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Book Review: Thirty Hours With A Corpse and Other Tales of the Grand Guignol by Maurice Level, introduced and edited by S.T. Joshi

 

Thirty Hours With a Corpse and Other Tales of the Grand Guignol by Maurice Level, introduced and edited by S.T. Joshi
Dover Publications, 2016
ISBN: 9780486802329
Available: Paperback, Kindle edition

 

S.T. Joshi has collected thirty-nine of Maurice Level’s conte cruel, or “cruel tales,” in one volume. Level, a French writer from the early twentieth century, whose specialty was short stories of the macabre, was a contributor to the Grand Guignol Theatre in Paris, known for staging gory dramas. His tales deal with the human condition and moral frailty, rather than anything supernatural.

 

I was enthralled with all of the stories in this anthology, but a few stood out more than others. As mentioned above, some stories focus on moral frailty. In “The Debt Collector”, a clerk turned thief takes his spoils to a solicitor’s outside town, leaves the funds under a false name, and travels back to town in order to turn himself in. Of course, he is promptly arrested, found guilty at trial, and jailed for five years. Upon release, he heads to the solicitor’s to pick up the money. The trouble is that, in the meantime, he forgot the false name he used. The story “Blue Eyes” culminates in a young woman having certain business transactions with the last man she would ever want to see. In “The Last Kiss,” a man takes revenge on the woman who blinded him.

 

Other stories deal with madness or psychoses. The need for peace and quiet occasionally drives us all a little mad sometimes: unfortunately for the nagging mistress of the man in “Fascination”, he takes that a step too far, and shoots her for the sake of a night in. “In the Light of the Red Lamp” is a tragic tale of a husband who develops photographs of his deceased wife, only to find something he was not expecting. In “Poussette”, a highly religious woman is betrayed by her cat, Pousette, who is only following instincts when she escapes the house to be in the company of yowling male cats. When Pousette returns, the woman’s affection for her formerly loyal pet has turned to anger and paranoia. A man’s suspicions and paranoia conclude in a familial tragedy in “The Bastard”.

 

Several tales take place during wartime. “Under Ether” tells the story of a patient/prisoner who discovers through conversation that his doctor comes from the same town, and that they knew each other’s mothers. What the injured man says under ether, however, is unexpected. “At the Movies” finds a mother telling her son about what is taking place on a newsreel, only to find a familiar face, one she believed to have been killed during the war.

 

The scariest part of these short stories is that none of them have any supernatural explanation as to why things happened. They are all driven by humanity and the wrongs that we have the capability of inflicting on each other. I highly recommend this collection, but you might need a good strong drink or cup of tea to calm your nerves.

Reviewed by Lizzy Walker

Book Review: Carnacki: The Watcher at the Gate by William Meikle

 

Carnacki: The Watcher at the Gate by William Meikle, illustrations by M. Wayne Miller

Ghost House, Dark Renaissance Books, 2015

ISBN: 9781937128753

Available: Hardcover, new and used. Currently out of print.

Carnacki: The Watcher at the Gate collects twelve original short stories by William Meikle, with William Hope Hodgson’s supernatural detective at the center. Each story centers on a dire situation: an imperiled individual calls upon the unusual expertise of Carnacki to get to the bottom of the occult goings-on and expertly banish the evil back to the Outer Darkness.

A few of the stories that are particularly well-written incorporate another Hodgson character, Captain Gault. These are some of the most interesting tales of the collection. While Carnacki is a great character, Captain Gault adds a bit more panache to the atmosphere. In “Captain Gault’s Nemesis”, the captain is carrying cursed cargo below decks of his ship, and Carnacki has to deal with the problem. In “The Blue Egg”, Carnacki is a guest aboard Captain Gault’s ship, and witnesses the effects a sliver from a rare gem has on the captain and crew. Everyone who is near it wants to possess it, and its power grows day by day.  In “The Gray Boats”, a strange fog emanating from two abandoned Navy ships destroys everything in its wake, including flesh and bone.

An admirable trait of Carnacki’s is that when children come to him with matters of the occult, he takes them seriously, investigates, and inevitably finds that the issues are real. In “The China Doll,” Lord Atwell of Belgravia calls on Carnacki to investigate his youngest daughter’s room, as she thinks it is haunted. When he is alone in her room, he discovers the china dolls are whispering. His investigation leads him to the manufacturer’s facilities, where it turns out that the manufacturer has a unique problem with the curing oven. In “The Black Swan,” a young girl arrives at Carnacki’s residence, distraught and pleading for his help, regarding a large black bird she thinks lives in her closet. He travels with her to her home, where, after a few minutes of terse conversation, her father relates the story of the black swan in the basement.

In addition to being a friend to the seafaring Captain Gault and children, Carnacki is popular among political figures. In two stories, he comes to the aid of a young Winston Churchill. He also helps the Home Secretary in an investigation of an occult ritual gone wrong.

Other exciting stories await the reader. Having recently revisited one of the original Hodgson books, I can attest that Meikle’s writing is in keeping with the overall tone and atmosphere of Carnacki’s adventures, and I appreciate that, as well as his blending in of the realm of eldritch horror.  The inclusion of horrific entities tormenting humanity and threatening to either kill us or drive us insane is a nice touch, and fit in well with the overall feel of the Carnacki stories. This is a great read that will appeal to readers young and old. Recommended.

Reviewed by Lizzy Walker

 

Do We Need More Kid Horror?

Derek Faraci at Blumhouse.com has written an article titled “We Need More Kid Horror“He claims that today’s generation of kids will be the first to grow up “without nightmares caused by authors, artists, and filmmakers”. The world, he says, has decided it’s not okay to scare kids anymore.  Kids would rather watch Minecraft videos on YouTube than horror movies these days.

While it’s very possible that some kids would rather watch Minecraft videos on YouTube, that doesn’t mean they aren’t exposed to horror in its various guises. I have a 10 year old son who is obsessed with Minecraft, and that’s where he learned about slasher movies and horror video games. It’s where he learned about Slenderman. (thanks a bunch, Mojang, for enshrining a fictional character that inspired two girls to stab a friend multiple times into a children’s video game). If you want to learn about any kind of monster or cryptid, he’s your go-to guy. There’s no lack of resources to feed his nightmares. Visit the library and you’ll see.

According to Faraci, “horror is more than fun. It’s more than entertainment.” Parents should be using it to teach their kids lessons.

Gee, way to drain all the enjoyment out of the genre. You may have noticed that horror, as a genre, doesn’t get a lot of respect. A lot of kids who do read it are doing it under the radar, and they like it that way. In some of the research, they’re called “underground readers”. They don’t want horror to teach them a lesson. They get lessons at school. They want to read (or watch) something they actually enjoy. If, as a parent, you have a genuine love of the genre that you want to share, great. That’s what will engage kids. If, as a parent, you have grave reservations about sharing your love of the genre, you should probably know that eventually your kids will get into your stuff and decide whether they want to read or watch horror anyway.

I do agree with Faraci that horror gives us a way to experience fear in a controlled way– you can always close the book or turn off the television if things get too intense– but how many of us are thinking about that when we read? If it’s not fun, if it’s not entertaining, if there’s no suspense, why waste your time?

Do we need more kid horror? There’s definitely a place for it! A children’s horror novel, Neil Gaiman’s The Graveyard Book, even won the Newbery Award a few years back. Is there a gap where kid horror used to be? I don’t think so. But there’s certainly room for more!

 

Looking for titles? Here are our reviews of scary (and not so scary) books for kids