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Book Review: The Ballad of Black Tom by Victor Lavalle

The Ballad of Black Tom by Victor Lavelle

Tor Books, 2016

ISBN-13: 978-0765387868

Available: Paperback, Kindle edition, Audio

 

This could be one of the most important books of the year, maybe in quite some time. The cosmic horror of H.P. Lovecraft, especially his stories of the “Old Ones”, the Cthulhu Mythos, has been a driving force for decades: however, most of the recent books standing in the shadow that he has cast, have been disappointing.

Lovecraft’s virulent racism has been the topic of considerable controversy over the last several years. The question of how to reconcile his problematic views with his genius has been a difficult one for readers and lovers of horror to wrestle with. In The Ballad of Black Tom, Victor Lavelle responds to Lovecraft’s racism by re-visioning of one of his most racist stories, “The Horror at Red Hook”, bringing it up to date by presenting it from a fresh point of view. Excellent on its own, The Ballad of Black Tom is easily one of the finest horror stories bridging the racism of our dreadful past to our present-day troubles.

The story features an African-American musician and hustler, Charles Thomas Tester, living in downtrodden Harlem in 1920s New York. He travels to Flushing Meadows, delivering dangerous occult items, always hunted by gangs and bigoted cops, knowing each trip might be his end. One evening, he meets up with the mysterious Robert Suydam, who promises Charles a fine payday to play at his party. Charles is unaware that the man seeks to awaken the “Sleeping King.” After suffering daily, with the threats of street life in jazz-age New York, the otherworldly doesn’t frighten him much… but it should.

Lavelle is a strong, talented writer with a voice I would like to hear more often. His style is as smooth as the notes of the forbidden song Charles plays, which transforms 1920’s New York into the living, breathing organism it needs to be for this novella. The Ballad of Black Tom is a twisting tale of the Lovecraft mythos that is both refreshing and suspenseful. I could easily have read more of Charles’ journey, which ends with a surprising, but utterly satisfying conclusion. If this book is not claiming awards next season, there’s something wrong with the system. Highly recommended.

 

Reviewed by David Simms

You Might Be In A Horror Novel If…

The 25 Best Gothic Horror Books

You are in an abandoned mansion in the middle of nowhere.

You are a governess, left alone with oddly acting or obviously evil children.

You are isolated from the rest of the world by weather, geography, and/or another outside force beyond your control.

You do not trust the evidence of your own senses.

 

You might be in The Turn of the Screw by Henry James,

or This House Is Haunted by John Boyne

 

It is stormy, dark and gloomy.

You are the captive of a scheming and sadistic governess, teacher, caretaker, or relative.

You are trapped in the walls, a basement, a closet, or an attic.

There is a hedge maze, Escher-style stairs, or carnivorous beast on the property.

Authorities are absent or unable to help you.

 

You might be in Flowers in the Attic by V.C. Andrews,

or Misery by Stephen King

Your house is a former asylum or school, built over a graveyard, or the site of a cold-case murder.

You have specifically been told not to open a door.

Ghosts are either menacing you, possessing you, or asking you for help.

An inanimate object starts talking to you.

Someone is leading you through dark, underground tunnels or catacombs.

Your nightmares seem very, very real.

 

You might be in Down A Dark Hall by Lois Duncan,

or the stories of Edgar Allan Poe

 

It is bright and sunny, and everyone is very, very, happy.

 

You are uneasy without obvious reason.

You are uneasy with obvious reason.

Everyone in town is related to (or at least knows) everyone else.

There is a terrible secret in your town’s past (or present).

A disturbing community ritual, probably involving demon worship, is scheduled for the near future.

You are offered a favor in exchange for your soul.

You find a book or journal that clearly will summon an ancient evil.

 

You might be in  The Thirteen  by Susie Moloney

or The Stepford Wives by Ira Levin

 

A classified, experimental government program has gone awry.

An inexplicable and incurable virus has infected the majority of the population.

A malicious mythical creature attempts to eat you, assimilate you, or seduce you.

A vigilante or cult-like group is bent on destruction.

 

You might be in The Strain by Chuck Hogan and Guillermo del Toro

or The Fireman  by Joe Hill

 

Giant, mutated creatures are approaching.

Ominous, tentacled creatures appear on the scene.

The narrator or main character is showing clear evidence of insanity.

 

You might be in Maplecroft by Cherie Priest, Clickers by J.F. Gonzalez,

or the works of H.P. Lovecraft.

 

People are dying in brutal, horrifying, appalling ways.

Someone, or something, wants to eat you for dinner.

 

You might be in Succulent Prey by Wrath James White,

or Monster Island by David Wellington

 

Your perceptions are unreliable or distorted.

You can’t trust your memories.

You can’t trust the media.

You might be in A Head Full of Ghosts by Paul Tremblay

 

You have a feeling of bone deep terror.

That unending sense of dread just won’t go away.

You hear a loud “slam” and things go dark…

 

You’re probably trapped in a horror novel. Let’s hope that your reader decides to open up the book again, and gives you a chance to escape!

 

 

Editor’s note: not all books are appropriate for all readers.. and I wouldn’t wish any of you to be trapped in any of these! 

 

 

 

Music Review: Dreams in the Witch House: A Lovecraftian Rock Opera

  Dreams in the Witch House:  A Lovecraftian Rock Opera

Presented by The H.P. Lovecraft Historical Society, executive producer Mike Dalager

Platinum West, 2013

Available: Pre-order (MP3 and audio CD)

Running Time: 65 minutes.

 

Adapting H.P. Lovecraft into other media has not always been the easiest thing for writers, directors, and producers. It is one of the many reasons Guillermo Del Toro’s forthcoming $150 million epic take on At The Mountains of Madness has generated so much interest and dread among lovers of the author’s work. He just doesn’t translate well to other media. Films like The Thing or Alien, though not created from Lovecraft works, are often considered more stylistically Lovecraftian than the films actually adapted from his stories. However, I have now discovered a very faithful adaptation of Dreams of the Witch House, and quite an unusual one: a rock opera. It’s the most interesting tribute since the silent film Call of Cthulu.

The audacity of executive producer Mike Dalager’s project is my favorite thing about it. Writing a rock opera based on a beloved story is challenge enough; try doing it with over a dozen voice actors, a six member rock band that lives in various countries, organizing recording in LA, Sweden, and Denmark, and then paying for it all without a record label backing you financially. It is quite a feat.

The opera tells the story of Miskatonic University mathematics student Walter Gilman, who is having nightmares while staying in Arkham’s infamous Witch House.  Brown Jenkin (Chris Laney) is a hybrid humanoid rat-like creature who torments the sleeping math genius as he unlocks the secrets of universe and opens up travel to other planes of reality. The songs range from operatic metal to straight rock, some with a 90s feel.

To say I am impressed by this project is an understatement. I think every Lovecraft collector or library should have this in their collection cross-referenced to his books. Highly recommended, with a big thumbs up for horror fans, and anyone who collects rock and metal music. Appropriate for ages 12-up

 

Reviewed by David Agranoff