Home » Posts tagged "horror anthologies" (Page 17)

Book Review: Madhouse: A Shared World Anthology, edited by Benjamin Kane Ethridge and Brad C. Hodson

Madhouse: A Shared World Anthologyedited by Benjamin Kane Ethridge and Brad C. Hodson, and illustrated by Aeron Alfrey

Dark Regions Press, 2016

ISBN: 9781626411166

Available: Paperback, Kindle edition.

 

Madhouse is a shared world anthology set in the Behavioral Health Center in Golden Canyon, Arizona. The frame story is that a supernatural sandstorm hits the facility, rendering escape futile, and an infectious wave of madness begins to spread through the facility. As the contagion spreads, and the characters attempt to discover how the madness is being passed, staff and patients, each with their own story, are driven to unleash their personally harbored madness.

Several stories kept me awake at night peering into the dark corners of my house.  “Skating the Shattered Glass Sea” focuses on Lily and Timothy, twins who have an unusual ability. After a tragic accident at the age of twelve, Lily is committed to the Gold Canyon Behavioral Health Center, while Timothy goes on to have an acting career and a normal life. When he eventually visits Lily, well into his adult life, his mind starts to fall apart. They used to build lovely palaces in the air, visible palaces. What Lily creates with her broken mind is nightmare fuel to Timothy.

In “The Yellow Bug,” James, an Iraq war veteran, reveals some ugly truths about himself to Dr. Ruiz, who is suffering similar headaches to the ones James had  before he gave in to his desire to kill and let go of his fear. James explains he had help from God, in the form of  a yellow bug. The good doctor is harboring a frightening secret that the God bug helps him release.

“Heal Thyself” centers on the unique treatment offered by Dr. Edlehart in the facility: past-life regression therapy. He has used this treatment on many of the patients, and is mentoring Dr. Alice Jalbert on the practice. The treatment of patient  Jeffrey Jackson, reveals certain truths about the good doctor.

“Bathroom” is a story that stayed with me for some time. Something about it makes me a bit nervous about going into public bathrooms now. Claire fights crippling anxiety, fear, and fascination with drains. This makes trips to the ladies’ room difficult, but her usual escort, Bruce, puts her at ease. This trip, however, is different. She hears the faucet turn on while she is indisposed, and she feels the familiar gnawing at her brain. But what is that wet, sticky sound coming from one of the other stalls? What will she see when she pushes open the door?

“Drake’s Cake” follows one of the most notorious interns in the facility. He’s extremely hostile and regularly torments the patients with physical, psychological, or sexual abuse, occasionally in combination. Somehow, the staff is oblivious to his transgressions against the patients, and no one addresses his abuses against the patients. There is nothing likable about this guy, but he gets his comeuppance in the end, when he makes a disturbing and vomit-inducing error in judgement as the madness takes hold of his mind.

A few of the other stories stuck with me as well. “Birdman” is the story of a man who was institutionalized after his penchant for turning people into birds was discovered. In “Sky is Falling,” Skylar is trying to help evacuate her ward to the first floor, and walks into an unexpected surprise. Nurse Julie helps release the demons from Trisha’s skull in “Fraud.” Agnes is the chef for the facility, and in “Appetite,” she uses special ingredients for those she deems worthy. Her own appetite is sated by the strangest of things. These are the standouts: there are additional stories in this anthology of madness, as well. The short stories can be read as standalone tales, or, read together, can form a complete novel. I can’t think of anything about this book that isn’t compelling. The editors picked a number of amazing authors for this anthology, including Mercedes Yardley, Jeff Strand, John Skipp, Meghan Arcuri, and Rena Mason.

Two illustrators have been effective in scaring the daylights out of me: Stephen Gammell, who illustrated the famed Scary Stories series by Alvin Schwartz, and Aeron Alfrey for this anthology. There were a few pieces that I found myself hypnotized by, including those for “Skating the Shattered Sea of Glass,” “Birdman,” and “Drake’s Cake.” Several of the chapters also have art accompanying them.

This anthology will keep you up at night. Highly recommended.

Contains: gore, cannibalism, violence, rape, abuse, psychological terror

Reviewed by Lizzy Walker

 

Book Review: Borderlands 6 edited by Thomas and Olivia Monteleone

Borderlands 6: The Anthology of Imaginative Fiction, edited by Thomas and Olivia Monteleone

Samhain Press, 2016

ISBN-13: 978-1619234987

Available: Paperback, Kindle edition

 

In 1989, Thomas Monteleone, already a stellar author in several genres, decided to publish an anthology series that bucked the trends. He compiled a collection of unique stories that stretched the parameters of horror and weird fiction. There are no tired tropes or recycled plots here. Monteleone was interested in publishing great stories, not just big names, and many of the best tales came from the minds of previously unknown writers, many of whom became rising stars. After a 12 year hiatus, Borderlands 6 follows suit, and succeeds just as well as the previous five volumes. Some stories will leave readers with a sense of wonder, and others with the best sort of unsettling feeling.

There are some big names: Jack Ketchum, David Morrell, Steve Rasnic Tem, Gary Braunbeck, and new sensation Paul Tremblay all make an appearance, as does John McIlveen, whose novel Hannawhere was a Stoker nominee this year. Braunbeck’s satiric take on “mart-type-box stores” is chilling in its pure weirdness. However, the success of the Borderlands anthologies comes from sharing hidden gems, and this volume is no different. Many of the best stories are by relative newcomers. “Cocoa”, by Bob Pastorella, is the oddest tale here, and lingers in the memory; “The Dress”, by Peter Salomon, is similar in its strangeness, and has a twist that is both organic and perfect; “The Palace Garbage Man”, by Bradley Mitchell Zerbe, feels both medieval and modern in its unique take on evil; and “In God’s Image”, by Sean B. Davis, a story that feels like a warped episode of The Twilight Zone hung around in this reviewer’s darkened imagination for days.

Olivia and Tom have done a fine job here in continuing the Borderlands legacy. Highly recommended for all fans of short fiction looking for something new and different.

Reader’s advisory note: This anthology may be a good way to introduce new authors to horror readers looking for a change.

Reviewed by David Simms


Book Review: Dreams from the Witch House: Female Voices of Lovecraftian Horror edited by Lynne Jamneck

 

Dreams from the Witch House: Female Voices of Lovecraftian Horror  edited by Lynne Jamneck, illustrations by Daniele Serra

Dark Regions Press, 2016

ISBN 9781626411111 (ebook)

Available: Pre-order Kindle ebook, hardcover, trade paperback

I haven’t contributed financially to many Indiegogo projects, but when I saw the announcement for Dreams from the Witch House: Female Voices of Lovecraftian Horror, I knew I couldn’t pass it up, and I’m very glad I did not.

Dreams from the Witch House is a collection of twenty weird fiction stories, each one set in various times and places with characters and themes that resonate with the reader long after the tales have concluded. I had to take some time to mentally process each tale after I read them. The authors have crafted tales that really impact the reader. It’s hard to even say which one is my favourite since they each have their own distinct qualities. From the firsshadows-of-the-evening-joyce-carol-oates-1000px (1)t story by the legendary Joyce Carol Oates (what a way to start a book!) to the last, each story has so much complexity and succeed in evoking different emotions in such short page space.  I found that I have something to say about every one of these stories, but I have selected a few that really stand out.

“Shadows of the Evening” by Joyce Carol Oates is the story of Magdalena Schӧn told by her granddaughter. After being forced to leave home, Magdalena finds herself living with her wealthy great-aunt, Erica Kistenmacher to whom she is to be a companion. Finding that she has ample free time, she takes to wandering the streets of her new town. She is beckoned by a handsome voice singing a haunting song. She finds the owner of the voice, and he changes her forever.

Tamsyn Muir’s “The Woman in the Hill” is written in the form of a letter from Caroline, a woman who is afraid she is losing her mind. After her friend Elizabeth tells her of finding a door in a hill, she disappears mysteriously. Caroline discovers Elizabeth wasn’t the first to disappear, and most certainly won’t be the last.

“Pippa’s Crayons” by Christine Morgan is a story of a child whose crayons, crafted by her grandfather, display colours not of this world. Despite the short length of this story, Morgan has written an incredibly chilling story.

“Cthulhu’s Mother” by Kelda Circh injects some humour into the collection with a conversation between cultists of Cthulhu and the rather strict mother of the Sleeper of R’lyeh.

In addition the previously named authors, other women who have lent their writing skills to Dreams from the Witch House are, Collen Douglas, Cat Hellison, Caitlin R. Kiernan, Lucy Brady, Marly Youmans, Sanya Taaffe, Gemma Files, Molly Tanzer, Karen Heuler, Lois H. Gresh, Nancy Kilpatrick, E.R. Knightsbridge, Amanda Downum, Storm Constantine, R.A Kaelin, Elizabeth Bear and Sarah Monette, with full colour artwork by Daniele Serra. Introduction by editor, Lynne Jamneck.

I recommend this collection to anyone who enjoys incredible weird fiction. I was not disappointed with any of the stories. The artwork that Serra created for each story are beautifully rendered. To date, I have only had access to the ebook. The paperback version is still forthcoming.

Highly recommended

Contains: mild body horror, sexuality

Reviewed by Lizzy Walker