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Graphic Novel Review: When I Arrived at the Castle by Emily Carroll

Cover art for When I Arrived at the Castle by Emily Carroll

When I Arrived at the Castle by Emily Carroll

Silver Sprocket, 2024 (previously published by Koyama Press in 2019)

ISBN-13: 9798886200409

Available: Paperback, Kindle edition

Buy:    Bookshop.org | Amazon.com

 

On a dark and stormy night, a cat woman arrives at the mysterious Countess’ castle on an unspoken mission. The Countess mentions that this attractive visitor is not the first to come on this mighty errand. She is offered a warm bath after being out in the rain for so long, for which she accepts, and this is interrupted by loud knocks on the door. The cat woman ventures out to search out her prey, peeking through a keyhole, where she sees the Countess shedding her skin. When the Countess catches her at the door, a violent and erotically driven confrontation happens between the noblewoman and the cat.

 

I appreciate Carroll’s attention to Gothic literature tropes in her sequential art. The structure of the story flows in such a way that the eyes do not have time to rest most of the time. The frenetic pace blends with the reader’s sense of unease as the cat woman explores the castle and is dragged along the halls by the Countess, and when the final battle ensues.

 

Something else I enjoy about Carroll’s work is her use of color, as she uses the most bold selection almost as another character itself. In the case of When I Arrived at the Castle, she uses black, white, and red. The red acts as solid backgrounds, text bubbles, the text itself, outlines of various figures, doors, flooring, skin, blood, and more. Spending a few minutes exploring the red in the pages was an interesting exercise in reading images without words.

 

If you are looking for a standalone Gothic horror graphic novel for your collection, you can’t go wrong with When I Arrived at the Castle. If you have not picked up Carroll’s Through the Woods, I encourage you to do that, as well. Recommended.

 

 

Reviewed by Lizzy Walker

To Hell and Back: An Anthology of Horror edited by Joe Mynhardt

Cover art for To Hell and Back edited by Joe Mynhardt

To Hell and Back: An Anthology of Horror edited by Joe Mynhardt

HellBound Books, 2024

ISBN-13 ‏ : ‎ 978-1953905871

Available: Paperback, Kindle Edition

Buy: Bookshop.org  |  Amazon.com

 

 

Horror anthologies continue to be very popular, maybe because they provide a good showcase for both known and unknown authors trying their hand at the short story form, which, in my humble opinion, is a harder challenge than novels.

 

Here are my favorite stories in this particular book.

 

“Fix Her”, by Jeff Strand, is a fabulous mix of horror and humor, starting with a corpse on a bed and ending up  in a general mess, while “Bunny”, by Gregg Stewart, is an offbeat tale featuring two babysitters fighting about their right to take care of a strange little girl. Kenneth W Cain contributes “Steel Horses”, a tense piece of fiction inspired to the famous “Duel”, but with a distinctive horrific outcome. The offbeat, very enjoyable “Get John Flagg”, by James Aquilone, features a man whom suddenly everybody is trying to kill. Guess why…

 

“The Copper Thieves”, by Nick Roberts. is a strong example of graphic horror, set in a cemetery where a family mausoleum hides more secrets than expected. “Our New Church”, by James H. Longmore, is a well-told yarn that revolves around the arrival of a new pastor in a small town and the unexpected, surrealistic consequences.

 

This is not just any horror anthology, it is a very good one and provides excellent reading material to genre lovers.

 

Reviewed by Mario Guslandi

 

 

 

Book Review: Prince of the Wasteland (The Book of Thrice Dead #1) by Joseph Sale

Cover art for Prince of the Wasteland by Joaseph Sale

Prince of the Wasteland (The Book of Thrice Dead #1) by Joseph Sale

The Writing Collective, 2022 (originally published 2014)

ISBN: 9798841855231

Available: Paperback, Kindle edition

Buy:  Amazon.com Bookshop.org

 

 

With post-apocalyptic novels, there’s King’s The Stand, McCammon’s Swan Song…and then there’s everything else.  However, Joseph Sale’s Prince of the Wasteland ranks pretty high among the books of the “everything else” pile.  Mixing the bleakness of a post-nuclear world with a touch of magic and dark fantasy towards the end, it’s certainly worth the read.

 

Prince is set entirely in the ruins of New York City,  which is run by a small group of humans known as the Apostles, who have supernatural powers they received from somewhere (the answer to that comes later in the book).  Despite their powers, they are still all too human, as infighting and the problems of the old world still persist (apparently, nuclear war did not solve the problem of drug addiction).  However, they are united in their purpose to maintain their status as rulers, so they destroy anyone else in the city who shows any hint of having the same otherworldly abilities they possess.  The Apostles are certainly the most interesting part of the book. They have cool names like Slick, Bleak Heart, Razor, and the Man in the Black Hat, and their names often pertain to their abilities.  Some of the abilities are what you would expect, but others are quite creative, with Slick’s ability to turn his perspiration into an oily lubricant being the most intriguing, as well as handy for getting in and out of tight places!

 

The overall plot centers on the Man refusing to kill Lucy, a child with supernatural powers, and what he has to do to hide his disloyalty from the ruler of New York City, the Prince.  He wants to help Lucy, not an easy thing to do, since the Prince has powers of his own that make subversion difficult.  Lucy does play a critical part in the book, but she feels more like a foil to the others.  The real stars of the story are the Apostles, with all the intrigue and excitement that comes with a group of selfish backstabbers trying to work together to stay in power.

 

There’s also the separate plot thread of the Fool King, who maintains his own sort of kingdom in the sewers, that ties into the main story as it goes along.  It’s a fairly eclectic mix, but it all hangs together to provide a good read that most dark fantasy fans should love.  The main takeaway is although this was one of his first novels, it’s clear that with Prince, Joseph Sale was already a talent to be taken seriously.  His writing isn’t as developed here as it is in the incredible Carcosa series, but it was already a good deal better than many authors.

 

My bottom line on this one is: definitely worth reading, especially for post-nuke fans.  This is the first in a series of six books, who knows where it will go from here?  Recommended.

 

 

Reviewed by Murray Samuelson