Home » Posts tagged "children’s books" (Page 41)

A Look Into the Mind of Shaun Tan

In May, artist Shaun Tan won the Astrid Lindgren Memorial Award, a sort of equivalent to winning a Nobel Prize in picture book illustration. I can see why.

Shaun Tan is an amazing illustrator. I first came across his work while reading Kelly Link’s short story collection Pretty Monsters, reviewed here, and loved his illustrations so much that I tracked down some of his other works, including Tales from Outer Suburbia and the incredible graphic novel The Arrival. If you aren’t familiar with The Arrival, you should be. There are no words.

And that is what is coolest about this interview he did for Der Spiegel. Rather than giving lengthy, wordy answers to the questions they posed, he sketched in his answers. I love this approach to interviewing an illustrator, and particularly to interviewing Shaun Tan, who expresses himself so beautifully without any exposition at all.

Congratulations, Shaun. I look forward to seeing what you come up with next.

Written In Blood

I loved The Absolutely True Diary of a Part-Time Indian so much that I gave it away to someone I thought would love it just as much. I guess she did, because she never returned it. Sherman Alexie is just that good. Honestly, I couldn’t believe Meghan Cox Gurdon could possibly be calling his work depraved. It’s a book that opens eyes- not one that turns out the light.

I am thrilled that he wrote a response to the Wall Street Journal, in their Speakeasy blog, titled “Why The Best Kids’ Books Are Written In Blood”. And I think what he said about his personal experience with books is so important to the way adults think about teens’ reading. Their experiences, and their reading, are often multidimensional. No one made me follow up Inherit the Wind with Ira Stone’s thick biography Clarence Darrow for the Defense. Reading Carrie didn’t stop me from reading Little Women. It doesn’t have to be an either/or kind of situation. And this is what Alexie expresses in a very personal way. He writes,

“As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life”.

I know that’s an awfully long quote, but I think his words here are so important. In her book Don’t Tell The Grownups, Alison Lurie writes about how the very nature of important children’s books is subversive. Those books aren’t written to make grownups feel comfortable. They continue to be important because children need to find within themselves what makes grownups uncomfortable, and those books are where they discover how to live in a world in which they have very little control.

Thank you, Mr. Alexie, for speaking up.

Moms vs. Zombies, Mother’s Day Edition: Mother May I?

Welcome to the final entry in our Mother’s Day lineup. Today our zombie editor, Michele Lee, shares with us her thoughts about building a culture of reading and writing when you’re a horror-loving mom.

Michele Lee is the author of Rot and mother of budding writer Rose Lee. She is also a book reviewer in addition to her role as zombie editor for MonsterLibrarian.com.

Mother May I?

By Michele Lee

As if it’s not bad enough that we parent these days in the spotlight of public scrutiny,  there comes a point where you hear the dreaded words “You read what?”

It’s hard to avoid zombies, werewolves, vampires and ghouls these days. The kids even have their own versions, the Poison Apple books from Scholastic, Nathan Abercrombie, Accidental Zombie by David Lubar, The Zombie Chasers, Zombiekins, and. of course, Zombie Butts from Uranus by Andy Griffiths. This isn’t a new thing. In my younger days we had There’s a Batwing in my Lunchbox by Ann Hodgman, Bunnicula by James Howe and The Little Vampire.

We grew up with it. While those a generation older than us teethed on Stephen King, we blossomed from elementary monsters to R.L. Stine and Christopher Pike and Richie Tankersley Cusick. Don’t forget that L.J. Smith and her Vampire Diaries were ours first. On our side of things we wonder how the Jason and Freddy-loving teens became the same parents who sneer at our zombie T-shirts and look at us with suspicion when they see us reading the latest Brian Keene in front of our kids.

As parents, we’ve already been there, wondering where’s the limit for our adorable little spawn. Of course we don’t let them watch a Saw marathon. We don’t read Laurell K. Hamilton to them before bed every night either. But the nature of kids is to idolize us adults (which is at once one of the most awesome, and scariest parts of being a parent) so of course, things bleed.

Two years ago now (almost to the day) while I was editing Rot for its launch, my daughter decided she was going to write a zombie story too. She even asked me how to spell zombie, so she could write it on her to do list (and you better believe I have pictures of that in her scrapbook). Rot is not in any way at all appropriate for a kid to read, and I’d been very careful not to let her hear me reading it out loud. But she knew, and had seen the illustrations, and she wanted to write a zombie book too.

What came out was a most excellent story, that I promptly paid her a dollar to let me publish on my blog (because money flows to the writer). Enthusiastic, she pitched me a sequel (with evil ballerinas!). Write it, I said. And she lost interest. She was five.

Does she still know about zombies and vampires and what kind of things I write? Sure. She can grab the books my work is in, stare down the occasional meat puppet on the cover and wave it at me, exclaiming “This is your book, Mom.” But she doesn’t see terrifying tales of torture and sickness and blood-curdling terror. They’re things Mom has done that we all should be proud of, like her spelling tests and her brother’s artwork.

Kids get scared, but they are not adults and they do not think the same way. Scary and gross to kids are snot monsters that swallow hamsters (who are later saved by people wearing underwear and capes). Scary is something the world teaches them.

My daughter, accidentally one night, saw most of Repo: the Genetic Opera. She woke up in the middle of the night, and I was watching it and didn’t see her sitting in the doorway, fascinated. Ask her what it’s about and she’ll say there’s a pretty, blind woman who sings songs and tries to help a girl who finds out her dad is a bad guy. It’s not the blood, the repossessing of organs, the corporate greed, the hedonism or the addiction that scares her. And the bit where Paris Hilton’s face falls off? That’s just silly. Really, she doesn’t think the movie is that scary at all, just sad. The bit that resonated with her was the girl holding on to her dad crying because he wasn’t what she thought he was.

When kids are scared, it’s personal. Generally, they aren’t scared of monsters and blood, they’re scared of mom and dad abandoning them, or letting people down themselves. You know how kids always assume if something bad happens then they must have done something wrong? They aren’t scared of the same things we are because they haven’t connected with the real scary things in the outside world. My daughter wasn’t scared about 9/11 because she had no clue what it was, but I don’t know an adult who wasn’t.

When you’re a horror-loving parent, the wicked, inhuman beasties remind your kids of you, a person they trust and love. I don’t advocate having a popcorn and showing-of-Chucky night for family time, but if your kids want their own scary stories, how is sharing time, and a small piece of something you love with them, so wrong?

Besides, they need to be prepared for the zombie apocalypse too, right?