Home » Posts tagged "sapphic horror"

Grey Dog by Elliott Gish

Cover art for Grey Dog by Elliot Gish

Grey Dog by Elliott Gish

ECW Press, 2024

ISBN-13 ‏ : ‎ 978-1770417328

Available: Paperback, Kindle edition, audiobook, audio CD

Buy:  Bookshop.orgAmazon.com

 

In 1901 Canada,  Ada Byrd, fleeing from a sex scandal and escaping from under her father’s thumb, takes up a position as a school teacher in the small town of Lowry Bridge. Things go well at the beginning: she is welcomed by the families, and makes new friends, such as Agatha, the minister’s wife. Ada goes to church, helps organize picnics and plays, and freely dances at one of the town’s festivities. She follows the town’s rules and their suspicions of the wild child, Muriel, and the spinster, Mrs. Kinsley, who the town considers a witch.

 

The civilized life she leads is in contrast to the dark woods surrounding the town. To get from the schoolhouse to the home she shares with her host family, the Griers, she must pass eerie woods that seem to be watching her every move. Time goes on, and the ordered and civilized life she leads starts to fade, as her past life comes back to haunt her and the town starts to reveal its secrets. Ada slowly breaks away from the rigid conventions of the town, and feels drawn to the wildness of the woods. She starts spending more time with town outcasts, Muriel and Mrs. Kinsley, and rejects Agatha and Mrs. Grier, the more accepted members of society.

 

Ada writes in her journal that there are many ways to be a good man, but only one way to be a good woman. The pressure of women being forced into specific gender roles breaks Ada, and you see her slow descent into madness as she breaks the bonds of civility. She’s not just refusing to shave her legs or wearing white after Labor Day. The book is a slow burn but at the end, it revs up like The Shining. It goes from psychological and paranormal horror to a slasher.

 

Even though it has feminist themes, Ada herself is somewhat self-hating of women and seems to take her trauma out on the women in the book rather than the men who hurt her. Grey Dog is well-written, and Ada’s descent is reminiscent of “The Yellow Wallpaper” by Charlotte Perkins Gilman. This novel had so many themes, such as trauma, sapphic love, rape, birth, death, gender roles, and yearning that it is a haunting read that will have you thinking about it and running online to find out what others thought of it. I recommend it, though the ending might not be everyone’s cup of tea.

 

Reviewed by Lucy Nguyen

 

Book Review: Ink Vine by Elizabeth Broadbent

Cover art for Ink Vine by Elizabeth Broadbent

Ink Vine by Elizabeth Broadbent

Undertaker Books, 2024

ISBN-13 ‏ : ‎ 979-8218408091

Available: Hardcover, paperback, Kindle edition

Buy:  Bookshop.org  |  Amazon.com

 

The horror novella can be a powerful entity. When handled properly, it’s a gut punch, a blade twist to the heart, and a mind screw, all at the same time. Elizabeth Broadbent has penned one of those stories here in Ink Vine, a sapphic horror tale that is deeper and more dangerous than the swamp she created within. At 118 pages it hits hard, building an effective setting in a South Carolina that reeks of the dank water, humidity, and scent of the trees which smother visitors who dare to enter. The story is a strong character study with a taut element of horror, yet is so much more.

 

Emmy is suffocating in her wasteland of a small town, hoping to one day escape. She eschews working in the local chicken plant to dance in the local strip club. She holds onto her core values and refuses to reduce herself to what others have done. Her home life is toxic, with her mother berating her for her choices, her sister just existing in their double-wide trailer, and her brother, who also has little hope of escaping town.

 

The world of Lower Congaree offers nothing to Emmy except dread, and dreams that will never come to fruition. The filth of the town, both literal and in human form, stifles her, yet she refuses to accept her lot in life. She’ll use the dancing to get out of the hell that plagues everyone around her.

 

The warning to stay out of the swamp echoes in her thoughts, but one day she breaks free and wanders deep. She meets Zara, a beautiful mystery who entrances her. Who is she, and why does she reside deep within the strange world far removed from society? Emmy begins to fall, realizing how poisonous her surroundings truly are, and wakes up changed. She can’t stop thinking about the swamp — and Zara — somehow aware of both the dangers and allure of the strange world.

 

Broadbent paints the words into a gorgeous setting and places her broken characters within, a juxtaposition between a dying town and the vibrant but dangerous swamp Emmy has been warned about all her life. The dark fantasy/horror that comes to life between the covers seethes with life, conflict, and dark threads, that threaten to pull Emmy’s world into the depths. Ink Vine is an entertaining, quick read that begs to be savored slowly.

 

Recommended reading, and a fine new author to watch.

Graphic Novel Review: When I Arrived at the Castle by Emily Carroll

Cover art for When I Arrived at the Castle by Emily Carroll

When I Arrived at the Castle by Emily Carroll

Silver Sprocket, 2024 (previously published by Koyama Press in 2019)

ISBN-13: 9798886200409

Available: Paperback, Kindle edition

Buy:    Bookshop.org | Amazon.com

 

On a dark and stormy night, a cat woman arrives at the mysterious Countess’ castle on an unspoken mission. The Countess mentions that this attractive visitor is not the first to come on this mighty errand. She is offered a warm bath after being out in the rain for so long, for which she accepts, and this is interrupted by loud knocks on the door. The cat woman ventures out to search out her prey, peeking through a keyhole, where she sees the Countess shedding her skin. When the Countess catches her at the door, a violent and erotically driven confrontation happens between the noblewoman and the cat.

 

I appreciate Carroll’s attention to Gothic literature tropes in her sequential art. The structure of the story flows in such a way that the eyes do not have time to rest most of the time. The frenetic pace blends with the reader’s sense of unease as the cat woman explores the castle and is dragged along the halls by the Countess, and when the final battle ensues.

 

Something else I enjoy about Carroll’s work is her use of color, as she uses the most bold selection almost as another character itself. In the case of When I Arrived at the Castle, she uses black, white, and red. The red acts as solid backgrounds, text bubbles, the text itself, outlines of various figures, doors, flooring, skin, blood, and more. Spending a few minutes exploring the red in the pages was an interesting exercise in reading images without words.

 

If you are looking for a standalone Gothic horror graphic novel for your collection, you can’t go wrong with When I Arrived at the Castle. If you have not picked up Carroll’s Through the Woods, I encourage you to do that, as well. Recommended.

 

 

Reviewed by Lizzy Walker