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Book Review: Ruler of the Night by David Morrell

Ruler of the Night by David Morrell

Mulholland Books, 2017

ISBN-13: 978-0316307901

Available: Hardcover, paperback, Kindle edition, Audible

Ruler of the Night is the conclusion of a terrific trilogy from one of the masters of horror and thrillers, David Morrell. In this trilogy, the author of both Rambo and the classic dark novels, The Totem, Creepers, and Testament, takes readers on a ride back to the Victorian Age, and introduces the enigmatic Thomas DeQuincey, also known as the Opium Eater (a character based on the essayist who authored Confessions of an English Opium-Eater, who penned several stories and essays that directly influenced Edgar Allan Poe).

The first two books, Murder As Fine Art and Inspector of the Dead, brought Morrell new fans across the genres in which he writes and proved that the awards he has amassed from the Stokers and International Thriller Writers were well deserved. His England is near perfect in its bleakness, the fog as thick as blood: details of this stifling, yet fascinating world, surround the reader.

In Ruler of the Night, the Opium Eater and his daughter, Emily, discover the victim of a murder on a cross-country train. The victim was locked tight in his cabin, but the act carried out was bloody and wrenching. Upon their return home, they reconnect with the duo of Detective Ryan and his trainee, Becker, who have been enlisted to track down the killer on the streets of London.  Each character is fully fleshed out in this novel, just as they have been in the previous two entries. DeQuincey is utterly fascinating. Morrell makes it easy to see how he had a strong effect on the detective skills of Poe, along with the self-destructive behaviors that threaten to send him into the abyss.

I hopw that Morrell someday revisits this dark world, and that his next book contains as much mystery and horror. Recommended for any of his fans– along with anyone who loves a strong, dark thriller.

Reviewed by Dave Simms

Posted on July 11, 2017 by , Reply

Musings: The Stranger Inside by Jennifer Jaynes

The Stranger Inside by Jennifer Jaynes
Thomas & Mercer, 2017
ISBN-13: 978-1477817919
Available: Paperback, Kindle edition, Audible, Audio CD

Well, it’s happened. The Monster Kid, soon to be 12 years old, picked up, secretly read, and was completely engrossed in his first adult horror novel (why he thought he needed to hide this from me is beyond my understanding, but maybe keeping it underground is part of the allure). Technically, it’s the second one he’s read, but he was unimpressed by I Am Legend (I think he didn’t actually understand what was happening, which I am grateful for). And I suppose purists would say it’s more of a mystery thriller than a horror novel, but it was sent to me for review, and it has some pretty terrifying moments. The Monster Kid is a re-reader; once he finds a book he’s really fascinated by, he reads it over and over. I note that he has been sneaking it to school in his backpack, so obviously this is one of those books.

A Stranger Inside introduces us to the Christie family: widowed mystery writer Diane; her adopted 15 year old son, Josh; and her college-aged daughter, Alexa, who struggles with anger at her mother, grief, depression, and addiction. Diane and Josh have just moved to the college town where Alexa attends school, and Diane is struggling to adapt to small-town life and changing family dynamics. She’s also finally trying to move beyond her grief and anger at her husband’s suicide, and starting up a new relationship. Add to this mix the sudden murders of girls at Alexa’s school, and you have a recipe for disaster.  What else would you expect in a town named Fog Harbor?

Jaynes’ slow-building characterization of the men in this story is what makes it creepy to me (obviously, this is not what appeals to my kid). Every single one of them gives off that “wrong” feeling, which only escalates as the events of the story, and the murders, continue. It is amazing to me is that Diane, a mystery writer, takes forever to pick any of this up. There’s Lance, a volunteer at the suicide hotline where Diane volunteers; Wayne, the grocery store manager who invades personal boundaries; Rick, her “perfect guy”, a former sniper who suffers from PTSD and has a houseful of guns. Even Alexa, who spends a good chunk of time in a drug-and-alcohol induced stupor, has more of a clue than her mom does.

While he picked up on the total lack of likability of any of the men in the book, I’m pretty sure the Monster Kid missed out on most of this, for obvious reasons. This is a kid who fast forwards through movies to get to the action scenes and giant explosions. This book is a really fast read, and if he did something similar, in skipping the character-building parts, that could explain why he sped through it in an evening.  For him, it was the suspense, ratcheted up in part from not being able to tell which person in the book was the killer, the pacing, and the interspersed scenes of the killings, from the killer’s point of view. These aren’t graphically gory, but there’s definitely a focus on the stalker’s thrill at the chase that could leave your heart pounding.  The killer was a character that completely surprised the Monster Kid, although based on his short, non-spoilery summary, I guessed it pretty quickly. The final scenes of the book are not ones I would have ever guessed, though.

This is an adult book, and there are a few sexual situations, although most of that is off-screen (can I say off-screen when writing about a book?). His primary pickup from this was the phrase “The room smelled like sex and french fries”, with the focus on the french fries. There’s also a date rape, which we see from Alexa’s point of view, which is pretty muddled since she’s drugged.

It’s kind of astonishing to me that, with all the horror novels in this house that he has hidden from view because of the covers or that even are just floating around, the Monster Kid picked this one, and is enthralled with it. It’s a sign that he’s growing older, I guess, and if he had to choose a book to start with, this wasn’t a bad one. In fact, the most disturbing part to me is the teenage boy and his role in the story, and maybe that’s because it hits so close to home. If he stays with books that have this level of violence and sex, it’ll be a relief. But I’ve been hearing a lot of mutterings about Stephen King…

 

 

Posted on May 19, 2017 by , Reply

Book Review: They Say A Girl Died Here Once by Sarah Pinborough

They Say A Girl Died Here Once by Sarah Pinborough
Earthling Publications, October 2016
ISBN-13: 978-0996211833
Available: $35 signed & numbered hardcover; $400 lettered edition

It’s time once again for Earthling Publications’ Halloween present to horror readers. For the past 11 years, Paul Miller has given the gift that keeps on frightening; not once has he chosen a story, or author, that has disappointed. Every year, Earthling offers something different– a new twist on the classics, or a story that delves into a dark corner of the genre’s history.

This time, he has chosen author Sarah Pinborough, who has penned novels in various genres but always seems to return to horror, where she originally staked her claim, through a number of paperbacks from the defunct Leisure line, as one of those “writers to watch.”

With the success of Mayhem and The Forgotten Gods trilogy, she proved she wasn’t a flash in the pan. She is a master of thriller writing. Her ability to create a dark, horror-infused atmosphere lifts every one of her novels into a realm few writers have reached. Last year’s Death House pushed her into the ranks of the horror-writing elite, and should have swept the awards.

Now she’s back, with They Say A Girl Died Here Once, a ghost story that is as much a psychological thriller and a mystery as it is a horror novel. This disturbing family drama centers on teenage Anna and her family: her mother, little sister, and grandmother. While the tale of a family moving into a house with a dark past is a common trope, Pinborough sidesteps the expected, and delivers a new take on haunting, dark, family secrets.

Anna and her family have moved into a new town to escape the “thing” that happened to her back home: an incident that has fractured all her relationships, as well as her own sanity. She attempts to fit in with the teens she meets, and to participate in the normal activities of high school. Anna’s mother works odd hours, so Anna is also tasked with taking care of her grandmother, Evelyn, who is in the advanced stages of dementia. Evelyn’s behavior becomes increasingly erratic. She begins wandering the house, often winding up at the basement door, and speaking phrases that make little sense. The discovery of what has happened, both in the house and in the town, makes Anna curious enough to delve into the mystery, as she attempts to decipher the words of what has been speaking through her grandmother. What ensues pushes the tale down a new avenue in ghost stories. Each relationship Pinborough weaves is tenuous at best, from the creepy handyman who courts Anna’s mother, to the rebellious friend, to the other teens bent on finding out what the “thing” is in her past.

In lesser hands, They Say A Girl Died Here Once could have been just another ghost story. With her exquisite writing, Sarah Pinborough molds it into something special and unexpected. Her deft hand in creating atmosphere as a character is on display here, along with the individual characters who drag the reader into the depths of her nightmarish visions.

With this author, and Earthling as the publisher, this novel is very much recommended. The only downside is the limited print run, so pick it up quickly.

Reviewed by David Simms


Posted on September 21, 2016 by , Reply
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