Home » Posts tagged "psychological horror"

Book Review: These Familiar Walls by CJ Dotson

 

These Familiar Walls by CJ Dotson

St. Martin’s Press, 2026

ISBN: 9781250336583

Available: Hardcover, Kindle edition

Buy: Bookshop.org |  Amazon.com

 

These Familiar Walls is a taut thriller, a major improvement over CJ Dotson’s debut novel, The Cut : it avoids all the problems that plagued that novel. It is a tightly written story that sticks to its premise, and does an outstanding job of throwing the reader off-base in terms of guessing the ending.  No sophomore jinx with this book: it’s certainly worth the read.

 

The book starts with a prologue, where thirty-something protagonist Amber Hughes’s parents are brutally murdered in a home invasion, and one of the killers(killed in the attack) turns out to have been Amber’s disturbed childhood friend, Nathan.  Amber inherits the house, and she and her husband Ben, and their two kids move in. Strange things start happening, and the author does a good job slowly building up the level of tension over the course of the book.  Dotson uses fairly basic items like sounds and images, but does it well, especially when using mirrors.  With a number of the incidents, it’s almost more psychological, as it seems like some of the characters go into a sort of fugue state, as they find themselves doing things, and being there, but not mentally in the moment.  It adds a nice touch, and will make the reader wonder: is the house really haunted, or are the characters mentally unstable, and dealing with the results?  The scene with the multiple candles, and the barbeque scene are good examples: they keep the story riveting while providing for some uncertainty for the reader.

 

The narrative is a split narrative, with parts taking place in the present, and sections in the past that document Amber’s time growing up as a teen with Nathan, who is every concerned parent’s worst nightmare.  Worth noting: there is a bit of animal cruelty associated with Nathan, and some people might want to skip those two sections.  It makes sense in terms of the plot, but can still be difficult to deal with.  The timelines tie together in the end, as the mystery of the house, as well as the mystery of the killer who escaped the night Amber’s parents were slain, are all resolved.

 

As good as the book is, it’s the last third of the book that’s a real gut punch, as all the answers are truly stunning and will completely throw the reader off.  As much as this is a thriller about a haunted house, it’s also a prime example of how the worst things in the world aren’t always supernatural: they can be contained within ourselves.

 

In closing, These Familiar Walls is a vast improvement over Dotson’s debut novel: let’s hope the author can keep it going in the future. Recommended.

 

 

Reviewed by Murray Samuelson

Grey Dog by Elliott Gish

Cover art for Grey Dog by Elliot Gish

Grey Dog by Elliott Gish

ECW Press, 2024

ISBN-13 ‏ : ‎ 978-1770417328

Available: Paperback, Kindle edition, audiobook, audio CD

Buy:  Bookshop.orgAmazon.com

 

In 1901 Canada,  Ada Byrd, fleeing from a sex scandal and escaping from under her father’s thumb, takes up a position as a school teacher in the small town of Lowry Bridge. Things go well at the beginning: she is welcomed by the families, and makes new friends, such as Agatha, the minister’s wife. Ada goes to church, helps organize picnics and plays, and freely dances at one of the town’s festivities. She follows the town’s rules and their suspicions of the wild child, Muriel, and the spinster, Mrs. Kinsley, who the town considers a witch.

 

The civilized life she leads is in contrast to the dark woods surrounding the town. To get from the schoolhouse to the home she shares with her host family, the Griers, she must pass eerie woods that seem to be watching her every move. Time goes on, and the ordered and civilized life she leads starts to fade, as her past life comes back to haunt her and the town starts to reveal its secrets. Ada slowly breaks away from the rigid conventions of the town, and feels drawn to the wildness of the woods. She starts spending more time with town outcasts, Muriel and Mrs. Kinsley, and rejects Agatha and Mrs. Grier, the more accepted members of society.

 

Ada writes in her journal that there are many ways to be a good man, but only one way to be a good woman. The pressure of women being forced into specific gender roles breaks Ada, and you see her slow descent into madness as she breaks the bonds of civility. She’s not just refusing to shave her legs or wearing white after Labor Day. The book is a slow burn but at the end, it revs up like The Shining. It goes from psychological and paranormal horror to a slasher.

 

Even though it has feminist themes, Ada herself is somewhat self-hating of women and seems to take her trauma out on the women in the book rather than the men who hurt her. Grey Dog is well-written, and Ada’s descent is reminiscent of “The Yellow Wallpaper” by Charlotte Perkins Gilman. This novel had so many themes, such as trauma, sapphic love, rape, birth, death, gender roles, and yearning that it is a haunting read that will have you thinking about it and running online to find out what others thought of it. I recommend it, though the ending might not be everyone’s cup of tea.

 

Reviewed by Lucy Nguyen

 

They Drink Our Blood by Lucy Leitner

cover art for They Drink Our Blood by Lucy Leitner

They Drink Our Blood by Lucy Leitner
Blood Bound Books, 2025
ISBN: 9781940250700
Available: Paperback, Kindle edition
Buy: Amazon.comBookshop.org

 

They Drink Our Blood is another engrossing tale from this author, and it demonstrates yet another facet of her writing style.  Leitner has already proven adept at dystopian satire with Outrage Level 10 and Bad Vibrations, as well as detective stories featuring the lovable, bumbling private investigator Thor Cole in The Girl With The Lollipop Eyes.  However, They Drink Our Blood is a darker, grimmer tale of vampires, and a possibly confused reality.  After the reader is done, they likely still won’t be sure if the overarching narrative was as it was portrayed, or simply the protagonists twisting the evidence to fit their own version of reality.

 

Taking place entirely in a small, somewhat run-down section of Pittsburgh, it seems that vampires have been living in the USA for years, and are now starting to come out of the shadows, as a few grisly murders around the country seem to attest.  Lisa is a thirty-something, struggling artist living in Pittsburgh, and the murders inspire her to try to do something to protect the people of her neighborhood.  She’s a fascinating character, as we watch her transition from painter to crusader, which alters her whole perspective on her own life.  Before the vampires, she never really had any doubt about what she was doing, and her paintings were her entire reason for being. Once she perceives a threat to her town, her outlook alters substantially, as she finds she may have found her actual purpose.  That means confronting the possibility that all the paintings she did were pointless, despite her telling herself for years that people simply didn’t “get it” when it came to her work. There are a few very good monologues from Lisa throughout the book that help illustrate the character’s uncertainty home in terms of her career choice, and it gives the reader something to ponder over as well, when concerning the overall purpose of art.

 

Lisa’s few friends and bar buddies in her section of town eventually buy into the idea that the vampires are real and a threat, and decide they need to do something to fight back.  That’s the point where the real skill in the narration comes in, as the evidence for bloodsuckers is rather ambiguous.  Lisa has an Uber passenger and she can’t see his face in the mirror?  Good evidence, but it was dark and he was wearing a hoodie.  Murders with a torn throat, and maybe some bite marks?  Sure, but this is the USA, and there are some real weirdos out there, as we all know.  Besides, the bodies weren’t drained, were they?  Or maybe the cops didn’t reveal that part?  Garlic and silver, classic undead repellents, are suddenly hard to find in the neighborhood, but the author wisely does NOT say if the rest of the country is the same way.  She keeps the focus on one little area, which keeps the level of uncertainty for the reader at a high level, as well as making the story theme much more believable.

 

Eventually, the story does build to a messy climax, but true to form, it doesn’t resolve the big question: were vampires present and making their move for domination, or were Lisa and her friends part of some sort of mass psychosis, where they saw what they wanted to see?  Was it real, or all in their minds?  Did they just need a scapegoat for their own humdrum, unfulfilled lives?  That’s for the reader to decide, as Leitner plays her cards close right through the end, and never gives it away.  Another well-done tale from an author who is proving to be a chameleon when it comes to writing.  Recommended.

 

Reviewed by Murray Samuelson.