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Graphic Novel Review: Frankenstein: Junji Ito Story Collection by Junji Ito

Frankenstein: Junji Ito Story Collection by Junji Ito

Viz Media, 2018

ISBN-13: 9781974703760

Available: Hardcover, Kindle, comiXology

Junji Ito, the master of horror manga, adapts Mary Shelley’s classic, Frankenstein in this graphic collection. Victor Frankenstein is obsessed with creating life from death. He stops at nothing to create his giant, only to be repulsed by his design. Abandoned and angry, the creature takes his revenge on those Victor loves.

I read a few reviews that were critical of Ito’s adaptation, indicating that they felt that adapting Shelley’s novel restricted his horrific artwork and storytelling. I would have to disagree, particularly regarding the art. While it is true Ito is skilled at the grotesque, his ability to draw beautiful characters seems to go unnoticed. For instance, is titular character in Tomie is gorgeous, which I think makes the horrific scenes in the manga so effective. The same can be said of his art for Frankenstein. The Creature, and moreover the companion Victor creates for him, are horrific. The character designs are signature Ito. Ito takes some liberties with the story, but not enough that it takes away too much from Shelley’s original novel. Purists may be disappointed, however.

Included in this collection are six short stories that center on a high school student named Oshikiri who lives alone in a strange mansion while his parents are away. In “Neck Specter”, he murders his best friend Kojima over petty jealousies and buries him on his family’s land, only to discover that when he unearths him that his neck has grown longer. Soon he is seeing everyone around him growing long, winding necks and accusing him of his crime. “Bog of Living Spirits” tells the tale of a small body of water near Oshikiri’s high school where it is rumored the ghost of a jealous girl drowns handsome boys that wander into the area. In this story, Kojima is alive and followed relentlessly by the high school girls who adore him. When he volunteers to help the other students tidy up the land around the bog, the girls are distraught and beg him not to go. Were they right, especially when they witness him falling in and not resurfacing? Oshikiri becomes friends with a seemingly lonely girl in “Pen Pals”. The young girl begins receiving insults and death threats in letters after she tells them of her new friendship. Oshikiri finds out the disturbing truth when he visits her at home. In “Intruders”, Oshikiri befriends some classmates who are interested in alternate dimensions, and who want to explore his mansion after he describes the strange footsteps he hears. There, they discover their own graves, complete with rotting corpses.

“Hell of the Doll Funeral” is the shortest story in the book, but one of the most gruesome. Children are starting to turn into dolls, and parents burn them before the affliction completes its cycle. One mother refuses to do so, and the result is terrifying.

The last two stories in the book gives the reader an uncommonly light-hearted look into the Ito family, specifically the family dog. The Matlese named Non-Non was clearly the ruler of the family.

While this volume is a departure from works such as the aforementioned Tomie, Uzumaki, and Gyo, it is still very enjoyable. Ito’s art style is unique and highly detailed. I would recommend this title for those who like graphic adaptation of classic horror, body horror, horror manga, and interesting stories.

Contains: blood, body horror, gore, nudity

Highly recommended

Reviewed by Lizzy Walker

Posted on May 27, 2020 by , Reply

Graphic Novel Review: Nicnevin and the Bloody Queen by Helen Mullane, art by Dom Reardon, layout art and title page by Matthew Dow Smith

NIcnevin

Nicnevin and the Bloody Queen by Helen Mullane, art by Dom Reardon, layout art and title page illustration by Matthew Dow Smith

Humanoids, 2020

ISBN-13: 9781643377131

Available: Paperback, Kindle, comiXology

 

Nicnevin “Nissy” Oswald and her younger brother Gowan are sent to spend the summer with their mother in Northumberland, something about which Nissy is less than pleased. While they are there, Gowan comes across a dead body when he is out playing football with his friends. A modern-day druid is committing ghastly murders, thinking he could free the power of the ancient gods of Great Britain. When he targets Nissy, he makes a terrible mistake. She has a connection with the land and animals around her, one that she hasn’t accepted yet.

page4     Most of the story is great. Nissy discovering her family history, who she really is, and what she can do, offers an interesting coming-of-age tale. The folk horror content is solid.  Reardon’s artwork is perfect for a story full of folk horror, mythology, and ethereal creatures. The illustrations of the Wild Hunt were especially eerie and beautiful.

 

A few parts of the story were lacking. For instance, I’m not sure why Nissy, Gowan, and their mother are spending the summer in Northumberland. It is clear there is a strained relationship between her and her mother, but it doesn’t seem like a divorce situation, given how the parents give each other a parting kiss prior to their leaving. Readers can see the partial content of a letter regarding Nissy being expelled from school. We see Nissy’s frustration and anger toward her mother about having to be away from her friends for the summer. Nissy simply comes across as argumentative for the sake of being argumentative. We don’t get a glimpse of her previous life, and what has led her to become so angry with her mother.

 

Another aspect of the story I can’t come to terms with is Nissy’s crush on a 35-year-old man named Reggie. There is a series of panels where Nissy pleasures herself while thinking about him, and the animals outside engage in sex outside the cottage. While it helps illustrate her connection to nature, I can’t help but wonder if there was another way this could have been played out. A troubling panel depicts Reggie and Nissy nude together. Later, she attempts to engage him in a kiss, which he thankfully refuses. if you are squeamish about teens exhibiting sexuality, you might want to skip this. I don’t mind a healthy dose of sex and sexuality in my horror, but I’m not a fan of this particular type.

 

Contains: brief nudity, murder, sexual content, violence against women

Recommended, with reservations

Reviewed by Lizzy Walker

Posted on March 11, 2020 by , Reply

Graphic Novel Review: H.P. Lovecraft’s At the Mountains of Madness Volume 1 adaptation and artwork by Gou Tanabe, translation by Zack Davisson

H.P. Lovecraft’s At the Mountains of Madness, The First Volume adaption and artwork by Gou Tanabe, translated by Zack Davisson

Dark Horse, 2019

ISBN13: 978-1506710228

Available: Paperback, Kindle, comiXology

In this Cthulhu mythos tale, an expedition team from Miskatonic University headed by Professor William Dyer travels to Antarctica early in 1931. Lake, a member of the team, becomes increasingly obsessed with discovering the secrets of a rock sample they excavate early in their exploration. He leads a separate team to push forward to find more. They find looming black mountains, seemingly unnaturally formed caverns, and a complete zoological sample of a large creature that resembles a creature described in the famed Necronomicon housed at Miskatonic University. As scientists are wont to do, Lake dissects the specimen. The two camps had been communicating regularly via radio contact, but when Lake stops responding, Dyer and the rest of the team make the trek to Lake’s camp. When they arrive, however, they come across a grisly scene: the crew and sled dogs assigned to the camp are dead, and the bodies are mangled or dissected. The team also finds a star shaped mound of snow near the scene which turns out to contain an inhuman discovery. After recovering the remains of eleven bodies, they find that one of the members of Lake’s camp, Gedney, is missing.

Volume 1 of Gou Tanabe’s manga adaptation of H.P Lovecraft’s novella At the Mountains of Madness is a beautiful and haunting version of this story. Tanabe’s artwork is an interesting and effective balance between the darkness of the caves and confined spaces to vast and breathtaking landscapes. A major difference, which I found to enhance the story, was that it was told from the point of view of both camps. The original was told from the perspective of only the main camp. This, combined with the added dialogue between the camps and artwork depicting the emotional reactions of the characters involved, created more of a sense of fear and foreboding than Lovecraft’s work. I can’t wait to see what Tanabe does with the continuation of this story in Volume 2. I would recommend this title for those who enjoy cosmic horror, manga from the horror genre, or different interpretations of Lovecraft (even those that he clearly based off of other works—in this case, Edgar Allan Poe’s The Narrative of Arthur Gordon Pym of Nantucket). If you are a purist, this probably isn’t for you. Highly recommended.

 

Contains: corpses, dissected human body

 

Reviewed by Lizzy Walker

Posted on October 2, 2019 by , Reply
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