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Summer Reading Is Killing Me! Contest Winner

So, we have reached the end of June. Actually, the beginning of July. That means your chance to win a copy of Summer Reading Is Killing Me! by Jon Scieszka has passed- and we have a winner!

Karen, who is reading The Help this summer, is our winner! Karen, you can email us at monsterlibrarian@monsterlibrarian.com with your address and we’ll get your copy out to you shortly.

Everybody, keep reading! And find a child to read with some time this summer, too!

A Look Into the Mind of Shaun Tan

In May, artist Shaun Tan won the Astrid Lindgren Memorial Award, a sort of equivalent to winning a Nobel Prize in picture book illustration. I can see why.

Shaun Tan is an amazing illustrator. I first came across his work while reading Kelly Link’s short story collection Pretty Monsters, reviewed here, and loved his illustrations so much that I tracked down some of his other works, including Tales from Outer Suburbia and the incredible graphic novel The Arrival. If you aren’t familiar with The Arrival, you should be. There are no words.

And that is what is coolest about this interview he did for Der Spiegel. Rather than giving lengthy, wordy answers to the questions they posed, he sketched in his answers. I love this approach to interviewing an illustrator, and particularly to interviewing Shaun Tan, who expresses himself so beautifully without any exposition at all.

Congratulations, Shaun. I look forward to seeing what you come up with next.

Written In Blood

I loved The Absolutely True Diary of a Part-Time Indian so much that I gave it away to someone I thought would love it just as much. I guess she did, because she never returned it. Sherman Alexie is just that good. Honestly, I couldn’t believe Meghan Cox Gurdon could possibly be calling his work depraved. It’s a book that opens eyes- not one that turns out the light.

I am thrilled that he wrote a response to the Wall Street Journal, in their Speakeasy blog, titled “Why The Best Kids’ Books Are Written In Blood”. And I think what he said about his personal experience with books is so important to the way adults think about teens’ reading. Their experiences, and their reading, are often multidimensional. No one made me follow up Inherit the Wind with Ira Stone’s thick biography Clarence Darrow for the Defense. Reading Carrie didn’t stop me from reading Little Women. It doesn’t have to be an either/or kind of situation. And this is what Alexie expresses in a very personal way. He writes,

“As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life”.

I know that’s an awfully long quote, but I think his words here are so important. In her book Don’t Tell The Grownups, Alison Lurie writes about how the very nature of important children’s books is subversive. Those books aren’t written to make grownups feel comfortable. They continue to be important because children need to find within themselves what makes grownups uncomfortable, and those books are where they discover how to live in a world in which they have very little control.

Thank you, Mr. Alexie, for speaking up.