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Book Review: The Pope’s Butcher by Joseph C. Gioconda

Cover art for The Pope's Butcher by Joseph S. Gioconda

The Pope’s Butcher by Joseph C. Gioconda

Newtown IP Holdings LLC (May 26, 2021)

ISBN-13 ‏: ‎ 978-1737286004

Available: Paperback, Audiobook, and Digital

 

 

The Pope’s Butcher is a fictionalized historical story of Father Heinrich Institoris, the Grand Inquisitor of the Catholic church who led the infamous quest against witches. The book is loaded with true historical touches, presenting a far more complex world at the time of the setting than most history books. Gioconda’s prose is reminiscent of Anne Rice and Chelsea Quinn Yarbro, albeit without supernatural elements. The story isn’t so much about a serial killer as we know them today (sorry, CSI fans) but about one young man’s research mission for the Grand Inquisitor, which leads him to understand the evil in Institoris’ heart.

 

The plot takes a predictable course, with young Sebastian falling for a woman who becomes the target of the Inquisition. Gioconda is a capable writer, and the book reflects his knowledge of history. There isn’t much new or revolutionary here, however, and the characters are somewhat flat “everymen”, being bounced around by exterior forces. The Pope’s Butcher is an easy and quick read, with the kind of historical details that bring other times to life. Recommended for history and horror buffs.

 

Contains: Violence, sexual discussion, torture, implied rape

 

Reviewed by Michele Lee

Graphic Novel Review: Road of Bones by Rich Douek, art by Alex Cormack

cover art for Road of Bones by Rich Douek

Road of Bones by Rich Douek, art by Alex Cormack

IDW, 2020

ISBN-13: 9781684055982

Available: Paperback, Kindle edition, comiXology  Bookshop.orgAmazon.com )

 

It’s 1953. Roman Ivanovich Morozov is a prisoner in the Siberian gulag of Kolyma for slandering Stalin, given 25 years of hard labor as punishment. He and his fellow prisoners are forced to work in harsh conditions. If the frozen environment doesn’t kill them, the guards certainly will. One evening, Roman is caught leaving food out for a domovik, a creature from fairy tales that protects a household.

This is survival horror at its finest. The story continually keeps the reader on their toes, wondering if the creature stalking the escaped prisoners is real or if it lives solely in Roman’s head. The isolation and paranoia the men experience both in and out of the gulag is intense. The artwork is excellent, but at times it is confusing to decipher who is communicating. I had to continually go back and reread a few sections to make sure I was keeping characters straight. It was somewhat easier to track at the beginning. The escaped prisoners have similarities in appearance. There are very subtle differences, including the color of different pieces of their clothing and even eye color. The landscapes and color choices are amazing. Even the panels when the men are sitting around the campfire are effective. The shadows are deep and definitely add to the oppressive atmosphere. Cormack is clearly a talented artist. Highly recommended.

This volume collects issues #1-4.

 

Contains: blood, cannibalism, gore

 

Reviewed by Lizzy Walker

Editor’s Note: Road of Bones is a nominee on the final ballot of this year’s Bram Stoker Award in the category of Superior Achievement in a Graphic Novel. 

Book Review: The Deep by Alma Katsu

cover art for The Deep by Alma Katsu

The Deep by Alma Katsu

G.P. Putnam, 2020

ISBN-13: 978-0525537908

Available: Hardcover, paperback, Kindle edition, audiobook ( Bookshop.org | Amazon.com )

 

Those who enjoy historical horror devoured Alma Katsu’s The Hunger, which should have taken home the major awards last year, will take the plunge into The Deep, a cross-genre tale that is beautifully disturbing and might even top her previous novel. Perfect timing, as it’s up for top honors at the Stokers this year.

Whereas her last novel mined the ill-fated travels of the pioneers who traversed the Donner Pass, this one dives into the mystique of the Titanic, with a twist. The ship had a sister – the Britannic. This ship was retrofitted to be a hospital to be used during the war.

The story is told by Annie Hebley, a young woman who takes a job as a maid on the Titanic, alternating chapters between the time prior to the sinking and after the disaster. Annie meets the enigmatic Mark Fletcher, a father of a infant and husband to an even stranger character, Caroline, and finds her fate forever intertwined with theirs. As the chapters alternate between her time on both ships. Annie left her  home to see a strange one on the high seas, but is quickly drawn to Mark, who holds a dark secret.

When Annie takes a job on the Britannic after recovering from the sinking of the sister ship, her life turns from serving as a maid to serving as a nurse, where she learns the horrors of war firsthand. Her mind has yet to heal, though, a fact that rears its ugly head when she encounters a man in one of the beds of the wounded. She is convinced it is Mark. Yet, why won’t he admit it to her? Her sanity begins to further unravel as readers are treated to the unreliable narrator motif… or are they?

In the part of the story told prior to the sinking of the Titanic, horror soon creeps in as other passengers, the rich Madeline Astor and her husband, are convinced something sinister has boarded the ship with them – or was built into the hull of the Titanic. After a tragic death, the passengers sense this presence growing, something that Annie seeks to explain while attempting to help Mark and his daughter, who may be facing a much more heinous foe. By the time the ship hits the iceberg, Annie realizes the scope of the disaster matches her own cracking psyche.

The Britannic is supposedly built to be safer and sturdier than the predecessor. Lightning can’t strike twice, can it? Annie’s relentless quest to convince Mark of what truly happened spirals into the dark currents of the Atlantic as it seems the forces that plagued the first ship may have followed her there as well.

What sets this novel apart from other disaster stories is the research Katsu has imbued between the pages. She nails every detail of the period, the ship itself, and the events that occurred on both ships, in a manner that could be exhausting in lesser hands. Instead, The Deep envelops the reader in its setting and drags them down until the final page. Her characters breathe and bleed through the chapters in both stories here, with minor players carving out roles which further both the mystery and the horror.

Highly recommended as both a horror novel and a suspense tale that should widen Alma Katsu’s audience even further.

 

 

Reviewed by David Simms

Editor’s Note: The Deep is a nominee on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in a Novel.