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The Amazingness of Libraries

I’ve rediscovered the library. Oh, I have loved libraries since I was a kid and have spent a large chunk of my adult life working in them. As a new parent I took my kids to storyhours and flooded them with library books. Now they are at that awkward in between stage where they’ve outgrown storyhours but aren’t old enough for much of the library programming that intrigues them. I spend time in their school library now, and it’s a really great place.

But I have rarely gone for myself since I became a parent. My community’s library has an amazing first floor children’s department, but I have to take an elevator up to the adult stacks. The few times I have been up there it’s been kind of dusty and I’ve had difficulty finding what I want. I have a card for the Indianapolis library system, but the nearest library there is still a 20 minute drive for me. With ereaders at hand, I have not felt that I have a lack of reading materials. It’s very easy to get a book I want when I want it, so why cause inconvenience?

Yet I noticed my list of books I wanted to read, or thought I should read, or wanted to try, was getting longer and longer. I didn’t want to pay full price for books I might only read once that would take up the limited space that I have for my very favorite books. And so I gave up the convenience of my ereader and headed to the library, where I had a stack of holds waiting.

Now, there are two ways you can approach turning in your books or picking up holds. The first is the targeted approach– you are there to do one thing and that’s it. When you have lots to do or little kids waiting this is the way to go. The second is the “since I’m here, I’ll just look around” approach. Clever library pages display intriguing titles on the tops of shelves. Maybe I decide to see if there’s a particular title that I want that I just thought of (chances are slim, but I did find A Grief Observed this way) or to see if any books by an author I like are on the shelf. And just walking down the aisles of books chances are I will discover something that looks interesting enough to take home. Probably several things.

Which is how I ended up going to the library yesterday to collect holds  of Station Eleven by Emily St. James Mandel; Get in Trouble by Kelly Link; and Waistcoaats and Weaponry by Gail Carriger, and also ended up with one of Laura Resnick’s Esther Diamond paranormal mysteries (these are FUNNY– in one of them, Esther plays a Jewish departments store elf named Dreidel); an update of Jane Austen’s novel Northanger Abbey by Val McDermid; two Discworld novels; and a book that I am not familiar with by Mark Haddon (author of The Curious Incident of the Dog in the Night Time).

This library also does something that I think is rather unusual– it puts new nonfiction up front. Typically, I would expect new fiction to be in front, but the effect this has on me is that I pick up and read nonfiction that I would never seek out on my own.  I’m working my way through The Republic of Imagination by Azar Nafisi, and she almost has me convinced to go back and read books I haven’t touched since high school.

What neither my community library or this library does is separate horror out from general fiction. They do try to pull the science-fiction and fantasy books together in one location, and you might find something there that will rock your socks off, depending on your definition of horror (one of Booklist’s editors named John Scalzi’s Lock-In as one of the top ten horror novels of 2014– I love John Scalzi, but I think that’s a stretch). So you may be in this same situation where you can’t find what you want without putting it on hold or having a librarian lead you to a specific title… but don’t limit yourself. You aren’t buying a book– you’re trying out something new. Don’t like it? Put it down. But with a visit to the library where you can take your time, try wandering the stacks, looking through the books, and seeing what out there, that you might not normally read, looks like it’s worth trying. For me, it’s like falling in love all over again.

Book Review: Say Anything But Your Prayers by Alan M. Clark

Say Anything But Your Prayers by Alan M. Clark

Lazy Fascist Press, 2014

ISBN-13: 9781621051572

Availability: paperback

 

Alan M. Clark is best known for his beautiful, award winning covers and illustrations that have graced bestselling works from authors such as Stephen King and Cody Goodfellow. His art is amazing, but many forget that he was also nominated for a Bram Stoker award for co-writing Siren Promised with Jeremy Robert Johnson. Alan, along with his artist’s eye for detail has also written historical horror.

 

This book is the second in a groundbreaking series that explores the Jack the Ripper legend, from an angle never before seen, in over a century of non-fiction and fiction inspired by the serial killer. Each book in the series follows the life of one of the killer’s victims. This second book follows the life and demise of Elizabeth Stride, the fourth victim.

 

While this novel could be considered horror, the historical elements are what make it so interesting. I admit, I knew very little about Elizabeth Stride before reading this book. Anyone looking for a cover-to-cover horror experience needs to look elsewhere. However, you can’t escape the main character’s fate as you go through her life, and tension builds because the reader knows how she will meet her gruesome end.

 

Clark includes a few key illustrations, but the real strength comes from his attention to detail, and the humanizing of Elizabeth Stride, which builds sympathy for a doomed character. This book is a must for people with an interest in the Ripper and I hope that libraries will carry it. Recommended

 

Contains: gore, adult situations.

Reviewed by David Agranoff

The Hugo Awards and Collection Development

I am a reader and a librarian, and I read all kinds of things, including a lot of science fiction and fantasy. I am not a fannish type, I just really love to read.  I am not a professional genre writer, so I watch genre writers’ organizations like SFWA and HWA from the sidelines, and I haven’t been to a convention in years. The politics of how awards like the Hugo and the Stoker are chosen haven’t been something I have been very focused on. For two years here we reviewed as many of the Stokers as we could, focusing on the quality of the writing. I have to trust that the writers with the opportunity to nominate and vote do that, too.

I haven’t seen much said about the current controversy over the Hugos in the library community, with the exception of a short article in Library Journal, with commentary from their regular columnist describing it (I’m paraphrasing) as a backlash against diversity in winning works. I would say that in the fan and author community a great many people view it this way– as a step back from representing the variety there really can be in genre fiction. If I’m wrong and there’s lots of fabulous writing out there on the effects this has on librarians and readers, tell me, please.

I can’t see how an award like the Hugo could be completely nonpolitical. Most people would like an award, and it’s reasonable for people to promote their own work or books they really like (George R.R. Martin promoted Station Eleven, by Emily St. John Mandel, for instance) However, nominating people to make a point, whatever that point is, does a disservice to librarians and readers, because most librarians choose books for their collections choose popular works already, but they also spend their limited dollars on books that have won prominent literary awards, believing that the awards are legitimate representations of the best of the best in their particular genre. See, here’s the collection development website EarlyWord. Scroll down and look along the right side column. There, under Best Books and Best Sellers is a list of awards. Oh, my goodness, there are so many. Do you think a busy collection development librarian is going to follow the politics of every single award? I think it’s reasonable to say that librarians and readers who DON’T attend WorldCon and DON’T follow the shenanigans of every writerly organization should be able to look at these titles and authors, knowing that they have been awarded because they are legitimately the best representations of the genre, given the criteria for receiving the award. That’s what people think they’re getting, and if they’re going to spend their money and time on a book, then they deserve respect, even if they didn’t shell out $40 to vote.

It makes me happy to learn about an author who has risen to the top because of the excellence of his or her work. But it frustrates me to no end to find that the choices were the result of an ideological battle. A controversy like this destroys a tool that all SF/F writers have available to them to promote their genre and their work.