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Book Review: Where Nightmares Come From: The Art of Storytelling in the Horror Genre (Dream Weaver #1) edited by Joe Mynhardt and Eugene Johnson

Where Nightmares Come From: The Art of Storytelling in the Horror Genre (Dream Weaver #1) edited by Joe Mynhardt and Eugene Johnson

Crystal Lake Publishing. 2017

ISBN-13: 978-1640074682

Available: Paperback, Kindle edition

 

With a few exceptions, books on writing usually bring on the snoozes, but Where Nightmares Come From is constructed in a manner that sidesteps the pitfalls of a typical writing book. It delivers both to amateur writers and seasoned authors, as well as giving readers an insight into how their favorite books came to be.

Twenty-eight chapters lurk between the covers, each by a different author (or several). Even if the reader doesn’t connect with one article or interview, there’s plenty more to capture his or her interest. The price of the book is covered in the first chapter, by Joe R. Lansdale, who talks about how the storyteller rules the roost, not the story. The conversational tone in which he spills his secrets brings to mind sitting across a table in a honky tonk, tossing back a few, and discussing the weather or sports, instead of the keys to a masterful story. “The Process of a Tale” is pure gold by Ramsey Campbell, a guru of the short story. Instead of telling how to write something in the abstract form, he shows the reader by taking them on a ride through drafts of an actual published story, dissecting each passage before improving it, piece by piece, tinkering with the language and design. It’s doubtful a struggling writer will close the book without feeling a kinship with the king of British horror. Charlaine Harris, author of the Southern Vampire Mysteries and Midnight, Texas takes readers on her own journey of storytelling, and how she concocts her novels. Like Lansdale, Harris knows how to explain her magic in a way that simply makes sense. Stephen King and Richard Chizmar share their experience collaborating on their recent bestselling book Gwendy’s Button Box. Elizabeth Massie, Ray Garton, and John Connolly also make great contributions, along with a slew of lesser-known authors readers should be aware of.  While I’ve mentioned just a few chapters in detail, every single entry has something crucial to offer the writer (or reader). This is a tool writers will be using for years. Highly recommended.

 

Reviewed by Dave Simms
Posted on May 21, 2018 by , Reply

Book Review: Grave Predictions: Tales of Mankind’s Post-Apocalyptic, Dystopian, and Disastrous Destiny edited by Drew Ford

Grave Predictions: Tales of Man’s Post-Apocalyptic, Dystopian, and Disastrous Destiny edited by Drew Ford

Dover Publications, 2016

ISBN: 9780486802312

Available: paperback

 

In Grave Predictions, Drew Ford has selected some of the best representations of post-apocalyptic and dystopian short fiction available: stories both beautiful and terrifying. These include tales from some of the most outstanding authors of the genre, such as Stephen King, Ray Bradbury, Arthur C. Clarke, Philip K. Dick, and Ursula K. Le Guin.  Each story is far ahead of its time, with its own distinct presentation of the future, and evokes a range of emotions from the reader. It’s amazing how science fiction writers have more of a pulse on the future than most people care to recognize.

Eugene Mouton’s “The End of the World,” first published in 1872, presents a tragic story about global warming before it even had a name, and culminates in the proclamation that “THE EARTH IS DEAD.” In W. E. B. Du Bois’ “The Comet” (1920), Jim Davis, an African-American man, is sent down to the vaults on a task by the bank president, only to emerge to cold, dead world. It’s reminiscent of the Twilight Zone’s “Time Enough at Last” in that respect. As he makes his way down the city streets he finds Julia, a wealthy white woman, who is seemingly the other survivor. The theme of racial tensions and the breaking down and reconstruction of barriers is central to this story. Bradbury’s “The Pedestrian” (1951) focuses on a writer who walks aimlessly through the city at night when he is stopped by robotic police for aberrant behavior. No one walks around the streets anymore when they have the warm glow of their televisions screens, after all. “Upon the Dull Earth” (1954), by Philip K. Dick is the tragic story of Silvia, Rick, and the fate of the world. Silvia summons angels, believing they are her ancestors who will someday usher her home. She intends to use lamb’s blood, but when she accidentally draws her own blood, they appear to take her home. Rick cannot accept her death, and tries to bring her back, even though it may mean the destruction of his world. In Kurt Vonnegut, Jr.’s “2 B R 0 2 B” (1962), the United States population has been  limited to forty million people: someone must die in order for someone else to be born. Edward Wehling, Jr.’s wife is about to have triplets, but there is only one volunteer for euthanasia. Desperate, he finds a last minute solution to ensure his children will live. There is a witness to Edward’s predicament, who makes a fateful decision as well.

Other titles in this anthology include Arthur C. Clarke’s “No Morning After” (1954); Harlan Ellison’s “I Have No Mouth, and I Must Scream” (1967); Urusla K. Le Guin’s “The Ones Who Walk Away from Omelas” (1973); Brian M. Stableford’s “The Engineer and the Executioner” (1976); Stephen King’s “The End of the Whole Mess” (1986); Joe R. Lansdale’s “Tight Little Stitches in a Dead Man’s Back” (1992); Greg Bear’s “Judgment Engine”; Mark Samuels’ “The Black Mould” (2011); Ramsey Campbell’s “The Pretence” (2013); and Carmen Maria Machado’s “Inventory” (2013). Highly recommended.

Contains: racial epithets, abuse, body horror, disturbing imagery

Reviewed by Lizzy Walker

 

 

Posted on February 24, 2017 by , Reply

Book Review: Christmas Horror, Vol. 1, edited by Chris Morey and illustrated by Zach McCain


Christmas Horror, Vol. 1  edited by Chris Morey and illustrated by Zach McCain

Dark Regions Press, 2015

ISBN-13: 978-1-62641-118-0

Available: ebook, paperback, hardcover deluxe signed and numbered edition available through Dark Regions Press (with an additional story by William Meikle)

 

Dark Regions Press has put out yet another great anthology. This collection of eight stories focus on, as the title indicates, the Christmas holiday, and the horror that can lurk around every corner. It’s not all carols, mistletoe, and peace on earth in these tales of horror.

“Red Rage” by Stephen Mark Rainey flips back and forth between the present day story of the Worshams, a family preparing to celebrate their first Christmas in their new home, and the events of a previous holiday season held in the house, shared by a husband and wife with a strained relationship. At the center of both storylines is an ornament on the tree that exudes rage– and anyone who looks into it feels that rage, until it consumes them. Can the Worshams survive their holiday, or will the shadow come for them, too?

I’ve been a fan of Jeff Strand’s work for some time, and his short story, “Pointy Canes,” doesn’t disappoint. Uncle Jack’s thirty year ritual of sucking on candy canes to fine points and collecting them in a box has come to completion, and he wants those closest to him join in a special event. His family is incredulous to what he suggests, but after one of them dares to argue, the rest of the family decides to go through with the candy cane ritual.

Shane McKenzie’s “Naughty” was really hard to get through because of the content. A group of teenagers sexually assault and murder a disabled girl. Two of the boys are unwilling to go through with the rape, but the eldest uses violence to influence them to continue. Five years later, the youngest is in a relationship that has culminated in his girlfriend’s pregnancy. It’s Christmas Eve, and he’s sitting in front of the fireplace waiting for…something. He’s convinced he will be the last to go. After all, the others who attacked that young girl have been found dead in the most gruesome of ways, his brother possibly being the most disturbing. What will happen to the last survivor?

“Krampusnacht in Cell Block J”, by Cody Goodfellow, is set in a corrupt juvenile detention system where the inmates are celebrating Christmas by indulging in activities and substances that ensure distraction from how the guards will celebrate in their own way. One of them dresses as Krampus and inflicts abuse on those lost in their pleasures. It’s carried on this way for years, but this time is different. The new inmate doesn’t know the drill, and accidentally summons the real Krampus. Those involved in the corrupt justice system have been very bad, and the new inmate wants them to pay.

The other stories in the anthology are also fantastic. In John Skipp’s “The Shittiest Guy in the World (A Christmas Fable)” we meet the most unexpected sin eaters. In “Belsnickel” by J.F. Gonzalez, Amy’s Uncle Floyd comes to visit to continue an old family tradition. What will she find under the tree when he is done? Joe R. Lansdale’s “Santa Explains” is the story of a down-and-out Santa explaining to his family that this year will be different, that they won’t have to be disappointed in him, ever again. He has the perfect solution to all of their problems. Black Friday can be tough, and “The Endless Black of Friday” by Nate Southard shows what happens when the blackness of the night or early morning spread swallows the world as it comes.

If you need a little bit of the grotesque and macabre for your holiday season, pick up Christmas Horror, Vol. 1. You won’t be disappointed. Each story delivers its own message of Christmas fear in their pages, and is accompanied by a full color illustration to set the mood. Highly recommended.

Contains: blood, gore, sexual abuse

Reviewed by Lizzy Walker


Posted on December 21, 2016 by , Reply
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