking a riddle.

This is the background of Gabriel Finley’s story.  Gabriel’s parents have both mysteriously disappeared, leaving with his loving but distracted Aunt Jaz, and a lot of unanswered questions.  When his father’s childhood diary appears, Gabriel begins to discover answers to some of those questions. The desire of the valravens for immortality has tainted his family, which has always had a special relationship with ravens. It is up to Gabriel, Paladin (his new raven friend), and a motley group of companions, to save Gabriel’s father and the world.

The journey Gabriel must take requires all of his wits, for the only way a raven or his companion can be identified as trustworthy is by solving riddles. And there are obstacles in the way—runaway writing desks, thieves, bullies, owls, and tyrannical houseguests. Gabriel’s father taught him to love riddles, though, so he has a fighting chance.

There is so much that feels familiar about Gabriel Finley and the Raven’s Riddle.  The boy who leaves home on a quest to find a parent and save the world; travels through a strange, underground world; animal companions; solving puzzles and riddles; selflessness that saves the day. All these are familiar tropes in a children’s fantasy adventure story, and at times certain aspects reminded me of other books I’ve read: Gregor the Overlander also includes an underground quest to save his father, and animal companions; Chasing Vermeer takes place in a modern school setting, with puzzles and riddles a major part of the story; A Wrinkle in Time depends on selflessness and love to save the day. None of those books are really like Gabriel Finley and the Raven’s Riddle, though; instead, Hagen has successfully taken the familiar and made it new, giving us a fresh take. Children aged 9-12 and Harry Potter readers looking for their next fix won’t want to put down this Gothic-touched, magical, contemporary fantasy. Highly recommended.
 
 
Contains: Some gore, violence
 
 
Reviewed by Kirsten Kowalewski

Guest Post by Piers Torday: Climate Change Horror: Too Real For Middle Grade?

Piers Torday photo credit James Betts

 

     Piers Torday is the author of the middle grade novel The Last Wild, a unique book that deals with a topic usually dealt with in nonfiction with children– climate change. I asked Piers why he chose to write fiction on this topic for children instead of teens or adults, and he wrote this guest post for us here. Having just returned from vacation in Alaska, where my children actually held a chunk of melting glacier in their hands, this hits home for me. For them, it was a novelty and photo opportunity, although I found it to be pretty disturbing to see the pieces melting in front of me. Now that I’m home and have read what he has to say,  I think it’s very important for there to be books like his, that appeal to the imagination while creating an opportunity for awareness of this situation. Look for a review of The Last Wild to be posted shortly. Many thanks to Piers for sharing his thoughts with us.

CLIMATE CHANGE HORROR: TOO REAL FOR MIDDLE GRADE?

 

Of our many fears that can animate great stories, for me perhaps the greatest and the most palpable is our fear of the future. Wherever you stand on the politics, from dwindling (not to mention overheating) power supplies to water wars, housing space to food security, we all face major ecological challenges in the years ahead.

Most of those challenges, whether they come in the form of rising sea levels, increased immigration or extreme weather, are not predicted to come fully online until later in the century. It’s the middle grade readers of today who will have to face them.

The level of economic and political sacrifice required to avert major climate change make it nigh impossible for any decisive global unity on how to approach it. Certainly I don’t pretend to have the answers. What I do know for sure is that it’s going to take more than recycling the odd soda can to change anything.

The first problem with tackling this subject for middle grade readers is no one, especially children, likes being lectured to. Saving the planet, as the science currently stands, would require a level of sacrifice across the board that makes it hard for one person or country to stand up and tell another how to behave. I am writing this blog on a computer (and you’re probably reading it on one) which I use constantly for my work and am not really prepared to use much less. And I am just one of seven billion people on the planet who probably, given the chance, would all like to use a computer which they can turn on and off at will.

The second problem is that, unless you’re a polar bear on a shrinking ice cap, it still feels very abstract. Statistical modelling of carbon emissions and ocean acidity levels are hard to grasp at any age, and bar the odd unexpected hurricane or drought, most young people in the West don’t necessarily experience the effects of climate change in a tangible first hand way. Yet.

As a storyteller, I relish the challenge of animating these vital issues for the readers in whose hands the planet’s future resides.  First off, I can ask some questions. Do animals have an equal right to share this planet with us? What is greater within us, the desire for consumption or the ability to conserve?

Secondly, these abstract concepts are a gift for metaphor. In The Last Wild series I’m primarily using the animal characters – a heroic stag, a brave cockroach, some ditzy pigeons, a mini-spread of biodiversity – to represent the earth itself and through their different characters, provide some emotional heart to global issues that can feel dry and lacking in genuine, page-turning jeopardy.

Then, rather than scaremongering developing minds with totally bleak catastrophe scenarios (although there is no denying their power) in telling the story of my hero’s quest to save the last animals left alive on earth, what I can offer most of all is hope. Because, believe it or not, what I really feel is that human beings – through our curiosity, ingenuity and humanity – do have the ability to overcome those challenges and still make Earth a pleasant place to live for all creatures. If we choose.

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Piers Torday is the author of The Last Wild (Viking, $16.99). The sequel, The Dark Wild is due out next spring. You can follow him on Twitter @PiersTorday or catch up with him at www.pierstorday.co.uk.

We’re In The News!

Yes, really, we’re in the news! Okay, it’s just our community newspaper, but they wrote a really nice article about Monster Librarian. If you’re visiting here because you read it, thanks for stopping by, and please visit again, soon!  We may have a short summer hiatus next week, but then we will definitely be back on track.

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It’s true, we are plotting to get horror fiction into the hands of readers everywhere– Current in Carmel, June 3, 2014, p. 17

That lovely lady sitting between me and Dylan (we’re the ones holding hands) is Rhonda Rettig, who reviewed for us enthusiastically for several years before stepping down. Unfortunately, because this is a website, and because our reviewers are from all over the place, there aren’t very many photos of us together.

It’s exciting to see Monster Librarian get some recognition in our own community. Maybe this will even turn up some people who want to review children’s books for us– that’s always a huge challenge here. Yay!