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Book Review: Madhouse: A Shared World Anthology, edited by Benjamin Kane Ethridge and Brad C. Hodson

Madhouse: A Shared World Anthology, edited by Benjamin Kane Ethridge and Brad C. Hodson, and illustrated by Aeron Alfrey

Dark Regions Press, 2016

ISBN: 9781626411166

Available: Paperback, Kindle edition.

 

Madhouse is a shared world anthology set in the Behavioral Health Center in Golden Canyon, Arizona. The frame story is that a supernatural sandstorm hits the facility, rendering escape futile, and an infectious wave of madness begins to spread through the facility. As the contagion spreads, and the characters attempt to discover how the madness is being passed, staff and patients, each with their own story, are driven to unleash their personally harbored madness.

Several stories kept me awake at night peering into the dark corners of my house.  “Skating the Shattered Glass Sea” focuses on Lily and Timothy, twins who have an unusual ability. After a tragic accident at the age of twelve, Lily is committed to the Gold Canyon Behavioral Health Center, while Timothy goes on to have an acting career and a normal life. When he eventually visits Lily, well into his adult life, his mind starts to fall apart. They used to build lovely palaces in the air, visible palaces. What Lily creates with her broken mind is nightmare fuel to Timothy.

In “The Yellow Bug,” James, an Iraq war veteran, reveals some ugly truths about himself to Dr. Ruiz, who is suffering similar headaches to the ones James had  before he gave in to his desire to kill and let go of his fear. James explains he had help from God, in the form of  a yellow bug. The good doctor is harboring a frightening secret that the God bug helps him release.

“Heal Thyself” centers on the unique treatment offered by Dr. Edlehart in the facility: past-life regression therapy. He has used this treatment on many of the patients, and is mentoring Dr. Alice Jalbert on the practice. The treatment of patient  Jeffrey Jackson, reveals certain truths about the good doctor.

“Bathroom” is a story that stayed with me for some time. Something about it makes me a bit nervous about going into public bathrooms now. Claire fights crippling anxiety, fear, and fascination with drains. This makes trips to the ladies’ room difficult, but her usual escort, Bruce, puts her at ease. This trip, however, is different. She hears the faucet turn on while she is indisposed, and she feels the familiar gnawing at her brain. But what is that wet, sticky sound coming from one of the other stalls? What will she see when she pushes open the door?

“Drake’s Cake” follows one of the most notorious interns in the facility. He’s extremely hostile and regularly torments the patients with physical, psychological, or sexual abuse, occasionally in combination. Somehow, the staff is oblivious to his transgressions against the patients, and no one addresses his abuses against the patients. There is nothing likable about this guy, but he gets his comeuppance in the end, when he makes a disturbing and vomit-inducing error in judgement as the madness takes hold of his mind.

A few of the other stories stuck with me as well. “Birdman” is the story of a man who was institutionalized after his penchant for turning people into birds was discovered. In “Sky is Falling,” Skylar is trying to help evacuate her ward to the first floor, and walks into an unexpected surprise. Nurse Julie helps release the demons from Trisha’s skull in “Fraud.” Agnes is the chef for the facility, and in “Appetite,” she uses special ingredients for those she deems worthy. Her own appetite is sated by the strangest of things. These are the standouts: there are additional stories in this anthology of madness, as well. The short stories can be read as standalone tales, or, read together, can form a complete novel. I can’t think of anything about this book that isn’t compelling. The editors picked a number of amazing authors for this anthology, including Mercedes Yardley, Jeff Strand, John Skipp, Meghan Arcuri, and Rena Mason.

Two illustrators have been effective in scaring the daylights out of me: Stephen Gammell, who illustrated the famed Scary Stories series by Alvin Schwartz, and Aeron Alfrey for this anthology. There were a few pieces that I found myself hypnotized by, including those for “Skating the Shattered Sea of Glass,” “Birdman,” and “Drake’s Cake.” Several of the chapters also have art accompanying them.

This anthology will keep you up at night. Highly recommended.

Contains: gore, cannibalism, violence, rape, abuse, psychological terror

Reviewed by Lizzy Walker

 

Posted on August 4, 2016 by , Reply

Book Review: Eidolon Avenue: The First Feast by Jonathan Winn

Eidolon Avenue: The First Feast  by Jonathan Winn

Crystal Lake Publishing, 2015

ISBN 9780994679345

Available: print, Kindle ebook

Eidolon Avenue: The First Feast contains five novellas set on the first floor of an apartment building. Each apartment houses residents who have dangerous secrets revealed to the reader through the walls of the apartments.

The first story, and one of the best ones, is about a Chinese woman named Lucky, haunted by the dead she created over a lifetime. Poor and turned out of her family’s house as a child, she was left homeless and desperate. Yin Ying finds her and takes her to the home of Madame Xuo, where Lucky learns the secret of the inky black shadow that makes Madame invincible, but at a price. Another excellent story is the last one, focusing on a little girl named Umbra who can negatively impact the lives of those around her with a mere thought. I would have liked to read more about her.

The second and third stories are probably the most gruesome of the lot, and I didn’t really connect with them. It seems as though the author wanted to go for shock value, which he accomplished, and the gross outs were very effective. The second story in the book told of a tattooed drunk who left his drug addict mother to die. I get that the author was trying to convey that the main character was awful, but there was too much detail for me. I also didn’t find the ending very satisfying. The third tale is about a frat boy serial killer and his skeevy friend who follows him around as he’s killing, and playing with the corpses afterward. This is another story that seems to be going for shock value– it’s like he is trying to top himself from the previous one. It was a unique tale regardless.

The fourth story, about an elderly couple who consistently fail murder/suicide pacts every time they attempt it, is alternatively humorous, heart-wrenching, gross, and dark. Marta enlists the aid of a Mr. Peabody who proves to be more than he seems.

Despite my reaction to two of the five stories, overall I would like to see the continuation of the stories of this apartment building. According to the author, there are five total floors with the first covered. I hope he does continue this series. It will be interesting to see what else he creates within these walls. Recommended.

Contains body horror, gore, necrophilia, sex

Reviewed by Lizzy Walker

 

Posted on March 25, 2016 by , Reply

Book Review: The Scarlet Gospels by Clive Barker (audiobook)

 

The Scarlet Gospels by Clive Barker

St. Martin’s Press, 2015

ISBN-13: 9781250055804 (Hardback)

ISBN-13: 9781427261571 (Macmillan audiobook)

Available: Hardback, Macmillan audiobook, paperback, Kindle edition, Audible edition

The Scarlet Gospels marks Clive Barker’s long awaited return to adult horror fiction. This novel has a long history, and he’s had fans on tenterhooks since the 1990s when he first hinted at this work in progress. The story revolves around two of Barker’s iconic characters, Harry D’Amour, his tattooed implacable investigator of the supernatural, and the eloquent Cenobite Hell Priest, better known as Pinhead. Joining Harry is a group of magic users, the Harrowers, who help him along the way after Norma Paine is abducted by the Hell Priest and his misshapen minion, Felixson. Harry finds the Lament Configuration, that damned box, and is pulled into a Dante-esque mission put forth by the Hell Priest himself. At first it is unclear what the Hell Priest wants to do with D’Amour—kill him or use him. He needs a witness, an archivist, who will chronicle his usurping the throne of Hell. While there were of course several colourful characters to the story, the main action revolves around Harry and the Hell Priest. Most other relationships remain secondary.

The book was fast paced, and very cinematic at times, especially regarding gore, body horror, and the scenes in Hell. One of the best and bloodiest sections of the novel is the prologue, only matched by what he wrote in the Books of Blood series. The reader is introduced to the magicians who resurrect the magician Ragowski, one of their dwindling number that the Hell Priest tore apart. Ragowski reveals that the Hell Priest is killing all of them off after torturing information out of them as to the location of magical talismans and grimoires and collecting the world’s magic, but to what end? The violence is incredibly visceral and graphic, and the Hell Priest’s curses and speeches to the magicians are intelligently delivered. The prologue really drew me in and made me want to continue reading.

Despite Barker’s writing the Hell Priest as a departure from what we are familiar with most of the films, it was difficult not to imagine Doug Bradley’s face and voice overpowering my reading. If you are expecting the Cenobite from the films, you will be disappointed. This writing of the Hell Priest of the Order of the Gash relishes in the abuses and torments he puts his victim through, which seems like the complete opposite characterization from the distinguished, duty bound Cenobite from the first two Hellraiser movies, let alone The Hellbound Heart. The character in the films was more reserved, even reverent when visiting pain on others, as it was his duty.

I wish the novel would have been much longer, especially regarding the space devoted to D’Amour’s and the Harrowers’ journey through Hell, and the epic battle between the Hell Priest and Lucifer. My main complaint seems to be echoed by other Barker fans: while the book is good, it could have been much longer and given the reader a lot more content.

As a side note, the narrator of the Macmillan audio book version of the novel is John Lee. He pulls out some fantastic voice acting for The Scarlet Gospels.

As an avid Clive Barker fan, I recommend this book, but with reservation. Recommended for adult readers

Contains: Body horror, gore, graphic violence, rape, sex, implications of child abuse.

Reviewed by Lizzy Walker

 

 

Posted on December 9, 2015 by , Reply
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