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Book Review: They Say A Girl Died Here Once by Sarah Pinborough

They Say A Girl Died Here Once by Sarah Pinborough
Earthling Publications, October 2016
ISBN-13: 978-0996211833
Available: $35 signed & numbered hardcover; $400 lettered edition

It’s time once again for Earthling Publications’ Halloween present to horror readers. For the past 11 years, Paul Miller has given the gift that keeps on frightening; not once has he chosen a story, or author, that has disappointed. Every year, Earthling offers something different– a new twist on the classics, or a story that delves into a dark corner of the genre’s history.

This time, he has chosen author Sarah Pinborough, who has penned novels in various genres but always seems to return to horror, where she originally staked her claim, through a number of paperbacks from the defunct Leisure line, as one of those “writers to watch.”

With the success of Mayhem and The Forgotten Gods trilogy, she proved she wasn’t a flash in the pan. She is a master of thriller writing. Her ability to create a dark, horror-infused atmosphere lifts every one of her novels into a realm few writers have reached. Last year’s Death House pushed her into the ranks of the horror-writing elite, and should have swept the awards.

Now she’s back, with They Say A Girl Died Here Once, a ghost story that is as much a psychological thriller and a mystery as it is a horror novel. This disturbing family drama centers on teenage Anna and her family: her mother, little sister, and grandmother. While the tale of a family moving into a house with a dark past is a common trope, Pinborough sidesteps the expected, and delivers a new take on haunting, dark, family secrets.

Anna and her family have moved into a new town to escape the “thing” that happened to her back home: an incident that has fractured all her relationships, as well as her own sanity. She attempts to fit in with the teens she meets, and to participate in the normal activities of high school. Anna’s mother works odd hours, so Anna is also tasked with taking care of her grandmother, Evelyn, who is in the advanced stages of dementia. Evelyn’s behavior becomes increasingly erratic. She begins wandering the house, often winding up at the basement door, and speaking phrases that make little sense. The discovery of what has happened, both in the house and in the town, makes Anna curious enough to delve into the mystery, as she attempts to decipher the words of what has been speaking through her grandmother. What ensues pushes the tale down a new avenue in ghost stories. Each relationship Pinborough weaves is tenuous at best, from the creepy handyman who courts Anna’s mother, to the rebellious friend, to the other teens bent on finding out what the “thing” is in her past.

In lesser hands, They Say A Girl Died Here Once could have been just another ghost story. With her exquisite writing, Sarah Pinborough molds it into something special and unexpected. Her deft hand in creating atmosphere as a character is on display here, along with the individual characters who drag the reader into the depths of her nightmarish visions.

With this author, and Earthling as the publisher, this novel is very much recommended. The only downside is the limited print run, so pick it up quickly.

Reviewed by David Simms


Book Review: The Secret of Goldenrod by Jane O’Reilly

The Secret of Goldenrod by Jane O’Reilly

Carolrhoda Books, October 2016

ISBN-13: 978-1512401356

Available: Preorder (hardback, Kindle edition)

Goldenrod is an isolated mansion from the turn of the century, abandoned for many years. 11 year old Trina is temporarily living in the house as her father, an itinerant master carpenter, restores it so that it can be sold. Goldenrod’s original owner was also the founder of New Royal, the tiny town nearby. The residents are certain that Goldenrod is haunted, and has cursed them with bad luck, and Trina is nearly convinced, herself, by the strange sounds and slamming doors.

When Trina discovers a hidden playroom, with a talking doll, she becomes curious about Annie, the little girl who lived, and died, in the house, when it was occupied. Trina decides to explore the mystery of the family that lived in the house, and ends up discovering that there is much more to Goldenrod, and New Royal, than meets the eye.

The Secret of Goldenrod is atmospheric and character-driven. O’Reilly does her best to portray the residents of New Royal as discrete individuals, and for the most part, she succeeds. Despite the talking doll, Trina is not a stereotypical girly girl– she helps her father with the restoration, takes initiative in challenging situations, and is both independent and creative. The story’s slow pace may frustrate readers who are looking for rapid action. While it takes place over a relatively short period of time (surprisingly short, since the story takes place over a period of no more than two months, and the house is almost completely restored by the end) the book is long, and the story feels very drawn out, with one small event following another, and many conversations with the doll, although the pace picks up significantly near the end. While it didn’t bother me, there are an astonishing number of coincidences, as well– items and people found at just the right time to nudge Trina closer to the answers she’s seeking.

The house is certainly a character, although it’s not clear whether it actually is haunted, and a talking doll definitely provides a touch of the supernatural, but this is not really a scary book. While there are some scary moments, it is not O’Reilly’s intent to evoke fear. Rather, she explores what it means to reunite a family and community, and to really find a home. O’Reilly writes beautifully, and it is a pleasure to read the story of Trina, her father, and Goldenrod, as they find a comfortable place in the community, but the kid looking for a fast-paced, thrilling adventure will need to look elsewhere. Recommended for general children’s collections for grades 4-8.

 

Book Review: Sherlock Holmes and the Servants of Hell by Paul Kane

Sherlock Holmes and the Servants of Hell by Paul Kane

Rebellion/Solaris, 2016

ISBN: 9781781084557

Available: Paperback, Kindle edition

 

Sherlock Holmes and Cenobites sound like a combination that would be truly awful together, but I have to say, Sherlock Holmes and the Servants of Hell blew my assumptions out of the water. With an introduction by Barbie Wilde, I was put at ease.

The book opens with a man solving the Lament Configuration. That man is Sherlock Holmes.

It’s 1895. Moriarty is declared dead, and Holmes miraculously survives the tumble off the cliff in his final adventure. Holmes and Watson are engaged by Laurence and Juliet Cotton, newlyweds with a strained relationship, to investigate the disappearance of Laurence’s brother, Francis. Their investigation leads them to look into a series of unusual missing persons’ cases, in which the missing parties vanish in impossible ways. One man disappears from a locked room, the only traces left behind being the faint scent of vanilla.

This is just the beginning of an investigation that will draw the pair into contact with an organization whispered about and known only as ‘The Order of the Gash.’ Clues lead the sleuth and the doctor to an underground club that services the most depraved of the upper crust of society, a sinister asylum in France, and the underworld of London. They encounter shady operators, meet old acquaintances in the strangest of circumstances, enter a world of depravity and pain, and make dangerous associates—the Cenobites, from hell.

Kane, previously editor of the tribute anthology Hellbound Hearts, clearly has a familiarity with and love of the Hellraiser universe. In this book, in addition to new Cenobites, Kane includes storylines and characters from Barker’s novella The Hellbound Heart, as well as the Hellraiser films.  I was pleasantly surprised to also find an authentic Holmes feel and pacing that shows a familiarity with the characters and style of Holmes’ stories. Kane was able to keep with the atmosphere and period sensibilities of Sir Arthur Conan Doyle’s style while still creating the feel of Clive Barker’s world of Cenobites–  and he makes it work. Recommended. Reader’s advisory note: Fans of both Sherlock Holmes and Hellraiser should enjoy this. Other horror/Holmes crossover titles include Sherlock Holmes: The London Terrors and others by William Meikle, and Gaslight Arcanum, edited by Kim Newman and Kevin Cockle.

Contains: mentions of body horror, allusions to sexual activity and gore

Reviewed by Lizzy Walker