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Book Review: Terminal by Michaelbrent Collings

Terminal by Michaelbrent Collings
Independently published, 2019
ISBN-13: 978-1091873315
Available: Paperback and Kindle edition

The fog rolls in around an isolated bus terminal, and the eleven people inside are cut off from all communication with the outside world. Although the reader knows something is watching outside, reading about the events and characters in the terminal is almost as disorienting as it must be to the characters inside, who know nothing at all. This leads to a slow beginning, as complete strangers have to meet and work out what is going on before the pace can pick up. Once it does, though, the story is gripping. A cryptic message flashed to all of them tells them that unless they can choose one person unanimously to live, everyone will die. A second message, much later, offers this food for thought:  not just who most deserves to live, but who deserves to die. With the lights dimming and no way out, the group deduces that they have been trapped by alien creatures as part of a deadly experiment in human behavior.

Most of the group are strangers, although a few have a connection. In their midst are a drug dealer, an addict, a con man, a thief, a cutter, a Mary Kay saleslady, a pair of newlyweds, a grandmother, a gangbanger, a diabetic, a cop, a ticket taker (named Mary Holiday– really), a mother and daughter, and a neurodiverse computer expert named Adam S. Miles, who is referred to by his full name through the entire book. Some of these individuals have dangerous secrets, others’ are more mundane. Collings takes time with a few of the characters to show them more fully: Paul Kingsley, a cop determined not to kill; Mary Holiday, who has spent her entire life trying to make sure her daughter has a better one; Adam S. Miles, who is underestimated at the start but makes the majority of deductions and information dumps in the book; and Shelly Sherman, a Mary Kay consultant with a hidden past. Others have stories that have to be pieced together from various interactions, such as Bella Ricci and Jesus Flores, and a few are just sketched in briefly, so you don’t really have time to feel the impact when they die. I truly wasn’t sure how things were going to play out, and who was going to survive, and Collings totally blew me away with his ending,

There are a few things that really stick out in all of this. First, Collings’ handling and development of his autistic character, Adam S. Miles felt pretty respectful. It is rare to have a character with any kind of disability allowed to speak for themselves or presented as capable and independent. Yet, while other characters used ableist language to put him down, Adam S. Miles spoke up for himself. Collings also managed to avoid other disability tropes, such as making Adam an “inspirational”, “magical”, or “pitiful” character, all common stereotypes. I did feel like the upfront information on ableism and neurodiversity, while admirable, occasionally disrupted the flow of the writing. I think Collings relied on common stereotypes and tropes in developing some of his other characters (not especially surprising when he had to kill off 11 people in 327 pages) but I appreciated the care he put into Adam’s character.

Adam is also responsible for taking over a conversation about whether aliens could be responsible for the situation the characters find themselves in, listing multiple horrific experiments that humans have conducted on each other (I do want to note that while many of the examples Adam lists did occur, the summary of the Los Angeles vaccine study was misleading) to explain why aliens might do the same. I feel like this is a place where Collings is trying to hit home his message hard, of the horrors people, even ordinary people, will do to each other, simply because they can. It’s a little heavy-handed, but you’ll be right there with the people in the terminal as they beg him to stop listing off the cruelties people have inflicted on one another.  It’s shortly after this, as the deadline by which they must make their choice looms closer,  that the plot starts really speeding along, and the deaths start piling up.

As the story in the terminal ends, the survivor, who is typically herded into the next experimental location, short-circuits the experiment unexpectedly, and the creatures running it are left waiting for orders.  Will the experimenting end? Collings exposes the true horror of what it means for humans to be subjects in a cruel experiment run by an all-powerful authority.  Recommended.

Book Review: The Worst Is Yet To Come by S.P. Miskowski

The Worst Is Yet To Come by S.P. Miskowski.

Journalstone/Trepidatio Publishing, 2019

ISBN-13: 978-1947654464

Available: Paperback, Kindle edition

Small town horror. A coming of age novel. The good girl/bad girl conflict. Readers have read it all before, right? Not so. S.P. Miskowski turns the tropes on their heads in this wrenching novel.

The little town of Skillute, Washington, might remind horror fans of other odd little towns, ones drawn by Shirley Jackson and Charles Grant, although King’s Derry might come to mind a bit as well. In The Worst Is Yet To Come Miskowski returns to the setting of her Skillute Cycle (comprised of Knock, Knock; Delphine Dodd; Astoria; and In the Light).The Davis family has moved there to get away from the big city. It’s definitely not Seattle, and one might think it has left reality. The focus is thrust squarely on middle school daughter Tasha, who must find a way to fit in, and let’s face it, there aren’t much bigger circles of hell than middle school social lives. The friend she discovers is the badass Briar Kenny, who lives on the “wrong side” of town, in a trailer park with her mom and sleazebag boyfriend. Through a series of brutal events, the two girls find themsevles bound together, much more tightly than either would have expected. To say more about the plot would ruin much of the suspense, but the twists and turns emerging between the pages are well worth the journey.

There is a dark force in Skillute that begs to be heard and felt, that is far more original than in most horror novels. Miskowski brings it to life in a manner that echoes the past work of Jackson and Grant, but carves out  her own style here that, while quiet, cuts like razor wire, wounding deep, before the readers, or characters, know they’ve been affected.

What makes this novel burn is the construction of the characters. Each of them relates to some piece of the reader: some of it in light, but much of it in shadow. Miskowski knows how to touch upon the darkest parts of humanity. Bullying and abuse are handled skillfully here, affecting more than the typical horror elements.

The surprises here are Tasha’s mother, Kim, and Briar’s relationship with Tasha’s family. Kim’s demons are real, unfolding and dug out with ragged nails until a scar is born (pun intended). Many of the characters have unlikable traits that conflict with their core beings, eliciting a beautiful dissonance that drives the impact of The Worst Is Yet To Come much deeper than most recent novels. Highly recommended.

 

Reviewed by David Simms

Book Review: Hellrider by JG Faherty

Hellrider by JG Faherty

Flame Tree Press, August 2019

ISBN: 978-1-78758-262-0

Availability: hardcover, paperback, ebook

 

Hellrider is a hell of a ride through the murderous revenge spree of 19 year old Eddie Ryder, a former biker gang member.  He tried to walk the straight and narrow path, but is burned alive in his own auto repair garage by his former gang members as payback for ratting out the gang leader.  Instead of a one-way ticket to the afterlife, Eddie finds himself as a spirit tied to his hometown, although being dead has given him some very special powers.  Needless to say, he has one thing on his mind: paying back all the gang members who helped to kill him, in as painful a fashion as possible.  The story become a whirlwind of beatings, stabbings, shootings, and explosions as Eddie thrashes his way through the town, destroying anyone who ever wronged him, or he perceives to have wronged him.  In between the havoc he wreaks, he makes a bit of an effort to help out the dying mother and sixteen year old brother he left behind, but his primary focus is revenge and mayhem.

 

The book starts off fast, and keeps the throttle wide open until the last of its 278 pages.  Eddie is killed within the first 20 pages, so there’s plenty of time for him to kill and maim.  If this had been just another story about a ghost killing the wrongdoers, it probably would have been a mid-level book in terms of quality.  Thankfully, it’s much more fun than a paint-by-numbers vengeance story.  Eddie has the power to jump into any body (male or female) and possess the person, making them do what he wants.  That’s where the creativity takes flight in this story.  Eddie doesn’t just take over a body and make the person kill himself or herself; he often wants to humiliate them before killing them, and he also takes great delight in scaring them by leaving little messages letting them know who’s responsible.  Whether he’s cutting off someone’s penis, making a tough biker appear like a lovesick puppy in front of people, or simply beating someone to death, Eddie is a creative as well as violent spirit, and it helps keep the book interesting.  You never know what he’s going to do next. He does have the limitation of not being able to move past the town lines, so he has to get inventive to trap one of his victims, who is in jail a few towns away.  This makes the character more interesting–  he can’t just do anything he wants and ignore the consequences.

 

As Eddie grows in his powers and becomes less discriminating about whom he kills, the other characters help flesh out the rest of the story and keep it from becoming one-dimensional.  Eddie’s younger brother Carson is the secondary focus, as he and his girl Kelli realize that despite family ties, Eddie has gone off the deep end and has to be stopped before he destroys the entire town.  Carson is a caring, intelligent bookworm– the complete opposite of Eddie– and he provides a nice contrast in character development.   All of the personalities in the book are well-drawn, and the few moments where Eddie shows some humanity towards his family add some shades of gray to an otherwise dark character.

 

Hellrider succeeds in its intention of providing a rip-snorting, 200 MPH thrill ride of a story that hits as hard as a power chord from the heavy metal music Eddie loves.  It’s a horror/thriller novel that should appeal to a wide audience, and is worth the purchase.  As Eddie Ryder himself might say, UP THE IRONS! Recommended.

Contains:  graphic violence, sex

 

Reviewed by Murray Samuelson