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Book Review: Paradox Bound by Peter Clines

Paradox Bound by Peter Clines
Crown, 2017
ISBN-13: 978-0553418330
Available: Hardcover, paperback, Kindle edition, audiobook, MP3 CD.

Time travel. Horror. Thriller. Utter weirdness. Peter Clines has it all covered in Paradox Bound. Those who have read The Fold, Cline’s science fiction/horror hit from last year, will be familiar with Cline’s way of introducing grand ideas, wild twists, and memorable characters. Those new to this writer, expect the kitchen sink. His prose is both lean and rich as he tells the story of a young boy who meets a beautiful oddball woman driving a 1920 Model A Ford, searching for the “real” American Dream. This novel could have been a cheesy mess in lesser hands, but Clines weaves genres together tightly, into a frighteningly enjoyable, breathless ride.

Eli Teague meets Harry(Harriet) not once, but twice, in the strange town of Sanders, Maine, where time seems to stand still, and every day is the “good old days” . She rolls up in her Model A with some baddies on her tail. Eli jumps in to try to help but somehow winds up tied to her and making a mess for her to clean up. The faceless men, creatures or humans without faces, are tracking all of the “searchers,” for the physical American Dream(if the readers can suspend disbelief for this, the book will fly by, with plenty of grins and white knuckles), seeking to kill all in their way. These characters are reminiscent of the Gentlemen from the “Hush” episode of Buffy the Vampire Slayer (without the floating part). Harry takes Eli on a cross country trek that also skips through time, for as long as America has been in existence. Think The DaVinci Code on crack, watching National Treasure, edited by horror writers. To say more would give away the many twists and turns of this fun romp. Give Clines a try– he is one of the more exciting writers to pop up in recent memory.

Reviewed by David Simms

Book Review: Halloween Carnival: Volume 3 edited by Brian James Freeman

Halloween Carnival: Volume 3 edited by Brian James Freeman

Random House Publishing Group – Hydra, 2017

ISBN-13: 9780399182051

Available: Kindle ebook

Halloween Carnival: Volume 3 is another installment to Freeman’s anthology collection  with five more tales of horror associated with my favorite holiday.

In Kelley Armstrong’s “The Lost Way,” we enter the town of Franklin, where children have a habit of losing their way every Halloween. Dale is determined to find out why his schoolmates keep disappearing. This Halloween, he follows his stepbrother into the forest, where he is forbidden to venture, and finds the reason. The problem is, he finds out the truth much later than he anticipates, and certainly not how he remembers it.

Kate Maruyama’s “La Calavera” focuses on Trish, who is mourning and struggling with the untimely death of her best friend and roommate, Jasmine. They always did everything together: the Día de los Muertos Festival at the Hollywood Cemetery used to be one of their shared rituals. Things changed when Hector came along. The time has come that Trish make her pilgrimage with an unexpected guest, to let her go, and to pay penance.

“The Devil’s Due”, by Michael McBride, takes place in the idyllic town of Pine Springs, Colorado, a thriving small community that has been prosperous for generations. All of this good fortune has not come without a cost, however: the townspeople have practiced special traditions, and, for these, the town goes on. When Thom refuses to take part, the townspeople become angry and demand the ritual continue.

Anne discusses the disturbing events of a picnic she enjoyed with her spouse, Evan, in Taylor Grant’s “A Thousand Rooms of Darkness.” Anne has been diagnosed with samhainophobia, a fear of Halloween, and phasmophobia, a fear of ghosts. She finally builds up the courage to tell Evan after experiencing an episode during a picnic, after she talks with the therapist she’s been avoiding for months. In the weeks leading to Halloween, when things for Anne get particularly bad, she receives a phone call that her therapist has died. Her paranoia increases as she worries about harm coming to Evan. Then there is the matter of the demon she hears as it gets closer to Samhain.

In “The Last Night of October”, by Greg Chapman, we meet Gerald, wheelchair bound and suffering from emphysema. Every Halloween, Gerald  waits for the boy in the Frankenstein monster’s mask to come knocking at his front door. This year, it is different. There is his nurse, Kelli, who waits with him, and hears Gerald’s tale of woe. Will they both be able to face the child and remain sane…or alive?

Something unique about this particular anthology is the theme of lies: lies people tell themselves to avoid the truth, lies about relationships, lies that a community propagates to its own end, lies about fear and sanity, and lies people tell so they can sleep at night. While there isn’t anything too graphic in this volume, I would recommend it for adults and teenagers who can handle their horror. Recommended.

 

Reviewed by Lizzy Walker

Book Review: Halloween Carnival: Volume 2 edited by Brian James Freeman

Halloween Carnival: Volume 2 edited by Brian James Freeman

Hydra, 2017

ISBN-13: 9780399182044

Available: Kindle edition

 

Spring is upon us, and that means, for me anyway, lamenting the passing of the fall and winter. In doing so, I like to read Halloween anthologies, prepping for the year’s best holiday. I originally picked these titles up on Net Galley, but I enjoyed the Halloween Carnival volumes so much that I purchased them so that I could relish the tales of the macabre throughout the year. Halloween Carnival: Volume 1 was a lovely little read, and Volume 2 is equally as good.

Five tales are contained within the pages of this book. Leading off is “Mr. Dark’s Carnival” by Glen Hirshberg. Professor R. loves Halloween, especially regarding the history of the local legend, Mr. Dark’s Carnival. Little is known about Mr. Dark, let alone the carnival itself. There are second and third hand accounts, but never, as the professor mentions in a lecture to his students, primary source accounts. The carnivals that people are invited to, by ticket only, are never the real thing—merely pranks or frat parties. Will this year be any different? He will only find out if he accepts the ticket from the body on the bridge.

“The Facts in the Case of My Sister” by Lee Thomas introduces us to young David, who loves magic, mesmerism, and hypnosis. When David’s little sister, Joyce, becomes so wracked with fear at the monsters in her closet that her screams echo the halls, he feels compelled to help her. He discovers much too late that his aid was a terrible thing to inflict on her. This story goes back and forth between adulthood and childhood and does so effectively. This is one of the strongest stories in this collection. I had to put the book down for a bit to let it sink in. I won’t ruin it, but the tension and realization of what happens because of David’s influence is dense and heartbreaking.

“Mischief Night” by Holly Newstein tells the tale of Willard, an alcoholic with a temper, and Nolan, an angry teenager from a broken home. When Nolan injures himself in his attempt to hide after a Mischief Night prank gone wrong, the two find themselves in a deadly situation.

In “The Ghost Maker” by Del James, a gangster, who is good at his job of making people disappear, answers the door to the wrong person when he’s invited to a Halloween party thrown by one of the big bosses. I think this had an interesting premise, but it wasn’t the strongest story in this collection.

“The Pumpkin Boy” by Al Sarrantonio is a chilling little story about missing children, a town legend, and the adults who struggle with their own demons while trying to make sense of the events that unfold. Jody Wendt has gone missing. Detective Len Schneider, with  perpetual doubt lingering in his mind, after he was too late during a previous case, is convinced this case will redeem him. More boys go missing in the meantime, and reports are coming in of sightings of the mysterious Pumpkin Boy.

The stories in this volume are less about gory scares than they are about psychological horror. Other than the theme of Halloween, the themes of struggle and loss permeate the tales in different ways. This is evidenced strongly in “The Facts in the Case of My Sister,” “Mischief Night,” and “The Pumpkin Boy” particularly. Recommended, especially for  fans of the Dark Screams anthologies.

Contains:

“Mr. Dark’s Carnival”: suicide

“The Facts in the Case of My Sister”: graphic description of domestic abuse

“Mischief Night”: alcoholism, death

“The Pumpkin Boy”: child abduction, child murder, gore

 

Reviewed by Lizzy Walker