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Book Review: The Grave Digger by Rebecca Bischoff

The Grave Digger  by Rebecca Bischoff

Amberjack Publishing, 2019

ISBN-13: 978-1948705523

Available: Pre-order, hardcover and Kindle edition

 

It’s 1875 in Circleville, Ohio. Captain Cooper’s mother is ill,  and the doctor has to be paid. Although Cap is not yet thirteen, his father has decided it’s time for him to join him and his partner Lum as a “resurrectionist”, a person who digs up dead bodies in order to sell them to medical schools for dissection. The plan is to dig up the bodies of those who won’t be missed (mostly “colored” people), but the dead don’t appear to be staying dead. Cap’s classmate Jessamyn comes back to life after he touches her, and the next body wakes up while they are actually digging. The secret activities of the grave diggers are out, and they have to cover them up and find other ways to acquire the bodies. Cap is spooked, but his mother’s medical bills still have to be paid, and his father insists this is the only way they can raise the money. Beyond acquiring the bodies, Cap realizes that there is a larger conspiracy at work, involving not just unsavory characters, but also some of the most respected individuals in town. While the newspaper stirs up the town, it is mainly the “colored” people who are affected, and their demands for a cemetery guard are left unanswered. We can all be grateful that this is a middle-grade novel and that, while a book about grave robbing, burying people alive, and human dissection will obviously have some disturbing moments, it doesn’t get gratuitously gruesome.

Racism in Circleville’s general population doesn’t rear its head in overtly violent ways, but in white people’s daily choices and conversations, like the Coopers’ housekeeper’s resentment of and unwillingness to interact with Jardine, an African-American woman who is a friend and hear of Cap’s mother, comments about “those people”, and the choice to zero in on body-snatching the African-Americans in the cemetery.  It intersects with sexism as well, with Jessamyn’s mother feeling that the only choice she has to support her child is sex work (it’s referred to indirectly), and Jardine’s daughter Delphia, after telling Cap of her ambition to be a doctor, bracing herself for the expected comment “but you’re a colored girl!” and laughing when he says “but you’re a girl!” instead (either way, in 1875, ten years after the Civil War ended, she’d be unlikely to get into medical school, but the book treats it like it’s a real possibility– props to Bischoff for that).  It is noticeable (and relevant to the present day) that there are so few consequences for anyone who participated in the grave-robbing scheme and lived to tell about it.  That’s probably realistic, and in a middle-grade novel you want things to turn out for the protagonist, but I think this ending requires a conversation. There is a myth in the Midwest that because the Underground Railroad had a strong presence that there must not have been other race-baced issues (I can’t tell you about Ohio specifically, but it’s definitely the case in Indiana), and this book exposes that.

There are a lot of schools that can’t officially celebrate Halloween (my district doesn’t allow it) but that doesn’t mean there aren’t ways to celebrate the season. The Grave Digger is a great historical fiction choice with a macabre touch to promote to the right elementary and middle-schoolers at this time of year.  Highly recommended.

Book Review: Her Body and Other Parties by Carmen Maria Machado

Her Body and Other Parties: Stories by Carmen Maria Machado

Graywolf Press, 2017

ISBN-13: 978-1555977887

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

Carmen Maria Machado centers women, and especially their bodies, in this genre-bending collection of stories. Her story “The Husband Stitch”, which appears in this book, has been generating buzz (and admiration) for years. Now that I’ve read it, I can say that it deserves the attention. Framed around the urban legend “The Green Velvet Ribbon”, anyone who knows that story will predict the ending, but, narrated by the woman in the story, there is so much more inside. “Inventory” starts out as a list of one woman’s sexual experiences, but against a background story of a spreading pandemic, it starts to take on a feeling of dread and inevitability.  “Mothers” is a hallucinatory story with an unreliable narrator that involves a fragmented relationship between two women that may also involve a baby. “Especially Heinous” recounts surreal, fictional summaries of episodes from 12 seasons of Law and Order: SVU. This particular story, even with supernatural elements, doppelgangers, and interpersonal drama, was far too long. I feel like in “Mothers” and “Especially Heinous”, Machado was experimenting with style, and maybe this worked for some readers, but not for me. “Difficult at Parties”  about the effects of trauma and rape on the body, mind and intimate relationships, is very different from the other stories, which have a slightly surreal or fantastic feel to them. Other stories include “The Resident”, “Eight Bites”(this gets into eating disorders), and “Real Women Have Bodies”.

One thing I really loved about this book was the way Machado writes about sex. Her characters aren’t passive. They enjoy sex, sometimes paired with love and sometimes casual, both with men and women. It’s so refreshing to find this! She does a skillful and fluid job of describing sex and passion. Her writing is unapologetically feminist and queer, but her way with words is lyrical and it all flows into the story. I kind of want her to write about the early days of Mary Shelley’s love affair with Percy Shelley after reading this!

Her Body and Other Stories is an uneven collection: it has a few outstanding stories, a couple of reasonably good ones, and some I don’t feel the need to revisit. Machado does a good job at creating a sense of the uneasiness and dread that come from, and are felt by, women’s bodies, and it’s a collection well worth visiting. I’m adding “The Husband Stitch” to my list of “favorite short stories”, and this is the perfect time of year to read it. Recommended.

 

Contains: sex, violence, descriptions of pornography, references to rape, domestic violence, eating disorders

Book Review: Not Even Bones (Market of Monsters #1) by Rebecca Schaeffer

Not Even Bones  by Rebecca Schaeffer

HMH Books for Young Readers, 2018

ISBN-13: 978-1328863546

Available: Hardcover, paperback, and Kindle edition

 

If you are planning to start this book, make sure you have plenty of time to finish it, because if you put it down, unless you have a very strong stomach, you may find it difficult to pick it up again. I have addressed content issues within this review, but please see the content warning underneath, as it includes items suggested by the author. 

Not Even Bones is a YA novel set in Peru that takes place in a world teeming with “unnatural creatures.” Some of these, like vampires, are dangerous. Others simply have unusual abilities. While there is an organization, INHUP, tasked with protecting harmless unnaturals, it isn’t effective at policing the black market in unnaturals’ body parts. Nita’s mother hunts and kills unnaturals, and brings them to Nita for dissection and packaging. Nita loves dissection, so she tries not to think about who the dead bodies might have been when they were alive, but one day her mother brings home a living unnatural whose parts will sell better if they’re fresh, and Nita can’t deal with cutting pieces of a living person, so she sets him free. Shortly after, Nita, who has an unnatural ability to heal herself, is kidnapped for sale on the black market herself  and imprisoned in an isolated market on the Amazon in the midst of the jungle. Believing her mother has sold her, Nita decides she must rely on her own resourcefulness to escape, something she becomes even more certain of when she realizes her kidnapper employs a zannie, an unnatural who feeds off the pain of others and is willing to torture them to get his meal. Even a zannie has his limits, though, and Nita and the zannie, Kovit, team up to escape from the market.

Schaeffer does not pull her punches in this book. There is no question that the main (and most of the secondary) characters have done terrible things, unapologetically, and Schaeffer has Kovit explicitly make this point:

“I like it better when people remember who I am. The only thing I hate more than being demonized is when people actively ignore what I do or try to make excuses for it… When they try to make me sympathetic, moralize all the decisions that aren’t moral.”

Nita and Kovit are desperate people, and in the course of the story Nita crosses moral lines she didn’t even know she had, to the point that Kovit warns her that the only thing keeping them from becoming true monsters is setting limits, however arbitary, and sticking to them no matter what.  The gore, gruesomeness, torture, and especially cannibalism was difficult for me to handle (although much is only implied, what we do see is more than enough, and cannibalism of any kind is usually a deal-breaker for me). I can’t recommend it generally to teens, unless they have a very strong stomach and a sophisticated understanding of morality, because in spite of their monstrous actions, their often selfish motivations, and this explicit reminder that they are not sympathetic characters, Schaeffer still managed to have me rooting for Nita and Kovit. They are victimizers, but they’re also victims of both biology and circumstance.

Schaeffer’s imagination is incredible, her world-building is fantastic, and the characters she takes time to develop fully are many-faceted and complex. I can’t think of too many horror novels set in South America, but it was a great choice for this book. Another unusual choice, especially because the book is set in South America, is that Kovit is Thai, and while it isn’t actually necessary to go into this detail to move the story along, this background does come up in an explanation of his origin as an unnatural specific to Thailand, how colonialism has affected the perception of “zannies”, his family, and how he ended up in this particular situation. I haven’t seen many Thai characters in YA fiction, so this was kind of neat to see.

This is both a physically and emotionally gut-wrenching book, both hard to put down and hard to pick back up, but the cliffhanger ending and memorable characters ensure that, despite the difficulty I had with the body horror (especially the dissections and the cannibalism) in this book, I will be looking out for the sequel, Only Ashes Remain, out soon.

 

Contains: Gore, violence, sadism, death, mutilation, dissections, body horror, cannibalism, torture, dismemberment, mention of suicide, mention of animal abuse.