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Guest Post by Paula Cappa: The Literary Ladies of Horror’s Haunted Mountain

It may not be February, but October is just as good a time (if not a better one) to recognize women in horror, especially women writers. Paula Cappa, author of the supernatural novels The Dazzling Darkness and Night Sea Journey (both reviewed here), gives us her take on women writers in the genre from the beginnings of their journey until the present day. Love quiet horror? Visit her blog to discover what classic story she’s presenting as her Tuesday Tale of Terror. Really. It’s awesome.

Want another take on women writers in the horror genre? Check out this post by Colleen Wanglund, which includes a fantastic list of contemporary women writers and recommended titles.

The Literary Ladies of Horror’s Haunted Mountain

By Paula Cappa

If there is ever a time to hear a night-shriek, it is October, a month that welcomes readers to the dark mountain of the horror genre. Listen to the hallowed voices, their devouring muscular growls and hot stinging hisses. Canadian writer Margaret Atwood, author of MaddAddam, says “Some may look skeptically at ‘horror’ as a subliterary genre, but in fact, horror is one of the most literary of all forms.”

The literary ladies at the summit are as ghoul-haunted as the gentlemen claiming Haunted Mountain as their territory with their persistent footprints and pulsing voices. Their names are familiar: Poe, Hoffman, James, Blackwood, LeFanu, Lovecraft, Stoker, King, Koontz, Herbert, Straub, Saul, Strieber, Bradbury, Barker, Campbell– the list goes on.

With women so under-represented, one would think the only woman writing horror in the early years was Mary Shelley, setting up ropes and spikes, blazing a wide path up horror’s haunted mountain with Frankenstein in 1818. But look closely at the mountain, and you’ll find the distinctive footprints of Ann Radcliffe, who tore open supernatural paths with The Mysteries of Udolpho as early as 1794. Radcliffe’s writing of suspense about castles and dark villains influenced Dumas, Scott, and Hugo. Mary Elizabeth Braddon, author of Eveline’s Visitant, wrote eighty novels and volumes of short stories during the 1800s, and was known as the Queen of Sensation. The little-known and much-overlooked Margaret Oliphant scaled the rocky mountainside with a heady ghost story, “The Secret Chamber.

By 1865, Amelia Edwards’  The Phantom Coach cut popular tracks across the haunted mountain. Helena Petrovna Blavatsky cleared the way for future women writers with her collection of nightmare tales, The Ensouled Violin, as did Elizabeth Gaskell with The Poor Clare, which deals with a family evil curse, complete with witches and ghosts. Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”, written at the turn of the century, became the earliest feminist literature to expose 19th century attitudes against women’s mental health, in less than 6000 words. I like to think of Charlotte as the Wallerina, dancing up the haunted mountain.

Gothic writers like Edith Wharton (Afterward) and Mary Wilkins (Collected Ghost Stories) remain treasures.  V.C. Andrews, Shirley Jackson, Daphne du Maurier, Mary Sinclair, Rosemary Timperley, Victoria Holt, Mary Stewart, Joan Aiken, Phyllis Whitney, and Barbara Michaels, all were prolific writers on horror’s haunted mountain during the 20th century, and some are still writing today. Then, of course, there’s Anne Rice, with her newest release The Wolves of MidWinter. This queen of the damned has practically established a private driveway up the haunted mountain, with more than thirty enormously successful novels of vampires, angels, demons, spirits, wolves, and witches.

Horror’s haunted mountain, traveled by women writers from Ann Radcliffe to Anne Rice, is still being trailblazed by fresh talents, writers of gothic, ghost, supernatural, traditional, and dark horror: Alexandra Sokoloff, The Unseen; Barbara Erskine, House of Echoes; Caitlin R. Kiernan, The Drowning Girl; Chesya Burke, Dark Faith; Elizabeth Massie, Hell Gate; Gemma Files, The Worm in Every Heart; Joyce Carol Oates, The Accursed; Kelley Armstrong, Bitten; Linda D. Addison, How to Recognize a Demon Has Become Your Friend; M.J. Rose, Seduction; Melanie Tem, Slain in the Spirit; Nancy Baker, Kiss of the Vampire; Nancy Holder, Dead in Winter; Poppy Z. Brite, Drawing Blood; Rose Earhart, Salem’s Ghost; Susan Hill, The Woman in Black; too many more to list.

What about the short story? Look to Billie Sue Mosiman, with 150 short stories to her credit. Her “Quiet Room” is about a ruthless evil killer, written in “quiet horror” fashion. For collections, try authors Kaaron Warren’s Dead Sea Fruit, Carole Lanham’s The Whisper Jar, and Fran Friel’s Mama’s Boy and Other Dark Tales.

Men may continue to dominate horror’s haunted mountain, just as women continue to be fierce climbers with hawkish voices. But story is story; writers are writers. What does gender matter in art? In the words of Virginia Woolf: “It is fatal for anyone who writes to think of their sex. It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly.” Oh wait, I forgot one more ghostly title for you: Virginia Woolf’s A Haunted House.

Bio:

Paula Cappa is a published short story author, novelist, and freelance copy editor. Her short fiction has appeared in SmokeLong Quarterly, Every Day Fiction, Fiction365, Twilight Times Ezine, and in anthologies Human Writes Literary Journal, and Mystery Time. Cappa’s writing career began as a freelance journalist for newspapers in New York and Connecticut. Her debut novel Night Sea Journey, A Tale of the Supernatural launched in 2012. The Dazzling Darkness, her second novel, won the Gothic Readers Book Club Choice Award for outstanding fiction. She writes a weekly fiction blog about classic short stories, Reading Fiction,Tales of Terror, on her Web site http://paulacappa.wordpress.com/

 

Posted on October 3, 2013 by , 1 comment

The Return of Frankenstein

I know I just wrote about Frankenstein, but there’s always more to share, and I just wanted to quickly share this with you. August 30 was Frankenstein Day, the birthday of Mary Wollstonecraft Shelley. In honor of the day, Diane Colson over at The Hub has some suggested reading. This Dark Endeavor, the first book she lists(reviewed here—  its sequel, Such Wicked Intent, is reviewed here as well) is scary as hell, and Angelmonster (reviewed here), which she also lists, is a truly amazing book.

It’s not what I would call YA-accessible, unless the young adult in question is absolutely devoted to knowing the backstory of the original novel, but since Colson listed several other books I don’t know if I would consider targeted to YA readers, I will suggest that those who are really interested in the players who were there the night Shelley came up with the story also check out The Monsters: Mary Shelley and the Curse of Frankenstein.

And a happy (belated) Frankenstein Day to you!

 

Posted on September 5, 2013 by , Reply

Gris Grimly’s Frankenstein

It’s so unfair that I just found out about this. Gris Grimly, illustrator of  two very creepy books of Edgar Allan Poe’s short stories (Tales of Death and Dementia and Tales of Mystery and Madness (reviewed here), now has an illustrated version of Mary Shelley’s Frankenstein, just out since August 27.  Grimly was interviewed by Publisher’s Weekly about the process of re-creating, designing, and illustrating Frankenstein, a story which has been adapted and presented in many different ways (it’s a really interesting interview, and here is a link so you can check it out for yourself). One of the things I learned from reading it was that Grimly had blogged about the process as he worked through the book, created illustrations, got frustrated, made changes, and pulled it all together. For four years. How I missed knowing that a brilliant illustrator of both children’s and YA books was working on, and blogging about, this fantastic project for FOUR YEARS is crazy! I so wish the publisher had contacted us and offered a copy to us for review. Anyway, the blog he wrote as he was creating this book is a pretty neat look into the mind of an illustrator who is serious about respecting the author’s intent while also making the story his own, and here is a link so you can visit there. I loved Kenneth Oppell’s prequel to the Frankenstein story, This Dark Endeavor (reviewed here), which (at least in the Kindle version) was paired with the original novel, and is intriguing and gripping enough to motivate some kids into attempting the original. However, from what he says, Grimly takes what appears to be a much more direct, visual, and fantastic approach to the story, one that may draw in an entirely different audience of YA readers. But mainly, right now, I’m just bummed that, with the book four years in the making, and Grimly publicly blogging about it, that I didn’t know about it until now. And if you didn’t know about it before, and you see just the bits he shows on his blog,  I suspect you’ll want to know more, too.

Posted on August 30, 2013 by , Reply
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