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Book Review: Women in Horror Month: The Year I Flew Away by Marie Arnold

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The Year I Flew Away  by Marie Arnold

Versify, 2021

ISBN-13 : 978-0358272755

Available: Hardcover, Kindle edition, audiobook

 

Ten-year-old Gabrielle has left her home, family, and friends in Haiti to live in America with family she barely knows. Arriving in New York City in the winter, she is being bullied, having a hard time learning and understanding English and fitting in. She knows better than to trust a witch, but determined to be accepted, she accepts three slices of mango from the witch Lady Lydia. Each piece Gabrielle eats will grant a wish, but take something else away.

Gabrielle is a character who squeezes everything she can out of life. At the beginning of the book, she is mischievous and playful, active, curious, imaginative, loving, strong-minded, and brave. Marie Arnold sets her story to be descriptive of all the senses: flavors, textures, colors, and smells.  As much as Gabrielle loves her home, there is still poverty, hunger, and violence, and her parents, unable to get papers for themselves, decide to send her to America on her own, to stay with her uncle’s family. The qualities that serve Gabrielle well in Haiti, though, aren’t appreciated or apparent in New York City.

When she meets the witch, Lady Lydia, Gabrielle is wary, but after turning Lady Lydia away several times, Gabrielle finally decides she wants to belong enough to accept the consequences. Lady Lydia warns Gabrielle that if she eats all three pieces of the mango, she will have to give her essence to Lady Lydia. Gabrielle wishes for perfect English, and gains friends (Carmen and a talking rat named Rocky) but she also loses understanding of her home language, Haitian Creole, meaning she can no longer speak to or understand her family. What will the next wish take away? Gabrielle, along with help from her friends, must save herself and her family from Lady Lydia and figure out how to balance fitting in as an American with pride in her Haitian identity.

Arnold does a really wonderful job depicting the varying characters in the book, and addresses skillfully tough issues like racism and anti-immigrant sentiment. She presents a rounded picture of Gabrielle’s aunt and uncle, Carmen’s large family, and even the girl who bullies her. The tricky Lady Lydia is dramatically and vividly depicted, as is her nearly completed and disturbing spell. This is an entertaining, thoughtful, witchy, #OwnVoices book for middle grade students, and although the protagonist is a little young, could also be enjoyed by middle schoolers. Highly recommended for ages 8–12.

 

Reviewed by Kirsten Kowalewski

Book Review: Amari and the Night Brothers (Supernatural Investigations #1) by B.B. Alston

cover art for Amari and the Night Brothers by B.B. AlstonBookshop.org  |  Amazon.com )

Amari and the Night Brothers (Supernatural Investigations #1)  by B.B. Alston

Balzer + Bray, 2021

ISBN-13 : 978-0062975164

Available: Hardcover, Kindle edition, audiobook

 

Thirteen year old Amari Peters has some big footsteps to fill: her older brother Quinton was the highest performing student at ritzy Jefferson Academy. Since his disappearance (or possibly death) six months ago, Amari’s grades, and behavior, are slipping, and on the last day of school, she shoves a mean girl who makes a dig about her brother and loses her scholarship, her best opportunity to get out of the Rosewood Projects and go to college. Grounded indefinitely, Amari hasn’t been home long when the doorbell rings and she’s asked to sign for a package that, oddly, has been delivered to Quinton’s closet. Opening the package, Amari discovers she has been nominated by her missing brother for a scholarship to the Bureau of Supernatural Affairs training camp. The Bureau of Supernatural Affairs keeps supernatural creatures secret while also protecting innocent humans. Quinton and his partner, “special agents” for the Bureau, have gone missing from the Bureau as well, and Amari decides to attend the camp in hopes of discovering what happened to her brother.

Early on, Amari is discovered to have tremendous magical potential, but this turns out to be a major problem when her supernatural power is discovered to be magic, as magicians are universally considered bad and magic is illegal. Among a throng of privileged “legacy” trainees, Amari’s race, socioeconomic status, and illegal magic make her a pariah among the other trainees, and more determined than ever to qualify to become a Junior Agent and find the answers that will lead to her brother.

While individual elements of the story may sound familiar (a mysterious letter, a summer camp for teenage legacies, mythical and supernatural creatures hidden in plain view, and evil magicians all show up in either Harry Potter or Percy Jackson) B.B. Alston has mixed them up to create something very different. A big piece of that is that Amari, a smart and determined Black girl who already has to prove herself in the outside world, is the point of view character, so we get to see a resourceful character working hard who keeps going even when she’s discouraged by hostility and racism. Nobody hands her a destiny or quest to fulfil, does her homework for her, or makes decisions for her, although she occasionally gets a boost of encouragment from a friend. Alston is also incredibly creative in his world-building (talking elevators with individual personalites, delightful and spooky departmental names and descriptions, gorgeously described magical illusions, magic that can manipulate technology, gossip rags that give you juicy tidbits only when you ask the right questions, and so much more).

Although there are some terrifying creatures and spells, the scariest parts of the book really involve the people who interact with Amari: spoiled mean girl Lara van Helsing, who spreads nasty rumors; evil magician Raoul Moreau, one of the “Night Brothers”; racist kids who draw malicious graffiti on the walls of Amari’s bedroom; Bureau directors certain Amari is a danger to the supernatural world. Amari and the Night Brothers is more of a dark urban fantasy and coming-of-age story than it is a horror story, but it is a great #OwnVoices title that provides a fresh point of view in a genre that seems to be telling the same story over again and again. I’m looking forward to book #2. Highly recommended for grades 4-8

Book Review: The Language of Ghosts by Heather Fawcett

cover image for The Language of Ghosts by Heather Fawcett

The Language of Ghosts by Heather Fawcett ( Bookshop.org | Amazon.com )

Balzer + Bray, 2020

ISBN-13: 978-0062854544

Available: Hardcover, Kindle edition, audiobook, audio CD (pre-order)

Princess Noa Marchena and her sister Mite escape a deadly palace coup with their older brother, now king, Julian, a dark magician with command of all nine languages of magic.  Since dark magicians have been known to lose themselves to dark magic, Noa makes it her business to act as Julian’s conscience. Hidden away on a moving island protected by a sea serpent, Julian plans his return to his country and his throne.  Then he learns that Xavier, the leader of the coup, is killing all dark magicians in his kingdom and is seeking the lost languages of magic in order to find a magician who can use them to defeat Julian. The Marchenas discover one before Xavier; the language of ghosts, which Noa names Shiver. The language of ghosts allows someone who can use it to travel through the land of death, and to see and speak to ghosts. The ability to read and understand it is rare, but Noa, until then without magical abilities, discovers that she is able to understand it.

What with the suspenseful palace coup and dark magicians, at the beginning and a title like The Language of Ghosts, I expected a little more spookiness to the story. It’s been compared to Howl’s Moving Castle, and it does have a magically moving island and a crabby magician, but it doesn’t have the depth or humor of that book.  It is more likely to appeal to fans of Jessica Day George than it is to readers of Mary Downing Hahn. The Language of Ghosts is an okay middle-grade fantasy with a few genuinely suspenseful moments, enjoyable but not outstanding and certainly not as ghosty as I expected it to be.