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Book Review: Expiration Date edited by Nancy Kilpatrick

Expiration Date edited by Nancy Kilpatrick

EDGE Science Fiction and Fantasy Publishing, 2015

ISBN: 978-1-77053-062-1

Available: Paperback, Kindle edition

 

We all have an expiration date: we are born and live our lives to whatever inevitable conclusion awaits us.  Each journey is extremely personal, and the journey that one person takes is not necessarily followed by another.   This collection of  twenty-five short stories explores a myriad of personal expiration dates: they are all well-imagined and unique reads, written around the theme of death and dying. The tone varies from one to the next, although many of the stories depend on melancholy, measured pacing.

When I first read the description of Expiration Date I thought it was a very interesting concept that could go lots of different ways.  I was not disappointed.  Favorites were: “Sorry Seems to be the Hardest Word” by Kelley Armstrong, which sets two modern-day vampires in negotiations to resolve past disagreements so they can each get what they want– these were very interesting characters that made me wonder what happens next; “The Death of Jeremiah Colverson”by George Wilhite, which follows a soldier as he dies in several wars; and “The Greyness” by Kathryn Ptacek, a creepy story in which everyone who shakes hands with a recently widowed woman dies within days.  I have not read any of this editor’s or these authors’ works previously. Recommended for adult readers.

 

Contains: Swearing, adult situations

Reviewed by Aaron Fletcher


Posted on November 6, 2016 by , Reply

Banned Books Week: Children’s Books and the End of Innocence

 

Something I see a lot in arguments about whether kids should have access to a particular book is that, as parents and guardians of children, we want to protect their innocence. If you live in a middle class family that was relatively intact, in an area where everyone seemed to be pretty much like you, controlling your kids’ reading might help to preserve that innocence for a while, but if you take a closer look at the individual families there, what you see is that under the surface, children have already faced, or learned about, some pretty terrible things. Even at school, they’ve faced lockdown drills, practice for what to do if the school is invaded by a shooter. The terrible things we live among are so commonplace, and many of us are so numb to them, that it may be difficult for adults to realize how affected some of our kids really are.

I was in the library with my daughter, who is a huge fan of the 43 Old Cemetery Road books and was looking for something similar. The librarian kept making suggestions and asking questions: is this one too dark? Are you looking for something scary, or something funny, or both? I can’t remember what it was the librarian pulled off the shelf that I looked at and said “I think that one might be too dark and scary for her”. My daughter put her hands on her hips, looked at me with exasperation, and said “Mom, my dad died. Nothing is sadder or scarier than that”.  Okay, then. Keeping kids away from the media doesn’t preserve their innocence. Fiction is a safer place than fact. And let me tell you, there is a lot of scary stuff, and a lot of death, in children’s fiction. Even Little Women spends a lot of time on death.

Children’s writing has gotten a lot edgier today, so I can see where some of the discomfort comes from, but we are living in an uncomfortable world. It is a scary place. We can respect that our kids are dealing with a lot of the same things that make the world a scary place for us, and help them choose the reading material they want, or maybe even need, in hopes that even scary books will give them a space in their lives for hope.

If a kid doesn’t think he’s ready to read a scary book, there’s time yet. And certainly there are choices that need to be made about what’s developmentally appropriate: for instance, most Holocaust fiction is not recommended for elementary students (the one exception I can think of is The Devil’s Arithmetic) but if you take your kids to The Sound of Music, you are going to have to come up with a reasonable explanation of who the Nazis were. But that means having dialogue with your child about that, not making choices for him or others to protect his innocence. For a lot of kids, that innocence just isn’t there anymore. Taking books out of their hands can’t save that. Talking to kids about them can help a lot.

For a partial list of banned children’s books, from picture books through Young Adult, go here.

Posted on October 2, 2015 by , Reply

Children’s Books and the Presence of Death

 

“The first thing you do is kill off the parents”. It’s a standard beginning to many stories for and about children. Parents want to protect their children, and for the main character to start on his or her journey, and overcome obstacles independently, the parents have to go.

Sometimes the parents are just absent, out of selflessness, or self-centeredness, or fear.  Percy Jackson’s mother sends him away to prevent monsters from finding him; Ella, from Gail Carson Levine’s Ella Enchanted, is left behind while her merchant father travels; Medusa, in the Goddess Girls books, is totally neglected by her parents because, unlike her sisters, she is mortal. And sometimes their absence helps to drive the story:  in A Wrinkle in Time, Meg and Charles Wallace travel through space and time to rescue their father; and without the sacrifice Harry Potter’s parents make to save him, he wouldn’t be The Boy Who Lived.  It’s hard to tell a story about growing up without exploring both love and loss.

Adults worry a lot about fantasy violence– battles against mythical monsters or in unbelievable worlds. But the key word there is “unbelievable”.  R.L. Stine has said that when he writes for children he makes sure that there is no way they will carry over their fears into believing that what has happened in the books could take place in real life. When a gifted writer immerses us in intense emotions, it’s much more powerful, and sometimes scarier than anything supernatural.

Children’s literature is filled with death and violence– it’s inescapable. As adults who love children and want to protect them, and who want to share our love of reading, that can be really hard for us to handle.  But I think it’s really important that we trust kids to tell us what they can handle. It’s really wrenching to read some of these books with my kids right now. It’s honestly the books that aren’t marketed as horror, or even scary, that make a real emotional impact. The Monster Kid won’t stay in the room if there’s any kind of realistic death that takes place in a book, although the mayhem in the Percy Jackson books doesn’t bother him, and he’s a fan of Goosebumps. His sister sobbed through parts of Ella Enchanted after Ella’s mother died, but insisted I keep going. Tiffany Aching’s long meditations on her grandmother’s death, in The Wee Free Men, didn’t touch her as deeply. Upon learning that the parents of the main character die at the beginning of The Secret Garden, though, she decided to pass. We’ll get there someday, when she’s ready.

As uncomfortable as it can be to share some stories, it’s a great disservice to developing the reading life of a child to completely avoid the darkness. The kids already know it’s there.

 

Image credit: Through the door to The Secret Garden. From The Secret Garden by Frances Hodgson Burnett
Posted on March 28, 2015 by , 2 comments
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