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Book Review: Ouija by Elysia Dobbins


Ouija by Elysia Dobbins

Newman Springs Publishing, 2019

ISBN 978-1-64096-675-8 (paperback); ISBN-978-64096-676-5 (digital)

Available: Paperback, Kindle edition

 

Ouija by Elysia Dobbins takes place somewhere on earth and sometime in the future. Humans and non-humans have paranormal powers and gather at a gala convention showcasing vendors of magic and classes on the supernatural. Jesse Monroe, a pretty young witch, befriends Nako, a winged seraph cat, and Louis Lygtbut, a humanoid doctor with a scaly torso from another planet. The leering owner of the enormous casino hotel where the convention is being held, invites them to a demonstration of a new virtual Ouija game, unbeknownst to the knowledge that Charlie, a malevolent spirit, has hacked into the software. The casino hotel was built on the ruins of a mental hospital, where patients were tortured, a meat-packing plant where humans were butchered, and a church. Ages ago, a cataclysmic battle was fought between forces of good and evil at the site.

When the program is activated, Charlie materializes and opens a gate to the spirit world. Crazed ghosts of patients, nurses, butchers and monsters come through. Charlie seizes control of the service and security robots. They begin massacring the guests. Jesse and her friends seek refuge in the hidden, astral remnant of the church. Aegis, the powerful, winged angel, who failed to save the church and its priestess ages ago, guards the remnant. Can Jesse and her friends save themselves and win the new battle?

Young adult readers will appreciate the short, 126-page novel. The plot moves along quickly and many new and familiar characters, vampires, ghost dogs and spirit hounds make appearances. The novel has a lot of action, but not too much gore.  Fair warning: the publisher probably used a digital editing program, as there are frequent grammatically incorrect, but not misspelled words, that interrupt the reader’s flow. Recommended.

 

Reviewed by Robert D. Yee

Book Review: The Wild Inside by Jamey Bradbury

The Wild Inside by Jamey Bradbury

William Morrow, 2018

ISBN-13: 978-0062741998

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

Mother’s rules: never lose sight of the house; never come in with dirty hands, and most importantly, never, ever, make a person bleed.

The Wild Inside is a different kind of thriller. It’s been compared to a mix of Stephen King and the Bronte sisters, but that’s an unfair deal. What Bradbury has done is something unique, and should stand apart from those names. It truly is a wild novel both in narrative and story, something that adventurous readers should devour this spring and summer, despite the arctic bite that infects every chapter. It should also resonate strongly with the YA crowd and would do well to infiltrate that market, too.

Tracey Petrikoff is an unusual young woman. Kicked out of school for fighting, she harbors a darkness that usually can be contained. She seeks to please her parents and loves her little brother, even if things get a little crazy. When her mother passes away, Tracy is forced to grow up and help her father, an Iditarod musher who has been suspended. She also races, and aches to make the profession her life, although her behavior steps in and keeps her sidelined.

She is forced to focus on her hunting and trapping, skills she excels at, as she has a natural sense of what the prey feels and thinks. She keeps her mother’s warnings at the front of her mind, yet impulsiveness often rears its ugly head. When a stranger crosses her path in the wild, her knife flashes and blood spills. Her father saves his life, unaware that it could be his daughter who nearly killed the man. After a discovery nearby threatens to change her life, Tracey finds her world slowly unraveling. Then a boy steps out of the same woods to rent a room on their property: a character who holds more secrets than she.

What sets The Wild Inside apart from other contemporary YA fare is Bradbury’s narrative style. First person narrative is common, but while it’s not always well done, here the author excels. Bradbury’s style is both razor sharp and claustrophobic, resulting in a tense, but welcoming read. Dialogue tags are thrown to the side, often clashing with internal thoughts, forcing the reader to discern which is which: a heady, often trippy, experience that may put off casual readers, but for the dedicated, will bring rewards. Tracey is one of the more memorable characters in recent YA literature due to her moral makeup and her struggles both within herself and with the outside world.

Recommended for the thriller lover who craves something different, much different and can handle a different kind of narrative.

Contains: gore, violence, murder, descriptions of child abuse, LGBTQ+ themes

Reviewed by Dave Simms

 

 

 

Book Review: In the Valley of the Sun by Andy Davidson

In the Valley of the Sun: A Novel by Andy Davidson

Skyhorse Publishing, 2017

ISBN-13: 978-1510721104

Available: Hardcover, paperback, Kindle edition, audiobook

 

In the Valley of the Sun is Andy Davidson’s first novel. It walks a thin line between the genres of Southern Gothic and classic Western. Andy Davidson has a gift for building atmosphere; at times, West Texas drips off the page like humid air. The world is made vivid: you can picture the rust of the trucks,  the stress on the sheriff’s belt, and the smells of the badlands. There are plenty of grim settings, balanced by gorgeous prose.

It is absolutely a monster novel. The story kicks off with the main character, Travis, waking up covered in blood. While is isn’t immediately clear, once the reader realizes what’s happening, the story takes on a dangerous, otherworldly edge. While the word “vampire” is never specifically mentioned, as the story progresses, there is no doubt what monsters we are dealing with.  These are not Anne Rice’s “sexy” vampires; Travis is in trouble.

In addition to his supernatural worries, Travis has financial problems. He doesn’t have the money to park his truck and camper at the campground run by Annabelle Gaskin. Many of the best moments in the book are Travis’ conversations with Annabelle’s ten-year-old son. These moments are both tense and emotional, adding depth to the story.

Davidson does an excellent job in jumping between different characters’ third person point-of-views. and a variety of time periods. It all works, and is not jarring at all.

In the Valley of the Sun is a close cousin of Stephen Graham Jones’ Mongrels. While the two books focus on different monsters and cultural backgrounds, both take the same off-color look at the American South.

This is not the kind of horror novel that would benefit from a marketing department blasting out its nature. Davidson definitely has the potential to become a powerful writer in the genre of literary horror. The reality is that this is a fine debut of a strong new voice in horror fiction, and a book that can appeal to both horror and mainstream readers. In the Valley of the Sun is a thought-provoking and entertaining read that should be in every library collection. Highly recommended.

 

Reviewed by David Agranoff