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Book Review: And Then I Woke Up by Malcolm Devlin

 

 

And Then I Woke Up by Malcolm Devlin. (Bookshop.org  | Amazon.com)

Tor.com. 2022

ISBN: ‎978-1250798077

Available: Paperbsck, Kindle edition.

 

 

This was an PDF ARC provided to me by Ellen Datlow so changes may have been made prior to publication.

 

And Then I Woke Up has an unreliable narrator, a middle-aged man named Spence, who (we are told) is at a mental facility for people who have been “infected” by a virus that caused a mass delusion that made them believe people around them were flesh-eating zombies, reinforced by a media narrative, and by infected charismatic leaders who emerged from the chaos to take control of small groups of “survivors”.

 

Spence notices Leila, a new patient, is not fitting in. After accidentally seeing a snippet of a news report she decides to break out and Spence goes with her. We learn Spence’s story– or do we? The story he remembers is not the one other infected people remember, or the one the Army reported, or the account in the news, or the one the families of people he attacked remember. And only one of those stories is the one the therapist wants to hear him repeat.

 

Leila wants to return to join her group because it was easier to understand the world in black and white, but needs a different narrative to justify her survival so Spence comes up with one, or maybe a second, or maybe a third– he’s not sure what actually happens, although he hopes her story will be enough to influence the narrative positively so infected, cured, and uninfected can coexist peacefully.

 

But Spence’s imagination will no longer allow him to believe in a single narrative and as he dreams of both past events and possible futures he loses his grip on reality.

 

What’s interesting about Spence is his lack of interest in the media or politics. His reaction to the infection establishes him as a “believer” fully enough that it completely alters his perceptions despite that. Rather than simply a story about a zombie invasion or pandemic, Devlin has written a critique of how narrative can be shaped to influence even people who don’t start out with an interest in it.

 

And Then I Woke Up is a short piece that will appeal to readers who appreciate unreliable narrators, but those looking for a straightforward narrative will want to look elsewhere.

 

There’s a lot about storytelling, narrative, othering, grief, guilt, and what makes a believer. This felt political, but makes its mark on a very personal, heartbreaking, and terrifying level.

 

Reviewed by Kirsten Kowalewski

Book Review: The Final Cut by Craig DiLouie

Cover art for The Final Cut by Craig DiLouie

 

 

 

 

 

 

 

 

 

 

The Final Cut by Craig DiLouie

ZING Communications, 2021

ISBN: 9798782486884

Available: paperback, Kindle edition (Amazon.com )

 

This is the final of a three book series, I have not read the other two, titled Infection and The Killing Floor.  While this book can be enjoyed as a stand-alone, it is recommended that you read the others first for full understanding and enjoyment of the story.  

 

We all know that zombie stories are like the undead themselves: just when you think the trend might finally be over, along comes another one.  Thankfully, The Final Cut bucks the usual zombie storylines and clichés, carves a path of its own… and does it well, breathing new life into what has become a stale genre.

 

In The Final Cut, the culprit for zombification is an organism from space, known as Infection, that has managed to infect most of the population. Here’s what makes the story fun: not everyone reacts the same way, or goes through the same Infection.  Some people have it for days or months before they go nuts and become killers…and some have learned to live and adapt to Infection, becoming almost superhuman but NOT becoming crazy.  That’s one of the best points of the book, the “zombies” are a mishmash of types.  Some are mindless, some can talk and reason, some are evil, some are more or less good– the variety helps keep the story interesting.  

 

As for the uninfected humans, besides survival they are focused on two things: finding a cure for Infection, or finding a way to wipe out all those Infected, and ending the plague.   There is still a semblance of a US government working on a solution in the book.  The author throws some interesting moral dilemmas to the characters: which makes more sense?  Go the easier route and blast everything to pieces to save the few left and take the collateral damage, or try the harder but preferable route of finding a cure?  The “ends justify the means” idea poses tough decisions for some of the characters, such as the need to test a possible cure on human subjects… but no volunteers.  Is capturing unwilling people to use ae guinea pigs justifiable, when your goal is saving people?  The author does a great job using these situations, without sounding preachy.

 

In any zombie novel, there will be violence and gunfights somewhere, and in that area, The Final Cut delivers the goods.  Tanks wrecking things, .50 caliber machine guns shredding zombies and creating carnage, plenty of pitched firefights– there’s enough to keep the entertainment level high.  Overall, this is a thinking person’s action/excitement novel and worth the read, even if zombie stories usually aren’t your thing.  Recommended (after reading the first two, that is)

 

Reviewed by Murray Samuelson

Book Review: 56 Days by Catherine Ryan Howard

cover art for 56 Days by Catherine Ryan Howard

56 DAYS by Catherine Ryan Howard.

Blackstone Publishing, 2021

ISBN-13 ‏ : ‎ 978-1982694654

Available: Hardcover, hardcover large print, CD Bookshop.org )

 

We knew it was coming. Just as 2020 had to finally hang up its tainted spurs and 2021 decided it needed some negative attention, a novel about COVID-19 was inevitable.

 

The only mystery was whether it would be any good, or just capitalizing on the modern plague.

 

Set in Dublin, Oliver and Ciara meet 56 days ago, just as the virus hits Ireland. 35 days ago, the lockdown begins. Yet, instead of doing what most fledgling couples would, Ciara moves in with Oliver. I highly recommend NOT doing this in real life. Relationships are tough enough; the virus can cause isolation to drive the most “normal” person to near homicidal tendencies.

 

Oliver is not who he seems to be, and with the pandemic, prolonged time together shaves away the masks we wear, leaving behind the true faces underneath. What did Oliver and Ciara learn about each other? What drove one to kill the other?

 

Catherine Ryan Howard takes a chance with allowing 56 Days to build at a slow, steady burn. If readers hang on, they will be rewarded in a blistering second half that delivers on what is promised.  She has produced a quality suspense novel here that will undoubtedly win her new fans with this story that refuses to play by the rules. That’s a very good thing.

 

The format is interesting, beginning with the discovery of the body and then jumping between the lovers and the pair of officers, Kurt and Lee, who struggle to piece together this timely mystery.

 

The reader is immediately thrust into a story that is narrative heavy, describing the scene where a dead body is found.

 

Is it Oliver or Ciara?

 

It’s an intriguing puzzle that will keep readers buzzing.

 

Recommended for any suspense/mystery readers who are ready for the first big COVID hit.

 

Reviewed by David Simms