Home » Posts tagged "occult horror" (Page 2)

Graphic Novel Review: Let Me Out by Emmett Nahil, illustrations by George Williams

cover art for Let Me Out by Emmett Nahil

 

Let Me Out by Emmett Nahil, illustrations by George Williams

Oni Press, 2023

ISBN: 9781637152362

Available: Paperback, KIndle edition

Buy: Bookshop.org | Amazon.com

 

It’s 1979. Mitch wakes up after a terrible assault near the local Y. His friends scold him for going there alone and take him home to recuperate. There’s also been a murder in the quiet suburb of Columbiana, New Jersey. The body of Pastor Holley’s wife, Kelly, has been found with demonic sigils carved into her body.

 

New Jersey Sheriff Mullen and FBI Agent Garrett partner up to investigate the case. At least, that’s how it appears to the locals. Behind the scenes, they are devising a Satanic Panic cover to conceal their own crimes. They set their sights on a group of queer punks; Mitch, Lupe, Terri, and Jackson.

 

Sheriff Mullen hears a rumor that Pastor Holley records extra sermons for himself, and confronts the priest about them. It takes a little convincing, but Father Holley turns over some of the tapes to be played on the local radio station. A federal agent issues a warning, announcing the lurid details of satanic rituals, and asks teenagers to keep an eye out for anyone different. After a violent altercation between Lupe and the manager on duty at the local grocery store, the authorities quickly pin Kelly’s murder on the teens. When the friends flee to a cabin in the woods, they find the building gone and a bloodstained pentacle embedded in the ground. Mitch knows they aren’t alone out there.

 

I love a good Satanic Panic plot. With a diverse cast of characters, each with a unique personality and story, Let Me Out has a unique angle on the “devil in the details”. There is good LGBTQ+ representation, as well as people of color. There are parents and adults who are not accepting of their children, which is difficult to stomach, but is a painful reality some LGBTQ+ teens face. As hard as it was to confront on the page, I am glad that Nahil didn’t shy away from that. The character designs were really good and well rendered, as were the backgrounds and sweeping landscapes.

 

Nahil and Williams opted to include trigger warnings at the beginning of the book. I know there have been conversations in the horror community about the idea of including these warnings in general. My view is that if it makes someone’s enjoyment of a book better to have a warning, I have no problem with that. For those of us who are library workers, we are probably familiar with Ranganathan’s Five Laws of Library Science. Content warnings align well with three of the five laws: every reader their book; every book its reader; and save the time of the reader. Highly recommended.

 

 

Reviewed by Lizzy Walker

 

Posted on March 11, 2024 by , Reply

Book Review: Siren Queen by Nghi Vo

cover art for Siren Queen by Nghi Vo

 

Siren Queen by Nghi Vo

Tor.com, 2022

ISBN-13 ‏ : ‎ 978-1250788832

Available: Hardcover, paperback, library binding, KIndle edition, audiobook

Buy:    Bookshop.org  | Amazon.com

 

 

This is not so much a horror novel as it is an homage to classic monster movies and a critique of golden-age Hollywood. Readers looking for blood and gore will not find it here. What they will find is a dark, beautifully written warning about the dangers of ambition. Told in first person by the protagonist, the story reads like a memoir.

 

CK is a Chinese-American girl obsessed with acting in the movies, at the beginnings of the talkies. She is working bit parts for children off the books for a director at Wolfe Studios, who wants to present her as his new discovery once she turns 18. CK is impatient and tracks down a retired actress who gives her information that will get her an audience, and a contract, with Oberlin Wolfe, using blackmail photos. Due to this leverage she is able to demand that she not be cast in stereotypical roles for Asian women (an issue faced by real-life Chinese-American actress Anna May Wong in this time period).. She takes the stage name Luli Wei, a name that happens to also be her sister’s.

 

Getting a studio contract is similar to making a bargain with faeries. In exchange for fame and fortune, the studio owner controls your life (this is a fairly accurate description of the Hollywood studio system at the time, even without faeries’ involvement). There’s even a version of Tam Lin that takes place within the story.

 

Directors don’t know how to cast CK since she can’t be cast in stereotypical roles, but finally she is cast as a monster, the Siren Queen, and the movie and its sequels are blockbuster hits. Despite her ability to cause scandal and her defiance, the studio can’t get rid of her. CK has a lesbian romance with rising star Emmaline Sauvignon which the studio ends because it interferes with their narrative of the kind of person Emmaline is supposed to be. Later, she gets involved with a scriptwriter hired to do edits on the script of the last Siren Queen movie.

 

Despite knowing her contract would eventually have negative consequences for her, I couldn’t help loving CK for her ambition and refusal to let studio officials and directors walk on her, and for her own love of playing the role of a vengeful monster and loving it. The classic monster movies are clearly an inspiration to the author, and the critique of racist stereotypes and queer erasure in casting at that time is something I am glad to see brought to the attention of modern readers. Highly recommended.

 

 

Reviewed by Kirsten Kowalewski

Posted on March 7, 2024 by , Reply

Book Review: The Man Who Killed His Wife (and What Happened Afterward) by Wol-vriey

cover art for The Man Who KIlled His Wife (and What Happened Afterward) by Wol-vriey

 

The Man Who Killed His Wife (and What Happened Afterward) by Wol-vriey

Blood Bound Publishing, 2023

ISBN: 9781948278690

Available: Paperback, Kindle edition

Buy: Bookshop.org | Amazon..com

 

Wol-vriey’s latest is so nutty that readers might just laugh at the absurdity of it all, and that’s not a bad thing.  It’s a merry-go-round of horror craziness, like his last one.

 

Maryanne Wilson wants to get pregnant, but her poor, overworked husband Bob simply doesn’t have the energy for bedroom fun.  So, she turns to her neighbor (who of course happens to be a witch) for a demon sex charm.  That works until an argument with Bob ends in her accidental death.  Unfortunately, the charm causes Bob to have sex with her corpse, which makes him leery of calling the cops.  So, he enlists the help of another neighbor (who of course is a top-level computer hacker) to dispose of the body and come up with a viable explanation.  Naturally, nothing goes right for Bob.  Ashley, the hacker, is a psychotic sadist who wants payment in pain, the corpse won’t stay dead, and there’s the matter of the little blue demon who eats everyone he finds.  It’s a tragic comedy of errors for everyone involved.

 

Enjoying this means not taking it too seriously, as Bob constantly makes boneheaded decisions that no rational person would.  While skipping details to avoid spoilers, let’s say Bob probably could have got out of his mess in less painful ways.  Plus, this must be some apartment building, as it has a witch with real powers and an ace computer whiz with government connections under the same roof.  Who knew they were this common?  That’s why it’s important to remember, none of that matters in this type of fiction.  It’s meant to be fun and not taken too seriously, much like some of the pulp writing of yesteryear.  And, fun this is.

 

As always with this author, the book speeds along, with no deep soliloquies or wasted time.  Despite the pain and gore that show up (and, if you’ve read Wol-vriey before, this isn’t as brutal as some of his other works) the book still has a somewhat lighthearted touch compared to some of his darker, more ‘serious’ efforts.  The little blue demon goes a long way towards keeping this from getting too ugly: it’s such an obnoxious eating machine that you have to chuckle at it, and its final fate is hilarious.  Some of Ashley’s ridiculously painful ideas of a good time (and her amusing notes afterwards) also keep the story trending that way.  Quite over the top, but still entertaining.

 

Bottom line?  This isn’t a book to terrify readers, or bowl them over with its profound nature.  It’s just big, goofy horror fun, and should keep the author’s fans happy until the next one.

 

Reviewed by Murray Samuelson

 

Posted on February 26, 2024 by , Reply
First « 12345 » Last