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Booklist: Mother’s Day Reads

The new NBC miniseries for Rosemary’s Baby is premiering this weekend, just in time for Mother’s Day. Yes, it’s true, Mother’s Day is fast approaching! Motherhood can be tough and scary in so many ways, and mothers and mother-in-laws can be tough and scary, too, and that manifests itself in so many ways that I can’t even begin to list them. What I can do is give you a list of books in which mothers and their influences have played a significant part. Maybe you can relate (I hope not, but you never know) and maybe these will put things into perspective as everyone gears up for Mother’s Day.

 

 

   Rosemary’s Baby  by Ira Levin.

This classic work by Ira Levin tells the story of Rosemary Woodhouse. Rosemary and her husband, Guy, move into a very nice apartment that is suspiciously inexpensive,  in a building with an extremely disturbing history of witchcraft, cannibalism, and murder. Apparently the nosy elderly neighbors are covertly continuing that tradition, and have convinced Guy to take part as well. When Rosemary becomes pregnant, the residents of the building attempt to isolate her and take control of her pregnancy.

In spite of all the rosy depictions of pregnancy, it is a difficult experience emotionally and physically. and can be terrifying even when you have a fantastic support system, and sometimes it involves real tragedy. Rosemary’s Baby makes that frighteningly vivid. Roman Polanski’s movie is considered to be a faithful adaptation, and a classic work of horror as well.
Carrie  by Stephen King

The cruelty of the girls at school to Carrie is what I find most memorable about the book, but this story could not have existed in the same way without her mentally ill mother, Margaret White, whose violent, controlling, and isolating behavior is the source of many of Carrie’s problems. Even at the end of the story she calls out for her mother. While not Stephen King’s best writing, Carrie has clearly hit a mark with its tone and message. It was made into a movie of the same name, starring Sissy Spacek, in 1976, and again in 2013, with Julianne Moore stealing the show in the role of Margaret White.

Note:  Carrie also inspired a sequel (The Rage: Carrie 2), was made into a musical (1988), and was  made into a made-for-television movie for NBC (2002).
 Psycho: A Novel

Who doesn’t know of Norman Bates and the Bates Motel? In spite of  her unpleasantness and controlling behavior, Norman Bates loves his mother. Spoiler: she’s been dead for 20 years. Almost everyone knows the movie Psycho, directed by Alfred Hitchcock; it is worth taking a short while (it is a short book) to check out the book. Bloch’s novel may have been influenced by the story of Ed Gein, a serial killer arrested near where he lived at the time.

      Beowulf  by Anonymous

I have reviewed the Michael Morpurgo version of Beowulf here, and if you are wondering why a children’s book is appearing on a list of very adult books,  rest assured that this adult thought it was amazing. The second book I’ve linked to is a graphic novel version by Gareth Hinds, which I discovered while surfing Amazon, and has some really great reviews. Beowulf is required reading for many middle or high school students (I think I read it in eighth grade) and it is not easy going. Morpurgo’s version is really engaging, though, and I am guessing that disengaged readers might get into it with this graphic novel version.

So why is this book on my list? If you have read Beowulf before, you know that a third of the story is devoted to the battle between Beowulf and Grendel’s mother.  Sure, Grendel was a ravening monster who ripped people apart before devouring them, but a mother’s thirst for violent and deadly revenge, in this case, truly knows no bounds.

 

 


The Dollanganger Saga: Flowers in the Attic by V.C. Andrews

The collection of messed-up mothers in V.C. Andrews’ Dollanganger Saga includes Olivia Foxworth, Corinne Dollanganger, and Cathy Dollanganger, all twisted up in various degrees of love, hate, and general twisted behavior. One thing you definitely see in these books is the tremendous influence a mother can have on her children, and how that can reverberate through multiple generations. The first book, Flowers in the Attic, has been made both into a movie of the same name and into a television miniseries that aired earlier this year, but the last one, Garden of Shadows, which is technically a prequel, packs a powerful punch as well.

 

Room by Emma Donoghue

Not a horror novel per se, Room is still pretty horrific.  The story is narrated by five year old Jack, who has never been outside the small room he inhabits with his mother. At night, Jack’s mother shuts him away to keep him from the notice of  their only visitor, Old Nick.  What’s actually occurring will be evident pretty quickly to the reader. Jack’s Ma shows her resourcefulness in keeping Jack entertained and occupied without revealing that something really wrong is going on, and protects him to the best of her ability. Their situation is awful, but her love for him is evident, and without the dysfunctional malevolence of some of the other mother-child relationships I’ve mentioned here.
Lakewood Memorial (Zombie Trilogy, Book 1) by Robert Best

A few years ago I did a project around Mother’s Day called Moms vs. Zombies. Just about the time that it was over, this book by Robert Best came my way. Zombies really aren’t my thing, but I was curious to find out how a mom did actually deal with zombies, and although it has more foul language than I like, and was also more gory than I like (zombies REALLY aren’t my thing) I read it cover to cover in short order. The characters are just great. In the hospital, you have Angie, a mom who works at the local hospital; one of her coworkers; a cranky old man and his relatives;  and Park, who appears to know how to use a gun, and is at the hospital to bring his recently bitten friend to the ER. On the other side of a bridge, Angie’s kids and their babysitter are under siege at her home. Both Angie and her kids are determined to reach each other, and boy, are they survivors. If I have to survive a zombie apocalypse, I just might be able to manage it with Angie and her kids on my side. I am afraid that I did not review it at the time, as I can’t really give zombie novels a fair shake, but some of Best’s characters have really stuck with me, particularly Angie, her kids, and the cranky guy in the wheelchair.

 

If you plan to watch the miniseries, enjoy Rosemary’s Baby, and if not, I hope you’ll take a moment to think of your mother, no matter how you feel about her. I hope you have a great Mother’s Day!

 

 

 

 

 

Women in Horror Fiction: Mercedes Murdock Yardley

 

Image of Mercedes M. Yardley   Mercedes M. Yardley’s most recent book, Nameless: The Darkness Comes, is out this month. In addition to this and the titles she mentions below,  her fiction can be found is such anthologies as Demons: Encounters with the Devil and His Minions, Fallen Angels, and the Possessed (2011 Black Dog & Leventhal Publishers), Tales of Jack the Ripper (2013 Word Horde), Undead and Unbound: Unexpected Tales From Beyond the Grave (2013 Chaosium), and a number of collections from Shock Totem.

 

1. Can you give our readers a brief introduction?

My name is Mercedes M. Yardley and I write dark fantasy and whimsical horror. I write about monsters who love, sympathetic serial killers, and the ominously beautiful. I have a book of short stories out titled Beautiful Sorrows, a novella titled Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, and my debut novel just came out in January of 2014. It’s titled Nameless: The Darkness Comes and it’s Book One in THE BONE ANGEL trilogy. I wear red lipstick, stilettos, and poisonous flowers in my hair.

 

2. Why do you write horror?  What draws you to the genre?

Horror is pure. There’s something so very honest about writing darkness. It’s thrilling. I find that sweet things are a joy, but they get tedious after a while. I like my sweet little stories to have bones and teeth underneath.

 

3. Can you describe your writing style or the tone you prefer to set for your stories?

My style tends to be elegant and very feminine. I love language, love the way words soun

 

4. Who are some of your influences?  Are there any women authors who have particularly inspired you to write?

One of my major influences growing up was Erma Bombeck. She was brassy and hysterical and kind. She took mundane things and found beauty in them. I also love the dreamy style of Aimee Bender. Her work is amazing.

 

5. What authors do you like to read?  Any recommendations?

I find that I read more newer authors than fully established ones, and that’s really fun. My favorites that I usually recommend are Lee Thompson and Christopher Barzak. I also enjoy Kristen Lamb’s books on social media. They’re so helpful!

 

6. Where can readers find your work?

I’m all over the place! My blog is www.mercedesyardley.com. I have a list linking to finding my work. I’m also on Amazon and Goodreads. Stop by and say hi!

 

Want to find out more? Visit Mercedes Yardley’s recent article for the Seattle Post-Intelligencer here.

Women in Horror Fiction: Wednesday Lee Friday

 

Image of Wednesday Lee FridayAfter deciding against being a ballerina, an ichthyologist, and a famous singer, Wednesday Lee Friday decided to become a novelist just before starting kindergarten.  Her books include A Stabbing for Sadie (Crossroad Press 2014), The Cat’s Apprentice (StoneGarden.net Publishing 2008), Kiss Me Like You Love Me (Crossroad Press 2013), and The Finster Effect (Crossroad Press 2012). Her short fiction has been published in a variety of magazines and anthologies. She currently lives in Ann Arbor, Michigan with some carnivorous plants, a few cats, and her husband. She is a very busy woman of horror!

 

1.) Can you give our readers a brief introduction?

Hi readers!  I am Wednesday Lee Friday, author of A Stabbing for Sadie, Kiss Me Like You Love Me, and The Finster Effect in addition to a bunch of wild short stories.  I’m also a TV and movie reviewer, a sex writer, and the managing editor of Under the Bed Magazine, a horror fiction monthly.  I’ve studied theatre and broadcasting and have worked as everything from a reptile wrangler to a phonesex operator to a manager at a now defunct video store chain (almost rhymes with Lackluster).  Mostly though, I love horror.

 

2. Why do you write horror?  What draws you to the genre?


The horror genre is about exploring our limitations as humans and discovering what, if anything, could drive us to do things well outside out established morality.  Some people insist that there must be a supernatural element in horror, but I couldn’t disagree more.  Horror is in the everyday things that haunt us with their impending possibility.  Horror is what turns us against our fellow humans out of fear and desperation.  Horror is in every act of violence, every lie, every glare from a stranger, every wish that some annoying fuckwit would get hit by a truck just so we don’t have to deal with them anymore.  Horror is all around us.  Horror writers just want to make sure you notice.

 

3. Can you describe your writing style or the tone you prefer to set for your stories?


I’m a firm believer in first-person narration.  To my mind, it’s the best route for intimacy, immediacy, and understanding.  I write horror with the desire to help people get their heads around the unfathomable.  Kiss Me Like You Love Me follows a very damaged man as he commits deplorable acts of violence on truly innocent people.  Readers have reported being extremely uncomfortable by experiencing the killer’s point-of view—that it makes them feel complicit in his deeds.  This perspective also makes the reader watch helplessly as the killer repeats his pattern over and over.

 

4. Who are some of your influences?  Are there any women authors who have particularly inspired you to write?


I confess, a lot of my favorite horror writers are fellas.  Stephen King, Jack Ketchum, Christopher Moore are my big three.  But I’ve been influenced by plenty of ladies: most notably Shirley Jackson, Mary Shelley, and the great Margaret Atwood.  I know Atwood isn’t typically called a horror writer, but her books scare the hell out of me.  The Handmaid’s Tale gave me nightmares for years afterward.  I’m still depressed over the end of Maddaddam.  I’m continually amazed at how Atwood uses such lyrical, beautiful prose even as she’s describing terrible people and horrific brutality.

 

5. What authors do you like to read?  Any Recommendations?

I read a good one by Kate Jonez recently: Candy House.  Amy Grech also has a splendid collection called Blanket of White.  I enjoyed a collection recently by Antoinette Bergin called Bedtime Stories for Children You Hate.  I read those Hunger Games books recently.  Those should probably be called horror books, especially given the ending.  Yeesh!
6. Where can readers find your work?

My website is a great place to catch up with all my insidious deeds.  In addition to Amazon and Smashwords, my books are also available from Macabre Ink Digital and Crossroads Press. 

Thanks so much for letting me be a part of Women in Horror month.

 

Interested in learning more? Visit Wednesday Lee Friday’s Amazon author page, her Smashwords page, or the website for Under The Bed, the online horror fiction magazine she edits. And check out this incredibly awesome nonfiction piece on point of view and how it can make or break a story– something she mentioned briefly above.