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Real Life Horrors– Treading Carefully With Children

One reason that children read scary stories and horror fiction is that reading them can give them a sense of control– so much of what happens in their lives is outside their control. If nothing else, if they’re not ready to face the darkness, they can close the book, and walk away knowing that what they’ve read is nothing they have to face in their daily lives.

But the scariest stories of all are the stories of events that really happened, or that loom large on the horizon because they are so close to what really could happen. Stories of war, terrorism, genocide, and holocaust can have a deeper impact than any tale of goblins, aliens, or ghosts, at any age, and these always should be chosen and discussed with care (this article on talking to kids about war offers some thoughtful suggestions).

I am not one of those people who think that children need to be completely protected from knowing the evils that exist in this world. I don’t even think it’s really possible to do so. Kids want to know in a concrete way what good and evil really mean. Even if you were able to completely cut off children’s access to any media, unless you keep them locked away, you will have to explain these things sooner than you think. If you’re not ready, you might want to think twice about taking your preschooler to see The Sound of Music.

That said, I don’t think that this is something you need to get into with graphic detail with young children. It’s terrifying, and it really happened. Planes really did crash into the World Trade Towers. There really have been nuclear explosions, with terrible consequences. Prejudice and hatred have caused real damage to many, many people. Little kids, and even some older ones, aren’t equipped to handle the terrible inevitability (or possibility) of these things… they overwhelm and horrify adults when faced head on. There are books for children, especially at the upper elementary and middle school levels, that address these topics with sensitivity, but always tread carefully when discussing them.

Here’s a quote from Judith Vandervelde, an educator at London’s Jewish Museum, that appeared in the Jewish Chronicle, in an article called “Mummy, What was the Holocaust?” :

The philosophy behind teaching young children about the Holocaust is that you take them up to the gates of Auschwitz and no further… education, that is shocking and frightening, damages the child’s… sense of the world and how they perceive others… Be led by them and answer questions as simply as possible. If they want more, they will ask.

I think that’s great advice for talking about many of these topics with children. I remember seeing my first video of the Holocaust as a ninth grader: it made a powerful impact, one that reading the books my mother gave me never had(although I had read many of them, most of them nonfiction). It’s one thing to teach Sadako and the Thousand Paper Cranes to fifth graders, and another to show them pictures of children with radiation sickness (please don’t).  The book inspires hope, and compassion for the individual; photographs inspire horror. The 2004 Caldecott winner The Man Who Walked Between The Towers(which was also made into a short film)  provides an opening for talking about the events of September 11 (if you choose to) without sharing the graphic stories and images of that day.

Many kids today don’t feel the immediacy of these threats. Either they seem like they are too far away or too long ago to matter. Great-grandparents who could share stories of World War II are in their nineties. The Cuban Missile Crisis is history from long ago. Nuclear threat has somehow receded into the background now that the U.S. and U.S.S.R are no longer superpowers in a Mexican standoff (I don’t mean that there is no nuclear threat, just that it’s not terribly prominent in the minds of most of today’s kids).  The apocalypse itself doesn’t seem to be the focus of YA fiction; rather, it seems to be on surviving in a future post-apocalyptic world (Hunger Games, anyone?).

Still, these events happened, war is often present in their lives (two of my neighbors are in the military), and terrible things that are completely out of the control of children and adults still happen. A time will come when kids need to know more about the world they live in– when you come to that time, please choose your approach, and resources, carefully (of course, you never know what that teachable moment will be– here’s a story about one conversation that was kickstarted by watching Indiana Jones).

If you’d like to try addressing one of these difficult topics using books rather than action movies, I’ve made some suggestions below.

 

Picture Book Recommendations

Picture books can be a great way to connect with kids on these topics, because picture books are short, attention grabbing, and easy to share. Reading picture books aloud with an adult is a familiar routine for most kids and is a great setup for informal discussion. Since they depend on visuals, make sure to take a look at them before assuming that they’re all appropriate for the youngest children.

 

Promise of a New Spring: The Holocaust and Renewal by Gerda Weissman Klein

A beautiful picture book– it does not deal directly with the Holocaust, but focuses on the life cycles of a forest and what happens when those are disrupted. This one could be used with children as young as 5 or 6, if you can find a copy(published in 1982, it’s now unfortunately out of print).

Terrible Things: An Allegory of the Holocaust by Eve Bunting, illustrated by Stephen Gammell

The tale Eve Bunting shares is based on Martin Niemoller’s famous statement, and once again takes place in a forest. It is a picture book, but keep in mind that the black and white illustrations are by Stephen Gammell, who illustrated Scary Stories to Tell in the Dark, so know what your child can handle. I definitely wouldn’t give it to a child under seven. It is often used with middle school and high school students.

 

The Man Who Walked Between the Towers by Mordicai Gerstein

The true story of Philippe Petit, who walked between the World Trade Towers on a tightrope, this offers an opening to discussing the events of September 11, 2001. This 2004 Caldecott winner could certainly be shared with children as young as 5 or 6. It’s also been made into a short animated film from Weston Woods.

 

The Colour of Home by Mary Hoffman

This picture book  focuses on Hassan, a refugee child from Somalia, who starts to communicate in school through artwork. The impressionistic illustrations soften some difficult images, while still respectful of its subject. Due to the topic (the civil war in Somalia) most children under 7 may not have the maturity to deal with it. In places with large Somali populations (like Minneapolis) using it with the lower grades could be very effective.

 

Gleam and Glow by Eve Bunting

This picture book tells the story of two Bosnian children and their mother, who are forced to leave their home for a refugee camp, and return home to find that in spite of the devastation of war, their goldfish have flourished. Gorgeous oil paintings illuminate the story. I’ve used this book as a read-aloud with children in grades K-3.

 

The Librarian of Basra by Jeanette Winter

A picture book relating the true story of Alia Muhammed Baker, the head librarian of the Central Library in Basra, Iraq, who, with her friends, saved 30,000 books before the library was destroyed.  I shared this with my son when he was under the age of 7- it is a testament to the power of one (and an amazing librarian, at that).

 

Sami and the Time of the Troubles by Florence Parry Heide

In this picture book, ten year old Sami and his family do their best to survive in war-torn Beirut, Lebanon. I’d suggest waiting until your child is nine or ten to share this one.

 

Don’t Forget, God Bless Our Troops by Jill Biden

There is not much out there for kids whose parents are in the military and are deployed. One of my neighbors, who has a daughter, was deployed for several years. It makes a major impact on these kids and their families.  Of all the topics I mentioned above, this is the one that is most likely to hit home with kids today. I have not had a chance to look at this one personally, but I plan to seek it out. First Lady Jill Biden wrote it after watching her five year old granddaughter cope with her father’s deployment for a year. For ages 5 and older.

 

The Butter Battle Book by Dr. Seuss

This is Dr. Seuss’ commentary on the Cold War, although most kids won’t read it with that understanding. The Yooks and the Zooks are in an escalating series of events over the deeply controversial issue of whether to eat bread with the butter side up or the butter side down, ending with both sides having the capacity to destroy the world. Since it’s Dr. Seuss, the illustrations are fantastical and the rhymes are infectious, but the message is a serious one that kids should understand even without historical context.

 

School Scares

School is starting back up again, so what better time to bring out the school stories? While we don’t want to give kids nightmares about starting a new grade, pretty soon they’ll be lugging home reading records for their 100 Book Club, 15-minutes-a-day-of- independent-reading-homework, Accelerated Reader, or whatever various programs the school is using to try to motivate kids into reading. I have to tell you that I personally find that it’s a drag to have to check the boxes, record the minutes, count the pages, or whatever. To be fair, I have kids who read, or at least love to be read to (which is still okay in first grade) and I’d have to follow them constantly with a timer to manage it all. Maybe it’s exciting to see those results on paper if you’ve struggled to reach the goal. But either way, whether you have an eager reader or a struggling one, there are some fantastic scary school stories out there, and I thought I’d direct you to a few of the ones we have reviewed here. This is far from a comprehensive list, of course, but it’s a good place to start! They run the gamut from picture book to YA, so check out the reviews before handing them over to your kids!

Zombie Queen of Newbury High by Amanda Ashby

Eighth Grade Bites: The Chronicles of Vladimir Tod by Heather Brewer

High School Bites by Liza Conrad

Down a Dark Hall by Lois Duncan (this is one of my favorites from way back)

Hex Hall by Rachel Hawkins

Scary School by Derek Taylor Kent

Monster’s Proof by Richard Lewis

Nightmare Academy: Monster Hunters by Dean Lorey

Monster and Me by Robert Marsh

Sucks to Be Me: The All-True Confessions of Mina Hamilton, Teen Vampire(maybe) by Kimberly Pauley

Vampire High by Douglas Rees

The Librarian from the Black Lagoon by Mike Thaler

Dragonbreath by Ursula Vernon

Monster and Me by Robert Marsh

Monster Movie Month: Guest Post by Becky Siegel Spratford- Marketing Horror All The Year Through

Well, we’ve reached the end of Monster Movie Month. If you’ve been following along, you have a lot of background information, resources, and recommendations for both movies and books at your fingertips, on topics from Asian ghosts to killer rats. So how do you use all this to get horror movies and fiction into the hands of likely readers? We asked Becky Spratford, author of The Reader’s Advisory Guide to Horror, Second Edition (reviewed here), which includes an entire chapter on marketing horror, to share her expertise, and she wrote us this guest post.

 

 

Marketing Horror All the Year Through

By Becky Spratford

 

One of the biggest questions I get from my fellow librarians is how they can best market their horror offerings throughout the year.  Of course it is easy to get patrons to notice horror in October.  Every other marketer in the world is priming the public for all things scary, so when people walk in the library, they are horror hungry zombies, looking for their next meal.  We have to do little more than place the horror books within their line of sight, and patrons snatch up the books by the handful.

 

Ah, but the rest of the year we do not have the entirety of mass media working for us; we have to try just a little bit harder. But as daunting a task as it may seem, marketing horror to your patrons during the other 11 months of the year, is not as difficult as you might think. I have 2 easy ways you can seamlessly incorporate horror into your general work marketing books at your library.

 

First, let’s talk about traditional library displays.  Most of you out there probably put up a big horror display in October.  But why aren’t you doing it other times of the year?  The most common answer is that you think your patrons aren’t thinking about horror outside of October.  But in the last few years this is not necessarily true.

 

Let’s take the first 6 months of 2012 as an example.  In April, we saw the release of The Cabin in the Woods, a terrific and popular haunted house movie.  In May, there was the Johnny Depp vampire soap opera Dark Shadows and in June, the king of mash-ups, Seth Grahame-Smith helped to bring his bloody, smart, and amusing novel, Abraham Lincoln Vampire Hunter to the screen.  Each of those movie releases had their own marketing campaigns that resulted in buzz about them among the general public.  For each, a small display could have easily been created.

 

You begin by putting up a graphic of the movie poster on regular 8 ½  by 11 paper (just do a Google image search for the movie) next to a handful of books.  Then you grab some books that are connected with the movie.  So for Cabin in the Woods, you could pull out some haunted house books, vampire books for Dark Shadows, and some comic horror novels for Abraham Lincoln Vampire Hunter.  Displays do not need special shelving.  Just put books out anyplace where you have space.  For example, at the Berwyn Public Library, we put these small, current event displays up on our desk, on a top shelf that we keep clear to rotate with impromptu displays, and even on small side tables in our seating areas.

 

These current event displays not only show your patrons that you understand their interests, but they also make a trip to the library easier for them.  Patrons are daunted by the large number of books on our shelves, so anything we can do to pull out good books for them, makes them less intimidated and more willing to browse.  And, displays linked to current media darlings are a sure fire crowd pleaser.

 

But how do you choose the books?  Here is where I can help.  In my new book and on its companion website, I have a lot of lists that would help you to identify titles that you could highlight.  I am even fine with you using my annotations, as long as you cite where they are from.  In the book I have entire chapters on haunted houses, vampires, and comic horror that include long annotated lists of popular titles available at most public libraries.  On the website, RA for All: Horror, I use tags on each post.  You just need to choose a tag, like vampires, and all of the relevant posts come up.  There are literally hundreds of options at your fingertips.

 

Another way you can work horror into your displays throughout the year is to simply include a few horror titles in the mix in your larger, more planned displays.  For example, we have done displays featuring coming-of-age stories at our library.  Since this is such a popular theme in novels, on the display we included books from every genre.  There was literary fiction, science fiction, fantasy, suspense, and horror, just to name a few.  As I argue in my new book, a coming-of-age theme is huge in all horror.  In most horror novels, the protagonist has to overcome his own shortcomings, face his inner demons, and grow up before he can defeat the physical monster in front of him.  So what horror books can be included on a “Coming-of-Age” display? Any you want.

 

What about a display on gardening? I have lots of “plants of terror” titles to suggest to you in  my book or on the blog, but here are two of my favorites– The Ruins by Scott Smith and The Caretaker of Lorne Field by Dave Zeltersman.

 

This plan works with just about any theme.  If you just make an effort to incorporate horror into all of your displays, I am sure you will find a tale of terror to fit most displays.  The moral here is to consciously mix all genres into your displays.  You will have more fun, and you will make a wider range of patrons happier.

 

My second tip for marketing horror all year also plays off of the media.  I mentioned a marketing strategy for one-time movie releases, but what about the excitement we are seeing for popular horror television series throughout the year?  Again, let’s stick with just the first 6 months of 2012 and talk about two of the most popular series on television, period– AMC’s The Walking Dead and HBO’s True Blood (okay, technically True Blood is paranormal, not pure horror, but trust me, I will address that in a moment).

 

The Walking Dead ran on TV in the winter and spring, while True Blood is currently running this summer.  For each series I took a different marketing approach at the library.  For The Walking Dead, I focused on a web campaign of all things zombie.  On my blog, I ran many Walking Dead inspired posts and worked hard to incorporate book suggestions in these posts.  I did this throughout the run of the show, culminating with a display of zombie books in the library during the week leading up to the finale.

 

True Blood was a little more difficult, since its fans are mostly those who like paranormal stories.  In paranormal, the main thrust of the story is NOT to invoke fear, as it is in horror.  The scares come, but they are not the overall point of the work.  As a result, some horror fans do not like paranormal and vice versa.  But, that doesn’t mean NO horror fans like True Blood.  To address the wide range of appeal in the TV series and the book series, a few years ago, I created this list of Sookie Stackhouse read alikes broken up by appeal.  I considered all of the reasons you may like the series and included plenty of horror options on the list.  This list is available online and in the library and is one of most popular lists.

 

I hope I have inspired you to consider marketing horror throughout the year.  The popularity of horror TV series and movies today proves horror’s staying power.  And if huge production companies think it is okay to push horror during the other 11 months of the year, why shouldn’t you?  We have way less to lose than they do.

 

And don’t be scared of helping your horror patrons.  They are not monsters, they just like to read about them.

 

Becky Spratford is a busy Readers’ Advisor. Between manning a desk at the Berwyn (IL) Public Library and corrupting the minds of library school students at Dominican University, she runs two popular and critically acclaimed RA blogs: RA for All and RA for All: Horror.  Her new book The Readers’ Advisory Guide to Horror, 2nd edition (ALA Editions, 2012) is available now.  She also writes content for EBSCO’s NoveList database and is a proud member of The Horror Writers’ Association.  She can be reached at bspratford[at]hotmail[dot]com.