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Book Review: Halloween Carnival: Volume 2 edited by Brian James Freeman

Halloween Carnival: Volume 2 edited by Brian James Freeman

Hydra, 2017

ISBN-13: 9780399182044

Available: Kindle edition

 

Spring is upon us, and that means, for me anyway, lamenting the passing of the fall and winter. In doing so, I like to read Halloween anthologies, prepping for the year’s best holiday. I originally picked these titles up on Net Galley, but I enjoyed the Halloween Carnival volumes so much that I purchased them so that I could relish the tales of the macabre throughout the year. Halloween Carnival: Volume 1 was a lovely little read, and Volume 2 is equally as good.

Five tales are contained within the pages of this book. Leading off is “Mr. Dark’s Carnival” by Glen Hirshberg. Professor R. loves Halloween, especially regarding the history of the local legend, Mr. Dark’s Carnival. Little is known about Mr. Dark, let alone the carnival itself. There are second and third hand accounts, but never, as the professor mentions in a lecture to his students, primary source accounts. The carnivals that people are invited to, by ticket only, are never the real thing—merely pranks or frat parties. Will this year be any different? He will only find out if he accepts the ticket from the body on the bridge.

“The Facts in the Case of My Sister” by Lee Thomas introduces us to young David, who loves magic, mesmerism, and hypnosis. When David’s little sister, Joyce, becomes so wracked with fear at the monsters in her closet that her screams echo the halls, he feels compelled to help her. He discovers much too late that his aid was a terrible thing to inflict on her. This story goes back and forth between adulthood and childhood and does so effectively. This is one of the strongest stories in this collection. I had to put the book down for a bit to let it sink in. I won’t ruin it, but the tension and realization of what happens because of David’s influence is dense and heartbreaking.

“Mischief Night” by Holly Newstein tells the tale of Willard, an alcoholic with a temper, and Nolan, an angry teenager from a broken home. When Nolan injures himself in his attempt to hide after a Mischief Night prank gone wrong, the two find themselves in a deadly situation.

In “The Ghost Maker” by Del James, a gangster, who is good at his job of making people disappear, answers the door to the wrong person when he’s invited to a Halloween party thrown by one of the big bosses. I think this had an interesting premise, but it wasn’t the strongest story in this collection.

“The Pumpkin Boy” by Al Sarrantonio is a chilling little story about missing children, a town legend, and the adults who struggle with their own demons while trying to make sense of the events that unfold. Jody Wendt has gone missing. Detective Len Schneider, with  perpetual doubt lingering in his mind, after he was too late during a previous case, is convinced this case will redeem him. More boys go missing in the meantime, and reports are coming in of sightings of the mysterious Pumpkin Boy.

The stories in this volume are less about gory scares than they are about psychological horror. Other than the theme of Halloween, the themes of struggle and loss permeate the tales in different ways. This is evidenced strongly in “The Facts in the Case of My Sister,” “Mischief Night,” and “The Pumpkin Boy” particularly. Recommended, especially for  fans of the Dark Screams anthologies.

Contains:

“Mr. Dark’s Carnival”: suicide

“The Facts in the Case of My Sister”: graphic description of domestic abuse

“Mischief Night”: alcoholism, death

“The Pumpkin Boy”: child abduction, child murder, gore

 

Reviewed by Lizzy Walker

Book Review: Songs of Dreaming Gods by William Meikle


Songs of Dreaming Gods by William Meikle

Macabre Ink, 2017

ISBN-13: 978-1946025951

Available: Paperback, Kindle edition, audiobook

 

Haunted house stories have been overtaken by tropes and lazy writing, and in most cases, should be boarded up. In recent years, however, a few have managed to introduce something new. Books such as House of Leaves, The Unseen, and The Haunted have introduced new wrinkles to the sub-genre. Songs of Dreaming Gods is one of these: it’s far more than a haunted house story. It is a solid read that stretches the imagination: readers may have to flip back a few pages occasionally to be certain they’ve caught all the nuances and plot twists. Is it horror? Definitely. But it’s not contained by the genre.

Those familiar with the works of William Meikle know that the author conjures up some pretty freaky designs for plot and setting (The Hole and Fungoid quickly come to mind).  In Songs of Dreaming Gods, we see that Meikle has once again done an extraordinary job in the telling of the story and in the layering of both the house and characters. Reading the book is like peeling an onion, or opening Russian nesting dolls.

A trio of local cops are called to the house where a bloodbath has occurred. Several bodies, or what’s left of them, are discovered in an old house. What’s been done to them is unlike anything one would expect from any human being, or animal. The trio realize that this is unlike any crime they have yet encountered. Doors that led to the stained floors where the forensic team should be now open up to another room not in their reality. Each of the investigators come to the house with their own wounds, mentally or physically, and face different doors, each which lead to scenes and realities that break down what each has known in his or her life. Once the characters go deeper into the house, and themselves, the reality they knew cannot be retrieved. All they can hope for is to escape with whatever the house allows them.

Songs of Dreaming Gods is decidedly different from most recent haunted house reads. With its fast-paced plot and complex structure, Meikle’s latest is a welcome addition to the sub-genre. Recommended.

Reviewed by Dave Simms

Graphic Novel Review: Hellboy in Hell, Library Edition by Mike Mignola, art by Mike Mignola

 

Hellboy in Hell, Library Edition by Mike Mignola, art by Mike Mignola

Dark Horse, 2017

ISBN-13: 978-1-50670-363-3

Available: Hardcover

 

Hellboy in Hell, Library Edition contains storylines originally collected in the trade paperbacks The Descent  and The Death Card, and takes place after The Storm and the Fury.  In the opening chapter, we witness Hellboy’s liberation from an abyss by Sir Edward Gray, followed by a battle with a demon he once defeated, and a Dickensian introduction to Hellboy’s journey through Hell. It is the perfect beginning to the end. We witness Hellboy’s travels: Pandemonium denying his birthright and throne; the creation of his immobile army by the Fisher of Souls (who tells him “there is only one object that can breathe life into that army—your own right hand” p. 49); the birth of Hellboy; uncomfortable family reunions; a battle for the unwanted throne; facing old enemies thought long gone; and, ultimately, fulfilling his destiny to destroy Pandemonium. Shakespeare and Dickens references are scattered throughout, which really helps solidify what is happening at certain points in the story.

Mignola’s art is superb, as usual. The atmosphere and feeling of each chapter, with shadows and oppressive environments, set the tone for the overall book, even when there are brightly rendered scenes such as in Chapter 7, “The Trials of Dr. Hoffman”.

Looking at other reviews for this book, it seems that the consensus is clear: it’s sad to see the end of such a remarkable character, but what a graceful ending it is. I could not think of a better send-off for Hellboy. It still feels too soon for his saga to be over, but there is so much more to the character revealed in this last tome. I can’t go beyond that, lest I spoil the book for potential readers.

Additionally, this volume contains “The Magician and the Snake,” by Katie Mignola (age 7) and Mike Mignola (“much, much older”) and “The Exorcist of Vorsk: A puppet story told in Hell” by Todd and Mike Mignola. The first story in particular is moving in its storytelling simplicity. Also included is Mignola’s sketchbook material. Highly recommended.

 

Reviewed by Lizzy Walker