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Book Review: Clive Barker’s Next Testament by Mark Alan Miller

Next Testament

Clive Barker’s Next Testament by Mark Alan Miller
Based on the BOOM! Studios graphic novels by Mark Alan Miller and Clive Barker
Earthling Publications, 2017
ISBN-13: Not Available
Available: Limited, Deluxe, and Lettered versions (direct order from Earthling Publications here)

Is there truly a God? If there is, what is he like?  Why would he put up with the hell on earth for the past millennia, and what would he think of what humanity has become? Clive Barker and Mark Miller have posited these questions in The Next Testament, and answer them in a fascinating tale.

Clive Barker’s Next Testament is a novelization of  BOOM! Studio’s graphic novel series of the same name. While Miller has written the actual novel, Barker’s touch is everywhere here: he drew the artwork both for the cover and interior, which is typically disturbing and splendid. With an introduction by the iconic F. Paul Wilson, readers are in for a special experience.

The story itself is horrific and bombastic, bleeding weird imagination all over the place. In the scorching desolation of the desert, billionaire Julian Desmond is driven to uncover a truth that has eluded humanity for ages, something he doesn’t quite understand himself.  Desmond digs up a strange structure in the middle of nowhere, falling into a darkness that feels like nothing he’s ever imagined. There he meets Wick, a man covered in myriad colors, but not in tattoos; a true illustrated man. Wick claims that he is God, the one true being who sculpted the world, and that he needs to witness what has happened to his creation.

Readers may wonder why he needed to be released from this structure and who locked him up… but not for long.  When Wick is introduced to the modern world, he is enraged, and his actions are those of an Old Testament deity. Julian’s son Tristan and Tristan’s fiance Elspeth may be the only ones with a chance of stopping this destructive god.

Miller and Barker’s creation is brutal, in the fashion of Barker’s classics, such as Books of Blood and Hellraiser. The Next Testament is bloody, unflinching, and unhinged in its free-flowing swath of “hell-on-earth”. This is classic hardcore horror with a philosophic bend to it that will draw Barker’s faithful, but introduce many more to the talents of Miller. The Next Testament is a welcome, and recommended, return to the horror that readers have been craving.

Contains: graphic gore, extreme violence

 

Reviewed by David Simms

Book Review: Little Heaven by Nick Cutter

Little Heaven by Nick Cutter
Gallery Books, 2017
ISBN-13: 978-1501104213
Available: Hardcover, paperback, Kindle edition, Audible

Nick Cutter is one of the hottest names in horror fiction, and for good reason. I have read all four of his books now, and I the praise for each was certainly warranted. I enjoyed The Deep and The Acolyte but his debut novel, The Troop, is outstanding. At a time when major publishers were shy about hardcover horror, this wicked intense, character-rich, body horror novel was a major hit. It worked in part because, despite a modern setting, it felt retro in all the right ways, like a a golden age of horror paperback classic. People rightly compared to it to classic Stephen King. I thought it was an effective and disturbing horror novel that made the best of a lean prose style.

Little Heaven, Cutter’s fourth book, is a masterpiece of horror fiction, and a tribute to the 1980s, even more so than The Troop did. As good as his last two books were, they missed the retro feel that made The Troop special.  Although some readers have compared Little Heaven to classic King, it’s more influenced by the work of Clive Barker and Robert McCammon. The setting and characters suggest that Cutter was also influenced by Cormac McCarthy, and the structure and dialogue are reminiscent of Quentin Tarantino. Take all this narrative chemistry, and it adds up to a novel that feels like others, but is actually like nothing I have read before (it’s also nice to see that he has escaped the Bentley Little title disease– finally, a novel that is not The ___ Whatever “.)

Little Heaven is the story of four trained killers given the mission to rescue a young boy whose father has taken him to a compound called Little Heaven, in the New Mexico desert. Cutter clearly has fashioned the cult after real-life cults. We soon learn that the killers are not normal humans. The supernatural elements have a surreal quality that brings to mind early Clive Barker. Monsters, such as the Long Walker, were disturbing in how unnatural they were, yet described so well you can see them in your mind. It’s nothing short of creepy.  Cutter creates vivid landscapes, and the horrors pop off the page, causing several cringeworthy moments of supernatural horror.

The narrative switches back and forth from the mid-60s to the 80s, and the structure unrolls the story in an unconventional but very effective manner. We know the four mercenaries survived something which changed them, and they are haunted by what they have seen. As in Robert McCammon’s Gone South, the characters are both scary and hilarious at times. The prose itself is excellent. This novel delivers exactly the feeling of the classics, and causes me to turn the pages, and that’s all I’m asking for. I think this is the best Cutter book to date, and the best horror novel in years. Highly recommended.

Reviewed by David Agranoff

Here’s an audio review David did of Little Heaven with fellow author Anthony Trevino.

 


Book Review: Sherlock Holmes and the Servants of Hell by Paul Kane

Sherlock Holmes and the Servants of Hell by Paul Kane

Rebellion/Solaris, 2016

ISBN: 9781781084557

Available: Paperback, Kindle edition

 

Sherlock Holmes and Cenobites sound like a combination that would be truly awful together, but I have to say, Sherlock Holmes and the Servants of Hell blew my assumptions out of the water. With an introduction by Barbie Wilde, I was put at ease.

The book opens with a man solving the Lament Configuration. That man is Sherlock Holmes.

It’s 1895. Moriarty is declared dead, and Holmes miraculously survives the tumble off the cliff in his final adventure. Holmes and Watson are engaged by Laurence and Juliet Cotton, newlyweds with a strained relationship, to investigate the disappearance of Laurence’s brother, Francis. Their investigation leads them to look into a series of unusual missing persons’ cases, in which the missing parties vanish in impossible ways. One man disappears from a locked room, the only traces left behind being the faint scent of vanilla.

This is just the beginning of an investigation that will draw the pair into contact with an organization whispered about and known only as ‘The Order of the Gash.’ Clues lead the sleuth and the doctor to an underground club that services the most depraved of the upper crust of society, a sinister asylum in France, and the underworld of London. They encounter shady operators, meet old acquaintances in the strangest of circumstances, enter a world of depravity and pain, and make dangerous associates—the Cenobites, from hell.

Kane, previously editor of the tribute anthology Hellbound Hearts, clearly has a familiarity with and love of the Hellraiser universe. In this book, in addition to new Cenobites, Kane includes storylines and characters from Barker’s novella The Hellbound Heart, as well as the Hellraiser films.  I was pleasantly surprised to also find an authentic Holmes feel and pacing that shows a familiarity with the characters and style of Holmes’ stories. Kane was able to keep with the atmosphere and period sensibilities of Sir Arthur Conan Doyle’s style while still creating the feel of Clive Barker’s world of Cenobites–  and he makes it work. Recommended. Reader’s advisory note: Fans of both Sherlock Holmes and Hellraiser should enjoy this. Other horror/Holmes crossover titles include Sherlock Holmes: The London Terrors and others by William Meikle, and Gaslight Arcanum, edited by Kim Newman and Kevin Cockle.

Contains: mentions of body horror, allusions to sexual activity and gore

Reviewed by Lizzy Walker