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Book Review: Ararat by Christopher Golden

Ararat by Christopher Golden

St. Martin’s Press, 2017

ISBN-13: 978-1250117052

Available: Hardcover, paperback, Kindle edition. Audible, audio CD.

 

It has been several years since a novel truly unsettled this reviewer enough to produce repeated nightmares. Ararat, though, is a read that nestles under the skin.

In Ararat, a team of explorers, scientists, and scholars have discovered something embedded into the rock of Mount Ararat that may be Noah’s Ark. However, instead of animals two by two, they find a handful of human corpses… and one mummified being with horns. Something on the mountain is not quite dead, but is waiting until the time is right for it to show itself. The expedition’s members struggle to figure out the dark puzzle, as a blizzard threatens to make the mountain cave their tomb.

Golden’s characters breathe, live, and fear on every page. Adam and Meryam, who spearhead the Ararat expedition, drive the story, along with Ben Walker, sent from DARPA to assist in ascertaining the true nature of the find. Secondary characters become fully fleshed beings, with nearly everyone turning a bit part into something crucial.

Christopher Golden has penned some great tales in the past– most recently, the disturbing Dead Ringers– but Ararat just might be his best. In this novel, Golden takes advantage of tropes common to the thriller and horror genres, while stepping deftly around the typical pitfalls. Golden tears perceptions and twists the plot in unexpected directions throughout.  Is it a thriller with horror, or horror in a thriller format?  Doesn’t matter– labels will soon be forgotten once the pages whiz by.

Ararat calls to mind classics like The Thing, The Exorcist, and The Omen,  but it stands on its own. Golden’s knack for intertwining sympathetic characters and the horrific with suspense ensures that this unsettling story will be read in just a few sittings. This is a story that begs for a blockbuster-style movie, but it’s one that this reviewer won’t be viewing. The nightmares aren’t worth it. Readers of thrillers and horror will be talking about this one for year.

Reviewed by Dave Simms


Book Review: Black Feathers: Dark Avian Tales: An Anthology edited by Ellen Datlow

Black Feathers: Dark Avian Tales: An Anthology edited by Ellen Datlow

Pegasus Books, 2017

ISBN: 9781861773216

Available: Hardcover, Kindle edition

This anthology of avian-themed fiction, edited by Ellen Datlow, presents a fantastic collection of short stories by some of the best authors in the horror genre. Each story features, as the anthology title indicates, birds that act as agents of death, sentinels, communicators, and more. The authors present the darkness the bird realm can represent, and present unique philosophical questions and uncomfortable answers in this collection.

Datlow has collected some of the best writers for this anthology. Authors include Sandra Kasturi, Nicholas Royle, Seanan McGuire, Paul Tremblay, Joyce Carol Oates, Richard Bowes, Alison Littlewood, Jeffrey Ford, Mike O’Driscoll, Usman T. Malik, Stephen Graham Jones, A.C. Wise, M. John Harrison, Pat Cadigan, Livia Llewellyn, and Priya Sharma.

There is not a single story in this anthology that does not linger with the reader. A struggling academic studying owls gets too close to his research subjects, much to his wife’s concern, and ending in a deadly discovery. What happens to him will change his family forever. A young girl obsessively counts the types of birds she sees throughout the day, and interprets the numbers to mean certain things will happen. She’s never wrong. A grieving widow begins to relate to the herons on her property, who help her deal with the death of her husband. The birds seemingly take care of her problems and provide her with a new sense of freedom. Rogue birds are being investigated by an occult group for helping humans cheat death. A twin returns home after her father’s death, reconnects with her sister, and finds out the terrible truth about herself after the funeral. These tales are only a fraction of what this collection offers to the reader.

While there is very little in the way of gore, there are definitely psychological horrors that the reader will encounter. Sometimes these can be more terrifying than any amount of blood and guts.

Datlow has won multiple Hugo, Locus, and Shirley Jackson awards and has received several lifetime achievement awards, including the Bram Stoker Award. She is adept at anthology selection, and I promise you won’t be disappointed with this collection. Highly recommended

Contains: brief sex, abuse, psychological terror

Reviewed by Lizzy Walker


Musings: The Fate of Rabbits in Watership Down

Watership Down by Richard Adams

Scribner, 2005 (reprint edition)

ISBN-13: 978-0743277709

Available:  Hardcover, paperback, Kindle edition, Audible

I am reading Watership Down with my daughter.  It’s one of my favorite books. She is a little younger than I was when I was first given my copy, but I read it by myself and we are reading it together (never let anyone tell you that kids outgrow reading aloud with loved ones). It’s a long book and it’s possible that many of you have never read it, although you might have been traumatized by the movie as a child (I’ve never seen the movie, myself). People who love a fast-moving plot might lose patience with Watership Down and its fearful, brave group of rabbits on their journey to a new home. But stick with it, and the personalities of the rabbits and their dilemmas start to catch you.

So far, in our reading, the rabbits have escaped arrest, fled into a forest, successfully avoided a skunk and a dog, crossed a river, crossed a road, and traveled for a long distance to finally find what looks like a safe place for a new home, only to be approached by a large, well-fed, and generous rabbit who offers to adopt them into a nearby warren where all the rabbits are large and well-fed, there are no threats and no need to search for food. My Goblin Girl looked at me and said, “These rabbits are going to sacrifice other rabbits, aren’t they, so they can stay well-fed and healthy?”

Have I mentioned that I just re-read “The Lottery”? This prediction gave me chills.

I’m going to spoil the story for you and say that’s kind of exactly what happens.The rabbits in the warren have an unspoken arrangement with the farmer nearby. He kills off all their enemies and leaves them vegetable heap scraps, and they pretend they don’t know what has happened to rabbits that go missing because he’s caught them in a trap.

“Either that, or they’re cannibals”.

Cannibal rabbits?

Given her second guess, I don’t think she read ahead.

“Why do you think that?”

“Because the rabbits are too nice and too healthy and that’s always a trap. Like in The Silver Chair, the giants were kind to Eustace and Lucy but their cookbook had a recipe on “How to Cook Man”. So the rabbits either want to sacrifice Hazel or eat him”.

She’s currently leaning more toward the “cannibal” theory, rather gleefully. Never let it be said that children’s literature is sunny all the time. Those cute, fluffy, bunnies clearly are dangerous creatures. As is a well-read child.

Watership Down is sometimes read as an allegory dealing with different ways of organizing society. And this part of the novel tells us a lot about our current moment. The rabbits of the warren are willing to ignore any question that might force them to think about the brutality behind the bargain they have made, because as long as they don’t, they can enjoy a comfortable, and mostly secure life. They have normalized the disappearance of friends and family as just part of the price they pay to keep their lives easy.

The rabbits of the warren are actually scarier than the people in “The Lottery”. In “The Lottery”, everyone knows someone participating in the drawing is going to be next. The consequence is totally horrific, but at least people know what’s going on. The rabbits of the warren, though, don’t tell Hazel’s band about the arrangement they have with the farmer, that he sets traps to catch them in exchange for their easy life. Instead, they welcome the new rabbits, whose presence makes it less likely that the original rabbits will be the ones trapped, so Hazel’s bunch don’t know what to expect. The original rabbits don’t have to see what happens, so as long as they don’t talk about the missing, they can pretend nothing’s wrong. It’s not viscerally horrific like the events of “The Lottery”, but the “I didn’t see the consequences of my actions so it never happened” attitude is terrifying, because it is so real. It’s a good thing this is a story about rabbits.

I can see why my daughter prefers the cannibal rabbit theory. Nothing says “it can’t happen here” like a carnivorous bunny of evil.

Beyond the particulars, here, I want to say that the predictions she made, based on things she’s read in the past, show how essential it is to read, and hopefully, to read widely. If everyone could see the shape of a narrative, and think critically about the words set in front of them, the world, I think, would be a better place. I don’t care what format you are using for your reading, DO IT. And talk about it with as many people as you can. Seriously, I am a boring person to listen to if you don’t want to hear about books, but I will talk to you about them as much as I can.

The political implications of Watership Down are not something I noticed as a kid and they aren’t related to why I’m reading it with the Goblin Girl now. I just loved the story, and it’s worth reading just for the adventure of it. But I see them now, and just how very human Richard Adams’ rabbits are.

Watership Down is not horror, by a long shot, but it does show how the horrific can become an everyday, normalized experience. So, how’s your reading going?