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Book Review: Find Me Where It Ends by Cassandra Khaw

 

Find Me Where It Ends, by Cassandra Khaw

Tor Nightfire, October 2026

ISBN: 9781250877895

Availabie: Hardcover, paperback, electronic (pre-order)

Buy: Bookshop.org | Amazon.com

 

 

Find Me Where It Ends is a stripped-down novella, a well-done suicide-oriented tale with ghosts and spectral animals. It fixes all the problems that plagued Khaw’s last novel, The Library At Hellebore: there are no more confusing plots or poor word choices, and it gives a good insight into the psychology of the main character, who is considering such a choice.

 

Antigone is a single woman who just hit forty. She gave up a chunk of her life to help her rather miserable mother, and she also works as a part-time paranormal investigator/ghost banisher. She’s got two overriding problems: she’s been considering suicide for some time, and a ghostly black dog– a harbinger of her own demise– shows up on her doorstep and moves into her house. As the story quickly counts down the weeks, days and hours towards her chosen time of death, Antigone interacts with various people and ghosts who help, and also hurt, her perspective on life. The final hour quickly hits at the end of page 130, and a decision needs to be made, based on whether she has seen enough inside this short time frame to change her mind, or follow through. Does she? That, dear readers, I will of course not tell you. Read and see for yourself.

 

Let’s break it down. First thing with a topic like this, is that the protagonist has to be one that readers will find believable. You don’t have to agree with the character’s reason for desiring to end their life, but the narrative has to be one the readers will buy into. Khaw is a gifted writer, and she handles explaining Antigone’s reasons and how she got to this point with deft prose throughout. Here, it’s because Antigone’s life is one of unrealized dreams, there is nothing happy in her life, and she feels… tired. So very tired. Tired enough that living seems like more work than it’s worth. I suspect some people may relate to such sentiments. Khaw handles it well, without the poor word choice that plagued her last book, which was loaded with words so rarely used that Dickens himself would have been left scratching his head. This time, any reader can handle the vocabulary.

 

It is during Antigone’s interactions with others that the narrative really shines, perhaps even more so then the parts concerning Antigone’s state of mind. And, the parts about her psyche were very well done. Most people want to help her, but the story shows the difficulty of trying to do so, as many of the ideas of “helping'”prove more detrimental than beneficial. It feels true to life: as anyone who has been in the same boat knows, dealing with suicidal people is like working with a very volatile substance. That’s why this story works so well. Despite the ghostly trappings with the black dog and others, this is a beautifully written narrative on a very touchy subject, one that could happen to many people.

 

Bottom line: if you want a touch of well-written, relatable, real-life darkness, this is the way to go. Recommended.

 

 

Reviewed by Murray Samuelson

 

 

Book Review: Creatures of the Night: Vicious Vampire Tales (Dark Tide, Book 17) by Simon Clark, Kevin J. Kennedy, and Gord Rollo

Creatures of the Night (Dark Tide, vol. 17) by Simon Clark, Kevin J. Kennedy, and Gord Rollo

Crystal Lake Publishing, 2024

ISBN: 9781964398181

Available: Hardcover, paperback, Kindle edition

Buy: Amazon.com 

 

With the Dark Tide horror novella series, Crystal Lake Publishing seems to have found a winning formula.  Each volume has three novellas that center around a particular theme, with one story per author.  In this case, the theme is vampires.  Overall, it’s worth the purchase: you don’t need to be a Nosferatu nut to enjoy the stories.  In order, the three stories are: ok, good, and outstanding. The last one alone (which, thankfully, is the longest) is enough to make the whole book worth it.

 

“Return of the Blood Feeders” by Simon Clark, deals with a strange type of Norse vampire. There’s nothing wrong with the writing or plot, but this one just didn’t click for me.  It might be because the last monster seemed a bit over-the-top, and out of place in the story: it just didn’t fit.  Other readers may feel differently.

 

Kevin J. Kennedy’s “Perspective” is one of those stories that attempts to ‘”humanize” vampires, and it does it well. These aren’t goody two-shoes vampires like the undead in Twilight.  In this story, they may have human emotions like love, sadness, and loss, but they know how to kick serious ass-and serious ass they do kick!  There is a wonderfully messy fight towards the end with vampires, werewolves, and demons ripping off heads and sending body parts raining down everywhere, a great smash of a conclusion to a well written tale.  It’s a good combination of drama, mystery, and messiness, as well as a tale of vampires trying to find a reason to exist.  They do find it, and it’s a good reason to endure immortality.

 

Gord Rollo’s “Beneath Still Waters’” is a true house-shaker, a pure rollercoaster of excitement, from beginning to end.  It has all the elements: a remote Canadian town with a tragic past, Native American folklore, and one very unpleasant underwater monster.  There’s a decent amount of the story that takes place on or under a remote lake, and that’s where the writing really shines.  The author knows his stuff when it comes to putting fear and excitement in underwater sequences.  Diving can be nerve-wracking, with the claustrophobia of cave-diving and limited visibility.  The author clearly knows this, and puts the natural dangers of diving to very good use in the story.  There’s also a good twist to the ending.  Sure, maybe the heroes may be a bit foolish with some of their plans to stop the creature, but who cares?  It’s a thrill ride that keeps you hooked, and that’s all that matters.

 

Bottom line: it’s worth it.  Recommended.

 

Reviewed by Murray Samuelson

 

Book Review: Stolen Pallor by Sean Eads and Joshua Viola

cover art for Stolen Pallor by Steve Eads and Joshua Viola

Stolen Pallor by Sean Eads & Joshua Viola

Blood Bound Books, 2024

ISBN: 9781940250649

Available: Paperback, Kindle edition

Buy: Amazon.com

 

 

With Stolen Pallor, the authors throw a twist on the old saying  that “suffering creates great art”.  Here, great art creates suffering.  Readers won’t suffer from boredom while reading this horror/mystery novella that snaps right through its 99 pages in impressive fashion.

 

Cole Sharpe is a private investigator called in to investigate some bizarre happenings at a museum in the fictional town of New Florence, a community basically dedicated to all forms of art.  The town itself is an interesting study in setting: what would it be like living in a town where artistic concerns trump most other routine matters?  The strange events at the museum consist of people suddenly going catatonic while staring at random paintings, later shuffling off and…vanishing.  It’s Cole’s job to find out where they go.

 

Cole is a strong lead character with a pretty firm moral compass and some emotional baggage from childhood trauma.  He would have been good enough to carry the story on his own, but his lover and part-time detective partner Mikey adds some good color and contrast to the story.  Mikey is more lighthearted, less serious, and also a bit more self-centered, and the conversations between Cole and Mikey add a good dose of emotional heft to the story.  The two of them together provide the material for one of the book’s most important questions: how much of what you have are you willing to risk to do the right thing?  In this story, there’s not an easy answer for that one.

 

The story also does a good job incorporating the fantastic into the mundane, as shown with the parallel version of New Florence, which the authors tie back into the obsession with art that permeates the original New Florence. That being said, the ‘alternate reality’ New Florence does allow the door to be opened to a darker realm, with fun characters like soul-sucking wraiths… and how can you not love a vampire whose name is Fangsy?  The story ends in a Hitchcockian fashion, and the final ambiguous pages leave it up to the reader to imagine where the story will go.  It’s a good way to finish up a book that works with some shades of gray, instead of just black and white.

 

Bottom line: there’s a lot of good stuff crammed into 99 pages: this one is definitely recommendable.  Hopefully, this won’t be a one-off pairing for the authors. It would be interesting to see what they could do with a full-length story.

 

 

Reviewed by Murray Samuelson