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Book Review: Somewhere Quiet, Full of Light by Henry Corrigan

 

cover art for Somewhere Quiet, Full of Light by Henry Corrigan

Somewhere Quiet, Full of Light by Henry Corrigan

Slashic Horror Press, 2025

ISBN: 9781763725607

Available: Paperback, Kindle edition

Buy:   Bookshop.orgAmazon.com

 

Somewhere Quiet, Full of Light will probably get categorized as just another haunted house tale, but it is a good deal more. The reader watches a strong family unit disintegrate, due to the influence of a house with its own abilities and desires. It’s a smartly written tale that shows that Corrigan is an author to watch. He creates real tension throughout, while using very simple elements. Corrigan realizes that real scares often come not from fear of the supernatural, but from what people fear in each other– and themselves. This is a story that will stick with you long after the final page is turned.

 

The plot itself is simple enough: Mike and Joe Tillman want to move their two young kids away from the city, but have limited funds. They buy a fixer-upper in a remote location, planning to turn it into their dream home, but the house has other ideas. 

 

Corrigan is very adept at building tension without going over the top. No shrieking banshees or flying body parts with buckets of blood are needed: he keeps it straightforward. That’s very difficult to do, and it works beautifully. Just an occasional shadowy figure, a creak in the house here, a movement there…small stuff, but due to Corrigan’s writing style, very effective and unsettling. The story isn’t about creating big scares (although the ending is a real banger) but instead creates a constant feeling of dread that lingers throughout the pages.

 

Right when the family first arrives at the house, you’ll feel that something is distinctly off with the whole situation, but it won’t be shown to you in any obvious way. Throughout the entire book, the suspense level increases like a tightly-wound string, that finally snaps in the last few pages. Writing suspense and keeping it constant is not an easy task, but Corrigan does it with ease.

 

The house itself plays a large role in the story, and that gives the book a decidedly different flavor. It’s like a living, breathing entity, and a number of chapters are written from the perspective of the house itself. You’ll feel its pain as it goes through renovations, and its joy at seeing parts of itself repaired. When the house has to move something by itself, be it a floorboard or panel, it feels like an immersive experience. It’s another of the reasons the book is a cut above the rest.

Bottom line: just read this one: you won’t be disappointed. Hopefully, the author will write a full length novel at some point. As good as this story was, at just 150 pages I wanted more. Definitely a case of a great story that most readers would have wanted to continue longer. Most certainly recommended!

 

 

Reviewed by Murray Samuelson

Book Review: Samhain Screams edited by Greg Chapman and Cameron Trost

cover art for Samhain Screams edited by Greg Chapman and Cameron Trost

Samhain Screams edited by Greg Chapman and Cameron Trost

Black Beacon Books, 2025

ISBN: 978-0-9756118-2-1

Available: Kindle edition (pre-order release October 17, 2025)

Buy: Amazon.com

 

Samhain Screams is an anthology of Halloween and Samhain-inspired stories, focusing on the creepy and terrifying rather than the superficial aspects of this spooky time of year. Editor Greg Chapman, an Australian, brings a perspective distinct from the typical American experience of the season. It’s a strong collection, with plenty of hits and very few misses. Many of the authors have created atmosphere and suspense that will hook the reader and keep them on the line.

 

Favorite stories include Mia Dalia’s “The Last Pumpkin”, in which a horror writer encounters his biggest fan; DJ Tyrer’s “The Knock”, in which a mystery knocking in the narrator’s apartment building leads to disappearances; Matthew R. Davis’ “Hauntology”, which reveals the secrets of a shopping mall; Hannah Baxter’s outstanding ” The October Shadows”, in which a film studies student is taken over by an obsession with a 1922 horror movie that caused a disturbing riot at its only showing; Kevin M. Folliard’s “Vengeance of Halloween”, an entertaining nightmare about monsters going corporate and planning to take over the world in an ‘eternal October’;  Brian Moreland’s “Sweet Tooth”, in which Helen’s obsession with candy saves her from a serial killer; and C.E. O’ Conaing’s “The Hollows”, where three kids trick-or-treating in a newly-built development have a terrifying experience. The point of view character in this story was in a wheelchair, and her character development was great. The last story in the collection, S.B. Watson’s “The Day You Die’, won me over. I was glad I hadn’t skipped through to the end– it was a perfect “last bite”. Recommended.

 

 

Reviewed by Kirsten Kowalewski

Book Review: A Liar’s Twisted Tongue (The Fated Blood Trilogy #1) by Caroline Cusanelli

Cover art for A Liar's Twisted Tongue (The Fated Blood Trilogy #1)

 

A Liar’s Twisted Tongue (The Fated Blood Trilogy #1) by Caroline Cusanelli

Caroline Cusanelli, 2025

ISBN-13 ‏ : ‎ 979-8990027831

Available: Hardcover, paperback, audiobook, Kindle edition

Buy: Bookshop.orgAmazon.com

 

Desdemona’s community is barely surviving under the noses of the brutal Nepenthes. One day, Desdemona’s mother hands her a protection necklace and pushes her through a portal as the monstrous Arcanes descend on their home. The portal opens onto the grounds of Visnatus Academy, a school for the elites of Ilyria, Folkara, Eunaris, Draevia, and Nepthara, all of whom have different magical powers. Desdemona has a letter identifying her as the secret child of a famous Folk general that gains her probationary admission to the academy, but she just wants to go home to her mom.

 

Despite the letter, I wasn’t convinced that Desdemona, thrown headfirst into a disorienting situation she could not possibly understand, could have survived the brutal Visnatus Academy for even a few minutes without being caught out, or that she would immediately find allies despite her behavior and attitude. She’d need My Fair Lady levels of training, and she barely has a believable cover story.

 

Meanwhile, Lucian, crown prince of Ilyria, has had an unpleasant surprise: his marriage has been arranged with Princess Calista of Folkara, while his sister Lilac will be marrying Prince Kai, Calista’s brother. Lucian is resigned to doing whatever his abusive mother, Queen Isa, tells him to, as she has the magical ability to drain his life force, but misery over their impending marriages inspires him to throw a party in the woods. There,  he is drawn into Desdemona’s attempt to open a portal back to her mom. While she is traveling in the portal, Lucian has a vision of them in the Void, an empty dimension where the powerful, monstrous Arcanes are trapped. Desdemona is able to communicate with her mother through the vision, and Lucian decides he needs her power to take his revenge on the Arcanes, who murdered his real parents, leaving him at Isa’s mercy. Desdemona’s power is over fire, and she doesn’t know how to control it (leading to some terrifying situations). Lucian, whose power allows him to manipulate and influence other people, offers to teach her if she will help him.

 

Romantasy leans heavily on tropes, but in any credible love story the reader should be able to figure out why the romantic leads like each other. That just isn’t present here. Desdemona is consistently hostile, rude, manipulative, and ungrateful. Lucian is arrogant, reckless, manipulative, and sometimes cruel. Both are dealing with trauma and repressed memories, acting in survivor mode, but not with empathy toward each other. While they occasionally have a tender moment, the memorable scenes are the ones that cross between violence and  their magnetic attraction to each other. This was offered to me as a “dark academia romantasy” It certainly has the atmosphere expected of an ominous boarding school for elite students found in dark academia, but leans harder into the outside fantasy world than into academic obsession, and is more focused on the dynamics of the leads with each other.

 

Romantasy fans who like morally gray characters  with heightened emotions will enjoy the intricate world-building, the high stakes, and the developing relationship between the two main characters. The end held some intriguing surprises, and readers who like this can look forward to a sequel.

 

Reviewed by Kirsten Kowalewski