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Musings: Doing What You Love with Someone You Love, by Kirsten and Miles Kowalewski

 

 
This entry was written at the request of my son Miles, previously referred to here as the Monster Kid for privacy reasons (Miles is just a few months older than Monster Librarian, and inspired our Monster Movie Month project in July 2012. A  little kid doesn’t need his name out there on the Internet) There are some really cool blog posts in the July 2012 archives for this blog) At 20, he is no longer a kid and while he’s home from college he wanted to share how important it is to him that the two of us share the experience of watching and talking about horror movies together. We’ve each written a little about it here, first from my point of view and then from his. Mine is a bit wordy, but make sure to read what he has to say. It’s so cool to see what he thinks about the time we spend together sharing this interest! If you’ve ever wondered how horror-loving kids turn out, mine is kind, curious, loving, generous, and enthusiastic about his interests.

 

Kirsten: 

I am more of a horror reader than a horror movie watcher. Being married to a horror movie lover made movie nights challenging, to say the least. But my son has not just followed in Dylan’s fandom footsteps but has even gone further, majoring in media production and screenwriting, and working on short films for Radiance, Ball State University’s immersive learning experience in filmmaking. Since Miles was a kid, he has had an interest in monsters and scary movies– in fact, one year, Dylan helped him shoot a short monster movie during his birthday party. As a teenager Miles read about and took classes in screenwriting for horror movies, learned to write film criticism, connected with people online, and even to conventions.

 

I have learned that if you want your kids to spend time with you, it makes a difference if you take time to share their interests, so I watch and talk about horror movies with Miles. I love getting to share the experience with him, and because it’s interesting to him, he makes it interesting, and even exciting, to get into it with him. I probably text him now with more horror movie related content than I do cat videos (college students apparently need a steady diet of cat videos). I owe many thanks to James A. Janisse of the Kill Count, who has made it possible for me to talk about movies intelligently with him even when I haven’t watched them through.

 

Almost all of the movies I’ve seen in theaters in the past year have been with Miles, and this actually was a great year for watching horror movies in a theater. I’m probably not representative of the general moviegoing population, but in addition to Sinners, four of the five movies I saw in theaters were horror movies, and worth the ticket price (28 Years Later, Weapons, The Long Walk, and Frankenstein). I really think that they are a lifeline for movie theaters. I saw the first three with my son, and watching a movie on the big screen in a movie theater is a great experience to share with someone who really is interested in being there and enjoying it.  I love Guillermo del Toro and everything Frankenstein, and although Miles was at school, I could go back and forth with him about cinematography, directorial choices, special effects, storytelling, and all the other things I’ve learned from him about filmmaking, especially horror, even though we weren’t able to see it together.  I saw del Toro’s Frankenstein with my mom, who loves the book but doesn’t like violence or horror, and there is a world of difference in the discourse when you are sharing the experience with someone who isn’t open to it.

 

Since Miles is in college now, we mainly watch movies when he’s home on break, and this year we’ve watched It Follows (a favorite of his), Pearl, Get Out, Psycho, Cure, and Black Christmas together.  We also watched Night of the Living Dead and Dawn of the Dead again, because we learned that the Monroeville Mall, where parts of Dawn of the Dead were filmed, will be demolished later this year. We actually intended to visit this weekend while he is on spring break, but then I discovered there’s actually going to be a final farewell there in June, with original cast members in attendance, so I think we’re going to wait for that!  I watched them casually in the past, but now horror movies mean more, because they’re something Miles and I share.

 

 

Miles: To me, this whole experience has been getting to do something that I love with a person that is into and enjoys the same genre as I do. We both have different specialties in regards to the horror genres, across multiple mediums. I enjoy movies more then I do books and for Mom, it is vice versa.

 

I specifically enjoy watching horror movies with my Mom because I have always been fascinated with movies as medium and horror as a genre ever since I was incredibly young. Plus I also think that it may help that it is something we do together, to varying degrees of enjoyment.

 

I find that with these movies we watch, it helps us bond and grow closer together. I don’t think Mom would have willingly watched any of the movies that we did with anyone else (maybe except for Daddy, but he was into some pretty intense stuff). And given how unique and special my mom can be with these kinds of things, it is always a treat to do.

 

In summary, you can dice it many different ways. It could be family bonding, the continuation of legacy, film analysis, criticism and appreciation, or maybe just laughing and screaming at whatever is on our screen for the night (most likely all of the above). But at the end of the day, it is something that I always have found brings me a sense of warmth and comfort in a world that always seems to be getting darker and colder.

 

 

Book Review: The Blonde Dies First by Joelle Wellington

The Blonde Dies First by Joelle Wellington

Simon & Schuster Books for Young Readers, 2024

ISBN-13 : ‎978-1665922456

Available: Hardcover, paperback, Kindle edtion, audiobook

Buy:   Bookshop.org | Amazon.com

 

 

In The Blonde Dies First, Joelle Wellington tries to subvert the teenage horror slasher movie. She takes an interesting approach, but ultimately there are too many loose ends, unrealistic situations, and undeveloped characters for the book to be successful in its approach.

 

The book follows a group of six teens living in the same neighborhood who have been friends since childhood: Leila, a would-be artist; Gael, a horror lover who has already directed a short film; Malachi, a black queer boy; Devon, twin sister to genius Drew; Drew, the skeptic, who attends private school, and Yaya, Devon’s longtime crush. Most of the friends are Black, with the exception of Leila.

 

When Drew announces her early graduation, Devon is crushed. Although they haven’t been close for many years, Devon makes plans to spend time with Drew and their friends before she leaves for college.

 

The friends go to a party with Drew, held by her school friend Avery in a tony part of town.  During the party, he decides they should summon a demon using a Ouija board and an athame. Devon tamps down her misgivings and participate, but the friends are disturbed by the summoning attempt. Gael recognizes the ritual from a horror movie, Read Your Rites. Avery claims the athame is real, and that his mom contributed to the research behind the movie as part of her job as a museum curator.

 

Gael talks about horror movie tropes: the blonde dies first, the black queer guy dies next, then the asshole, the nerd, the independent girl, and the final girl. Sex will summon the movie’s demon, and the person who summons the demon has to be eliminated to get rid of the creature. The demon summoned in the movie has to go through these character tropes in a specific order and can’t go backwards.

 

Devon, who bleaches her hair, is the first to encounter the demon, at the convenience store where she works with the annoying Alexis.. It drives them out of the store and shoves Alexis, also blonde, into the street, where she is hit and killed by a car. The requirement satisfied, Devon survives. No one believes Devon, with the police insisting Alexis must have jumped in front of the car..

 

While the friends, especially Drew, don’t believe Devon at first, soon Malachi is attacked, but the demon takes his date instead. With two of them vouching for the demon attacks, Gael tries to figure out the rules the demon is following, based on the movie.

 

Gael assumes he’s the asshole and will be next, The others film him and Leila making out in Leila’s bedroom in hopes of summoning the demon,, but it turns out the demon wants Drew for that role . As they battle the demon, Leila falls down the stairs and breaks her ankle. While they’re waiting at the hospital, they spot the demon, who is still after Drew. Leila’s racist doctor follows them into a room and demands they leave, and the demon attacks and kills him instead of Drew.

 

These kids get away with a lot, even for YA fiction. Leila’s parents know they are smoking weed, drinking, and involved in some pretty risky behaviors that they never outright address. Because they are involved in a group chat with the other kids’ parents, all of them must be pretty aware of what the kids are into. It’s only when Leila breaks her ankle that the parents clamp down.

 

Drew and Devon’s mother has been planning a summer block party every year for years and it is the big summer event in the community. The friends are sure the block party will be the final act in their living horror movie and plan to face it together, but Drew and Devon have a blowout fight and Devon takes off to see Yaya, finally tells Yaya she likes her romantically. In a surprise twist, (spoiler) it turns out that Devon is the final girl, and Yaya is the love interest who is supposed to be killed at the end of the movie. In another surprise twist, the demon is controlled by entitled neighborhood creep Keith, whose gentrifier mother Kendra was a production assistant on Read Your RItes,(meaning Avery has nothing to do with the monster stalking them). Kendra has no qualms about Keith eating the friends to satisfy the demon and make the neighborhood quieter.

 

The story touches on issues but doesn’t really address them. After Alexis is hit by the car, Devon is hostile to the police in her interview. Her hostility and interactions with the police are a potential plot thread, but Wellington does not explore it. Kendra, determined to gentrify the community, who is generally disliked also threatens them with calling the cops.

 

This gentrification storyline could be stronger: trusted neighbors and friends give Kendra and Keith the benefit of the doubt, treating them as if they are annoying, not dangerous. There’s also room to explore privilege and entitlement further: Keith, in his 20s, is routinely excused for his predatory behavior towards Yaya, and Drew, usually a skeptic, humors Avery’s pushy, irrational actions. Alyssa Cole did a great job dealing with class, race, police hostility, and gentrification in When No One Is Watching. Wellington is not as successful here. But it’s an ambitious book: Wellington had to integrate a supernatural element, a metafictional approach to horror movie elements, and a fair amount of teenage and sisterly drama involving six kids. Despite the unwieldy number of characters and missed opportunities, she keeps the reader entertained and turning the pages.

 

Reviewed by Kirsten Kowalewski

 

 

 

 

 

Book Review: Monsters, Makeup, and Effects: Conversations with Cinema’s Greatest Artists, Volume 2 by Heather Wixson

Monsters, Makeup and Effects: Conversations with Cinema’s Greatest Artists, Volume 2  by Heather Wixson

Dark Ink Books, 2022

ISBN-13: 9781943201488

Available: Hardcover, paperback, Kindle edition

Buy: Bookshop.org  |  Amazon.com

 

Heather Wixson, horror journalist, FX historian, and managing editor with Daily Dead News, has given readers a second tome of interviews with horror movie special effects and makeup artists. The book features interviews with 19 creators of the uncanny, a tribute to John Carl Buechler, and hundreds of behind-the-scenes photographs. Interviewees include Eryn Krueger Mekash, Michèle Burke, Kazu Hiro, Steve Wang, Chris Walas, Mike Elizalde, Todd Masters, Phil Tippett, Richard Landon, and more.

 

Readers will get brief histories of special effects and makeup artists in their own words, what got them interested in the field, and their paths to working on film. Nothing was particularly eye opening to me, but it was enjoyable reading these interviews. Seeing the behind-the-scenes images was great, including sketches, various sculpts, screen test images, and more. I would recommend this for readers interested in film studies and SFX in the industry.

 

One issue I had with it isn’t the fault of Wixson. Upon opening my copy of the paperback version, the first ten pages fell out. The binding isn’t great for a book with almost 500 pages. Recommended.

 

Reviewed by Lizzy Walker