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Book Review: Ash Rising by Katya Lebeque

Ash Rising by Katya Lebeque
Wordsmith Press, 2018
ISBN-13: 978-1983106095
Available: Paperback, Kindle edition
**This review is cross-posted from Monster Librarian’s YA blog, Reading Bites**
Post-apocalyptic fairy tale. Do I have your attention yet? Ash Rising is set in the world of Cinderella, after her happily ever after. After a horrific genetic mutation that was supposed to help feed the world, and instead leeches the ground of its fertility and mutates the birds of the kingdom into giant predators who think humans are pretty tasty little snacks.
Ash lives in a once-grand manor, having renounced her title and opted instead for a life as a cook. Until the carriors came and she found herself the only one capable of keeping what remains of her household alive. While she has a complicated, resentful relationship with her stepmother, there are no evil stepsisters here. Ash dearly loves what family she has, and is determined to do the best for them.
Pluck Katniss Everdeen from Panem and plop her down in a fairy tale, and this is what you’d get. Dark, enduring, and brilliantly written, Ash Rising is a lovely and engaging read. Lebeque balances the gray grimness of disaster with the young spark of characters who can still, maybe, believe in the dream of a better life. Definitely highly recommended.

Contains: violence, some gore, language.

Reviewed by Michele Lee

Book Review: Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke, illustrated by Allen Williams

Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke, illustrated by Allen Williams.

Katherine Tegen Books, 2019

ISBN-13: 978-0062414465

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

 

Who better to take Pan’s Labyrinth, Spanish filmmaker Guillermo del Toro’s critically acclaimed dark, surrealist fairytale of a film and translate it into a children’s book than German children’s fantasy author Cornelia Funke? Ofelia isn’t your ordinary princess in a tower with a life under the control of a vicious, dictatorial stepfather: she is a child caught in the middle of a revolution in Fascist Spain, who discovers she is also the main character in a mythical story.  Although she is the protagonist, the film was not a children’s movie, and the story is framed by adults’ actions and points of view (specifically, the sadistic Captain Vidal, who is Ofelia’s stepfather, and Mercedes, their housekeeper, who is a rebel spy).

The book alternates between Ofelia’s view of the world as a magical place; the story of her family (including mother, stepfather, and new brother) and the battle between the soldiers (headed by Captain Vidal) and the rebels; and intertwined fairytales that touch on their reality. All three of these together lead Ofelia to take on a magical quest at the entrance to an ancient labyrinth on their property at the urging of the elemental, Pan, a faun who tells her that she is really a princess, the daughter of the king of the underworld.  The faun tells her she will have to undertake three tasks in order to rejoin her parents in the underworld. The obstacles presented by dinner parties, a sick mother, a baby brother, an angry stepfather, the violence of the Fascists toward the rebels, and Mercedes the housekeeper’s subterfuges, all must be navigated in order for Ofelia to sneak off and try the terrifying tasks for a faun she isn’t exactly sure she can even trust.

Cornelia Funke’s poetic and fantastical language and style of writing perfectly suits the fairytale nature of the story.  Yes, Ofelia’s story takes place in a specific historical setting, but the reader doesn’t have to know the history of the Spanish Civil War to fall in love with this tale (although I wouldn’t have been averse to a historical note). Due to its being based on a film targeted to adults, however, there are some disturbing moments of violence and implied torture and cannibalism, as well as a significant amount of bloodletting. There is plenty of foreboding and horror in play here, even presented as a children’s book.

Allen Williams’ illustrations really make the book work. Many pages are framed with bending tree branches around the text, giving the reader a feeling of really traveling through a portal into an ancient forest. The individual fairytales are printed on gray paper and have a full page black-and-white pencil illustration facing them, bringing the fantastical to life. The drawing opposite the story “When The Faun Came To Life” is strikingly similar to the creature in the film. I strongly recommend that if you choose to purchase this, you spend the extra few dollars for a hardback for the pleasure you’ll get from the combination of text with illustration.

This isn’t a simple novelization. Cornelia Funke has created something special here, making del Toro’s darkly magical film and narrative accessible to young people.  Highly recommended, especially for del Toro and Funke fans, for ages 12+.

 

Contains: violence, blood, murder, brief scenes of torture, implied torture, death in childbirth, implied cannibalism

Graphic Novel Review: Through the Woods by Emily Carroll (HWA Summer Scares Recommendation, Middle Grade)

Through the Woods by Emily Carroll

Margaret K. McElderry Books, 2014

ISBN: 978-1442465954

Available: Hardcover, paperback, Kindle edition

 

Carroll’s Through the Woods includes five short sequential art stories, each one atmospheric and eerie. In “Our Neighbor’s House,” sisters Mary, Beth, and Hannah are left on their own after their father goes out to hunt, with instructions to venture to the neighbors’ house if he did not return by the end of the third day. When he does not return, they do not obey his instructions. Mary disappears, followed by Hannah, leaving only Beth. Before her sisters vanished, they talked of man smiling man wearing a wide brimmed black hat. Beth ventures out to her neighbors’ house, only to meet the strange man, who is not a man.

“A Lady’s Hands are Cold” tells the story of a newlywed couple venturing to his estate, which the heroine discovers to be haunted. A ghostly song leads the new bride through the vast mansion where she picks up deeply disturbing items left throughout the rooms, in the walls, pieces of a woman’s body. As I wrote in my Ax Wound review of Through the Woods in 2017, the song can be considered a character on its own. The winding blood red ectoplasmic ribbon that runs through the panels with white lettering is incredibly effective. After seeing how Carroll uses red in this story, I reread it and saw the implications of the colour itself. The man uses and consumes everything he possesses, including the women in his life. He uses them to death.

In “His Face All Red,” a man confesses to the murder of his brother. The brothers went out to hunt a mysterious beast that had been harassing the village. At the town hall, the young brother volunteers to track and kill the creature, but nobody takes him seriously until his brother stands smiling and declares they will hunt the beast together. He returns home after burying his brother with a story of avenging his brother. Afterward, he takes his brother’s place in the village. But what can he do when his brother comes back?

“My Friend Janna” centers on best friends Yvonne and the titular character. People wanting to talk with their dead relatives travel to visit Janna, who communes with spirits. What they don’t know is that it is all a ruse committed by the two friends. They want to stop, but people just keep coming, yearning to have contact with their loved ones one more time. Yvonne sees something following Janna, but is afraid to tell her friend.

In “The Nesting Place”, opens with the story of a monster that lived in the cellar with thousands of teeth, and a mysterious fog that fell over the town that contained many mouths. Bell’s older brother, Clarence, picks her up from the boarding school to stay with him and his fiancée Rebecca in the countryside after the death of their mother. She is warned by the housekeeper never to wander into the woods near the house, lest she become trapped there as Rebecca had. Bell sees strange things while she stays with Rebecca and Clarence: Rebecca’s teeth seeming to clack inhumanly as she eats, the strange red marks on the housekeeper’s wrists, and seeing Rebecca wander into the forest Bell was warned against exploring.

The five stories are situated between two short pieces. The beginning tells the story of a young girls’ fear of turning off the light at night after she was finished reading lest something pull her into the darkness. The piece at the end of the book presents a story of the same girl dressed in a red cloak walking home through the dark woods, curling up in her bed, and breathing a sigh of relief at the wolf not finding her…yet.

Rereading this after a few years hasn’t changed my mind. Through the Woods is a must-read for those who enjoy atmospheric and period piece horror. While Carroll does not indicate dates of any kind in her stories, it is easy to place time periods in which the stories are set based on attire, environment, and backgrounds in her artwork. Her use of color is deliberate and communicates very specific information to the reader. It’s a hauntingly beautiful graphic novel.

Highly recommended

Reviewed by Lizzy Walker