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Banned Books Week: Children’s Books and the End of Innocence

 

Something I see a lot in arguments about whether kids should have access to a particular book is that, as parents and guardians of children, we want to protect their innocence. If you live in a middle class family that was relatively intact, in an area where everyone seemed to be pretty much like you, controlling your kids’ reading might help to preserve that innocence for a while, but if you take a closer look at the individual families there, what you see is that under the surface, children have already faced, or learned about, some pretty terrible things. Even at school, they’ve faced lockdown drills, practice for what to do if the school is invaded by a shooter. The terrible things we live among are so commonplace, and many of us are so numb to them, that it may be difficult for adults to realize how affected some of our kids really are.

I was in the library with my daughter, who is a huge fan of the 43 Old Cemetery Road books and was looking for something similar. The librarian kept making suggestions and asking questions: is this one too dark? Are you looking for something scary, or something funny, or both? I can’t remember what it was the librarian pulled off the shelf that I looked at and said “I think that one might be too dark and scary for her”. My daughter put her hands on her hips, looked at me with exasperation, and said “Mom, my dad died. Nothing is sadder or scarier than that”.  Okay, then. Keeping kids away from the media doesn’t preserve their innocence. Fiction is a safer place than fact. And let me tell you, there is a lot of scary stuff, and a lot of death, in children’s fiction. Even Little Women spends a lot of time on death.

Children’s writing has gotten a lot edgier today, so I can see where some of the discomfort comes from, but we are living in an uncomfortable world. It is a scary place. We can respect that our kids are dealing with a lot of the same things that make the world a scary place for us, and help them choose the reading material they want, or maybe even need, in hopes that even scary books will give them a space in their lives for hope.

If a kid doesn’t think he’s ready to read a scary book, there’s time yet. And certainly there are choices that need to be made about what’s developmentally appropriate: for instance, most Holocaust fiction is not recommended for elementary students (the one exception I can think of is The Devil’s Arithmetic) but if you take your kids to The Sound of Music, you are going to have to come up with a reasonable explanation of who the Nazis were. But that means having dialogue with your child about that, not making choices for him or others to protect his innocence. For a lot of kids, that innocence just isn’t there anymore. Taking books out of their hands can’t save that. Talking to kids about them can help a lot.

For a partial list of banned children’s books, from picture books through Young Adult, go here.

Help a Reader Out: Victoria and Harris, Trapped In A Nightmare School

Guys, I found this! I have to admit it was totally by accident. I was browsing while my daughter looked through potential candidates for checkout at our public library, and this practically jumped out at me– it was right at my eye level (I’m short). The book is:

 

 The Cavendish School for Boys and Girls  by Claire Legrand

I was right on all the details, except that Victoria’s friend is named Lawrence, not Harris. And this is an even creepier book than I remembered it being. It’s over-the-top gothic and has a weird fiction feel to it as well. Edward Gorey would probably love it. If you have a tween who is into fantastic, creepy gothic stories, All Hallows’ Read is coming up soon.

 

This one’s for me. I am going bananas! I read this book just a few weeks ago and I can’t remember the name. A middle school girl, Victoria, who always does everything perfectly, is friends with Harris, who is awkward and embarrassing and plays the piano beautifully. One day Harris disappears from school and when she visits his parents they tell her he is visiting his grandmother, but something is clearly wrong. Kids keep disappearing from the school and even teachers seem frightened.

A boarding school has opened up on her street and when she goes to see if Harris is there, she is invited in by the proprietress who seems to think they’re alike. Eventually Victoria is trapped in the school and discovers Harris is there. It is a nightmarish, almost living building, and the job of the school is to mold everyone into behaving beautifully and identically. The cover was white with that kind of gothic look to the illustration and text that you see in a lot of children’s books now. I cannot remember the name of the book. The title was Miss or Mrs. ——- School for ——– or something similar. It’s a relatively new book. Can anyone place it?

 

Book Review: Isle of the Lost by Melissa de la Cruz

Isle of the Lost: A Descendants Novel by Melissa de la Cruz

Disney-Hyperion, 2015

ISBN-13: 978-1484720974

Available: Hardcover, Audible, Audio CD, Kindle edition

The premise of Isle of the Lost is that all the Disney villains, along with their children, have been imprisoned on an island without any magic or access to technology, by King Beast (of Beauty and the Beast). King Beast rules over Auradon, where all the “good” characters from Disney movies live with their children. That works out well for the princes and princesses, but not so much for the sidekick characters, who are working hard and not seeing much in the way of reward.

In Auradon, Prince Ben, the son of King Beast, is about to turn sixteen and take over as king, with very little past experience or guidance in governing. On the Isle of the Lost, Mal, daughter of the fearsome Maleficent, is ready to take down Evie, daughter of the Evil Queen from Snow White. Her allies include the clever, amoral, thieving Jay (son of Jafar) and the nerdy, easily bullied, mad scientist-in-training, Carlos de Vil.  While Mal plans evil schemes against Evie, Carlos invites her to see his new invention, which he hopes will poke a hole in the force field that separates the Isle of the Lost from access to magic, a wireless connection, and better television reception… and it works. The magic of Maleficent’s fortress begins to wake, and she sends Mal to retrieve her wand, accompanied by Jay, Carlos, and Evie.

What’s interesting about Isle of the Lost is that every kid in the book really cares about living up to parental expectations, even though the parents are frequently neglectful, superficial, or abusive. Evie’s mother, Evil Queen, is hyper-focused on appearance, and Evie is always perfectly made up. Mal is determined to be as evil as possible to impress her mother. Jay steals to provide stock for Jafar’s junk shop. Carlos keeps Cruella’s furs in perfect condition. Mal, Jay, Evie, and Carlos are not especially sympathetic characters. They lie, steal, vandalize, and put each other in physical danger, and they really don’t care that they might have done damage, but somehow, de la Cruz manages to make them relatable. She does a great job at developing their characters as they try, fail, and begin to reinvent themselves and the way they see the world. The part of the book that takes place on the Isle of the Lost has a dark, gritty feel to it, and the part that takes place in Auradon suggests that not everything is as perfect as it seems.

Isle of the Lost is a media tie-in to a Disney XD made-for-television movie titled Descendants, which was shown on July 31, but it doesn’t have much in common with it outside of the initial premise of the children of Disney villains imprisoned without magic and Internet. The director of the movie, Kenny Ortega, described it as a Disney fairytale-based version of High School Musical, in which Mal, Evie, Carlos, and Jay are chosen to attend high school with the princes and princesses in Auradon. I only saw the trailer, but I can tell you that the tone of the movie is completely different than that of the book. In fact, I would say that the Ever After High books by Shannon Hale are a much better match, even without the Disney aspect.

Disney marketing claimed that they aren’t expecting this to become a franchise, but I have difficulty believing that. I frankly am surprised they went the route of making a made-for-television movie instead of a series. The book is being marketed as a prequel to the story in the movie, but I’m really hoping it is the first in a series. Typically I am not a fan of books where the story ends without the plot being resolved, but I’m really intrigued by this one and would be interested in seeing where de la Cruz takes it. The book has sold really well, and I can’t say I am surprised. However, readers of the book may be surprised at the differences between book and movie (and vice versa). Isle of the Lost isn’t deep, but if you like your Disney villainous, this is a great dark and twisted fairytale read.