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Teen Read Week: Guest Blog by Jason Henderson– John Polidori, Mary Shelley, and the Haunted Summer

Jason Henderson is the author of the Alex van Helsing books, about a fourteen year old descendant of the vampire hunter from Bram Stoker’s Dracula living in a boarding school near Geneva, who just might be the supernatural world’s James Bond. The first book depends a lot on the events of the Haunted Summer at Villa Diodati, where Mary Shelley, John Polidori, Lord Byron, and others decided to test their ability to write an original ghost story on a dark and stormy night.

       

I asked Jason if he would write a little about the Haunted Summer. Mary Shelley’s Frankenstein was not the only literary work to emerge from that party at the Villa Diodiati; John Polidori is largely unknown today.Except, apparently, in Texas, around Halloween, when you can go to a Polidori Pumpkin Party. Which would be a TOTALLY cool event for any library (or teen group) to hold. I know I want to go!

John Polidori, Mary Shelley, and the Haunted Summer

by Jason Henderson


My favorite Halloween Activity is something called Polidori’s Pumpkin Party, a major leaf-blown Autumn fiesta started in Texas of all places back in the 90s. We named it after a guy named Polidori; more on him later. But the idea of the party was this:

• Invite your friends to a Halloween Party

• Cost of admission: something creative. A story (keep it under ten minutes, guys), a painted mask, a cupcake if it’s creative

• Everyone has to sit at the hot seat and present without making a fuss about how their offering isn’t any good. If they start doing that, everyone should yell, DECLAIM! Until the person stops apologizing and reads.

• Repeat until everyone has presented.

 

The Polidori Party became a lifeblood of creativity for me and my friends both in school and after because it was an excuse to be creative, to have to be creative at least once in a year. “Are you ready for Polidori”? “I still have to write for Polidori”. Everyone spent time (often literally the day of the party, but that’s life) preparing. Hint: I really recommend making this part of your Halloween tradition.

Every Halloween I think of Polidori and his friends, who were generally considered the coolest kids in Europe, in the cold summer months of 1816. They were the original haunted story-slingers, brash and overconfiden,t and often brilliant.

I wrote about them in my first Alex Van Helsing book, and most of this recap in fact bears a strong resemblance to a talk given by Alex’s mentor, the motorcycle-riding super spy Mister Sangster. Mister Sangster has the benefit of teaching on the very lake where the group hung out—we can only imagine.

It is to me the perfect Halloween story, though it wasn’t actually Halloween. It was summer, and it was cold.

The party at the Villa Diodati in the summer of 1816—the Haunted Summer–consisted of five writers: Lord Byron and Percy Bysshe Shelley, who were already quite famous; two young women writers, Mary Wollstonecraft Godwin (soon to be Shelley) and her half-sister Claire (whom Mary disliked so much that she doesn’t even mention her in the introduction to Frankenstein); and Byron’s doctor friend, Polidori, who wrote short stories. They were bored out of their heads, because although it was summer, there had been a massive volcanic eruption in Asia that had clouded the sky and made the weather everywhere cold and rainy. So Lord Byron issued each of them a challenge: write the scariest, most terrifying story you can.

In her introduction to the 1831 edition, Mary says the famous guys each wrote some minor pieces, and that Dr. Polidori had—and this is kind of fun—“some terrible idea about a skull-headed lady, who was so punished for peeping through a key-hole — to see what I forget — something very shocking and wrong of course.’”

I mean, we had to base our party on him.

Remember: they were all very young.

Lord Byron, on the run from creditors, was 28, Shelley was 24, fleeing his marriage, with his new 18-year-old mistress Mary; John Polidori was 21;  and Claire was 18. After the summer which birthed The Vampyre, Childe Harold Canto IV, and Frankenstein, they didn’t last long, either. Polidori was dead in five years, Shelley a year later, and Byron two years after that. Within eight years, all but Mary and her sister Claire were dead. In between were tragedies no parent should ever endure, and they endured them again and again.

But in 1831, something about the record changed. When Mary was 34, she rewrote her masterpiece Frankenstein for a new edition. She promised her editor that the revisions would be minor, a few typo fixes here and there. But it wasn’t true—the 1831 Frankenstein was a clean-up job. It got rid of  the messy politics of the earlier version, and, best of all, added her introduction, which told the story of the Haunted Summer, but cleaned that up, too: it eliminated Claire, by whom she was embarrassed, and most of all, changed what the attendants were writing about.

When I wrote the first Alex Van Helsing book, the crux of the story was that something about the change Mary made to  when she was in her thirties was an attempt to hide something about what happened when she was a teenager. That there are secrets between the lines. I feel that way today, and it is true of my own books. So there are secrets inside secrets.

Here we are in October. Capture the spirit of that crew: Byron, Shelley, Wollstonecraft, Claremont, Polidori. What are the secrets you can reveal?

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Interested in learning more about John Polidori?

Find out how to host a Polidori Pumpkin Party by visiting the Polidori Society’s website.

Check out The Vampyre, the influential novella he wrote during the Haunted Summer.
Polidori also appears in Veronica Bennett’s teen title Angelmonster, which is very well written.

For a more substantial account of the evening at the Villa Diodiati and the people who were there try The Monsters: Mary Shelley and the Curse of Frankenstein by Dorothy and Thomas Hoobler.

And, of course, there are Jason’s own books. In the spirit of the challenge at the Villa Diodiati during that Haunted Summer, take the time to celebrate your creativity this Halloween!

Women in Horror Month: In Praise of Scribbling Women (and Louisa May Alcott)!

It’s Women in Horror Month, that time of year when we recognize the amazing women who celebrate and create the horror genre. When it comes to horror fiction, there don’t seem to be very many names that appear in the past. Of course, there’s always Mary Shelley, but, while she was exceptional in many ways, she certainly wasn’t the only woman of her time writing gothic and horror stories .

Anyone who is surprised by this hasn’t read Little Women. Here’s Jo March, the most unconventional of the four March sisters, burning up with her desire to write:

Every few weeks she would shut herself up into her room, put on her scribbling suit, and “fall into a vortex,” as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace.

Jo’s family is much more supportive of her than most families were: writing was not only considered unsuitable for women, but unhealthy (and that’s literal– if you want to read a seriously twisted horror story, try Charlotte Perkins Gilman’s semi-autobiographical story “The Yellow Wallpaper”). But at the same time, the reality of daily life meant that women somehow had to support their families, and many of them did it by writing (KC Redding-Gonzales has written about it here).  The writing that earned a steady paycheck, though, was pulp fiction for magazines and newspapers– “sensational stories” that gave their readers thrills, chills, romance, and murder. So that’s what Jo does. Her publisher “rejected any but thrilling tales” so that’s what she wrote, but with no name attached. Little Women‘s author, Louisa May Alcott, supported her family by writing sensational stories for ten years under a pen name, including a novel, A Long and Fatal Love Chase. But in the end, conventional Louisa won out, and, as in Little Women, where Jo finally gives up her writing, she stopped (this review from Stephen King has more on Louisa).

Alcott, Gilman, and the fictional Jo are just three examples from that time, though (even Frankenstein was first published under a pseudonym)– and we can’t know, really, how many women supplied horror, romance, suspense, ghost stories, and gothic fiction for pulp magazines, newspapers, and even three volume novels, since so many of them, like Jo, left their work unsigned, or like Alcott, wrote under a pen name. They did it because they loved writing, or needed money, or both, and whether they were proud of their work or ashamed of it, these scribbling women shaped popular culture. Many of them may be nameless, but they shouldn’t be forgotten.

The Top 10 Horror Stories: Stephen Jones’ Picks

There’s a short but very interesting article by Stephen Jones at Publisher’s Weekly. Jones, editor of the recently published anthology A Book of Horrors (which received an enthusiastic review from our own Dave Simms– you can read the review here). Jones named his top ten picks for horror stories, and I’m going to link to his list here. See if you agree!

The authors he mentions are well-known in the genre, and if you don’t know exactly where you can find the stories he mentions, most of them have collections or longer works that might already be in your library. Some of the choices are ones you might not expect, like Ray Bradbury, who’s frequently defined as a science fiction writer, so it’s a great opportunity to market the horror genre to a new audience. You could do a great display bringing some of these to light!