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Booklist: Final Girls

      cover art for My Heart Is A Chainsaw by Stephen Graham Jones  Wow, final girls have really had a great summer! July saw the release of The Final Girl Support Group by Grady Hendrix (reviewed here), and with the very end of August, I see Stephen Graham Jones’ newest book, My Heart Is A Chainsaw, is being released. The final Girls Support Group by Grady HendrixI have not had the opportunity to read that yet, but I highly recommend The Final Girls Support Group (on a side note, my daughter was delighted that the characters were getting therapy).

The final girl is the survivor who takes down the monster in slasher movies. When fiction touches on her, it’s usually in a meta sort of way. Here are a couple of titles to try out if you are in the mood for a tale about final girls.

 

 

 

 

Final Girls by Riley Sager follows Quincy Carpenter. the lone survivor of a massacre at a cabin in the woods ten years earlier. Quincy, along with two other girls, Lisa and Sam, who survived slasher-style massacres, were labeled “Final Girls” by the media.cover art for Final Girls by Riley Sager  She has done her best to move on, finding a boyfriend and starting a baking blog, but things start to fall apart when Lisa apparently dies from suicide, leaving a message on Quincy’s voicemail. Then Sam, who has been off the grid for years, appears at Quincy’s door and Quincy’s carefully constructed life starts to fall apart. The twist in this story was not what I expected it to be. Sager does a great job of deconstructing the final girl trope and this was a very difficult book to put down.

 

 

 

 

cover art for Final Girls by Mira Grant  Final Girls by Mira Grant introduces Esther Hoffman, a journalist determined to debunk proprietary virtual reality technology that situates participants in horror movie scenarios to force them to face their worst fears. The scientist in charge, Dr. Jennifer Webb, challenges Esther to try it out with her. Events out of their control result in the two of them being trapped in the virtual reality scenario together, with disturbing results.

 

 

 

 

Final Girl by David Hutchison

Final Girl Pocket Manga vol. 1 by David Hutchison drops four girls in a seemingly abandoned, isolated town, where they are stalked by its residents, and must escape their nightmare situation. Only one of them can be the final girl, though… Readers voted for their choice of final girl, and a bloody, full color climax reveals the survivor.

 

 

 

 

 

cover art for The Last Final Girl by Stephen Graham Jones  The Last Final Girl  is also by Stephen Graham Jones. Taking a . chance with an experimental format, he has written it in a screenplay format, following the structure of a slasher movie. His love of the genre is clear, with many references to existing movies and “in-jokes”. The structure and the dependence of the audience’s understanding of the text on comprehension mean this will appeal to a very niche audience, but that audience will love it. Graham has also written an amazing final girl in his last novel, The Only Good Indians. 

 

 

 

 

The Mary Shelley Club by Goldy Moldavsky starts us out with a final girl– Rachel Chavez, who was attacked in her home and survived. Rachel is a scholarship student at a fancy private school who starts out with no friends, cover art for The Mary Shelley Club by Goldy Moldavskyuntil she discovers a secret club of horror lovers, The Mary Shelley Society, who create “fear tests”, horror scenarios that they try out on friends, classmates, and family. There’s no way this could end badly, right?

Book Review: The Final Girl Support Group by Grady Hendrix

 

The final Girls Support Group by Grady Hendrix

The Final Girl Support Group by Grady Hendrix

Berkley, 2021

ISBN-13: 9780593201237

Available: Hardcover, Kindle edition, Audible audiobook Bookshop.org |  Amazon.com )

 

 

The Final Girl is the lone survivor of horror movies. She fought valiantly, defeated the killer, and avenged her friends who were each gruesomely dispatched by the killer. But after the truck drives away, the sirens fade, and the credits roll, what happens to our heroine, other than the potential for franchise sequels? We find out in Hendrix’s new novel, The Final Girl Support Group.

Hendrix, as with We Sold Our Souls and The Southern Book Club’s Guide to Slaying Vampires, displays an uncanny ability to write complex women. Combining this with the concept of the Final Girl works quite well. Twenty-two years ago, Lynnette Tarkington survived a harrowing massacre. For more than a decade, Lynette and other women meet in the Final Girl Support Group led by their therapist, Dr. Carol Elliot. Lynette keeps herself locked safely in her home with her best friend, a houseplant named Fine. She has no identification paperwork or ID, no social life, and keeps her head on a swivel when she does gather up her strength to go outside, usually to the support group. In the support group, we meet Adrienne Butler, the first Final Girl; Dani Shipman, who along with her partner Michelle owns a rescue ranch for abused and abandoned horses; Heather DeLuca, whose life has gone off the rails with bad decisions and jail time; Julia Campbell, the talkative and angry paralyzed survivor of her own story; and Marilyn Torres, the wealthy wife of a CEO, who is a recovering alcoholic and activist in the community. When one of the women doesn’t show up for their regular meeting, Lynnette’s paranoia kicks in full-bore. Someone knows about the Final Girl Support Group and wants them all to suffer, and then die. The suspect knows where they live and congregate, and what they do. It comes to light that someone in the group has written a tell-all book about the women in the group. Who betrayed the Final Girl Support Group? Lynette sets out to find the killer and expose the truth.

There is so much going on in this book, I had a hard time putting it down. If you like the slasher subgenre and have ever wondered what happened when the Final Girl’s story ended, pick up this book. Interspersed throughout the book are articles and reports about the Final Girls, which add that extra touch to each character. Highly recommended.

 

Contains: violence, gore, body horror, descriptions of torture

Reviewed by Lizzy Walker

 

Book Review: 1000 Women in Horror, 1895-2018 by Alexandra Heller-Nicholas

cover art for 1000 Women in Horror

1000 Women in Horror, 1895-2018 by Alexandra Heller-Nicholas

BearManor Media, 2020

ISBN-13: 9781629333861

Available:  Hardcover, paperback ( Bookshop.org )

 

1000 Women in Horror, 1895-2018 is a beautiful book that includes the stars and women behind the scenes who have molded the horror genre. Heller-Nicholas provides a global view of the “vast number of women who have worked in the creation of dark and spooky movies for well over a century, both behind and in front of the camera, and in films both widely known and comparatively obscure.” The author includes an incomplete, as she mentions, but still impressive filmography of full-length movies directed or co-directed by women in an appendix. Also included interspersed throughout book are interviews with Rutanya Alda, Tara Anaïse, Tonjia Atomic, Anna Biller, Axelle Carolyn, Aislinn Clarke, BJ Colangelo, Mattie Do, Julia Ducournau, Jordan Hall, Catherine Hardwicke, Katherine Kean, Karen Lam, Izzy Lee, Barbara Magnolfi, Marsha Mason, Donna McRae, Patrushkha Mierzwa, Hannah Neurotica, Alexandra Paul, Isabel Peppard, Cassandra Peterson, Debbie Rochon, Mia’Kate Russell, Gigi Saul Guerrero, Elizabeth Shepherd, Jen and Sylvia Soska, Brinke Stevens, Barbie Wilde and Silvana Zancolò.

 

Since this is more of a reference book with entries in alphabetical order, readers may not want to read it from cover to cover of course. However, having done so myself, it is wonderful to see how many women, and by no means a complete list of them, have had a direct hand in horror films. I found it particularly interesting that Heller-Nicholas chose to include those in front of the camera. As she points out in her introduction, acting “is a job” and often requires hard work, dedication, and time.  With WiHM, we so often focus on the filmmakers that the actors themselves tend to go unnoticed in their efforts.

 

Alexandra Heller-Nicholas, a film critic from Melbourne, Australia, holds a PhD in Screen Studies from the University of Melbourne and is an Adjunct Professor at Deakin University and a Research Fellow at RMIT University. She has written eight books on cult, horror and exploitation cinema with an emphasis on gender politics. Given the quality of the research and care that went into 1000 Women in Horror, 1895-2018, I will definitely be checking out her other work. I do hope that at some point in the future there will be a Kindle edition released for accessibility.

 

Highly recommended

 

Reviewed by Lizzy Walker

Editor’s note: 1000 Women in Horror, 1895-2018  is a nominee on the final ballot for the 2020 Bram Stoker Award for Superior Achievement in Nonfiction.