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Book Review: The Horror Collection, Black Edition by Kevin Kennedy


The Horror Collection: Black Edition edited by Becky Narron and Kevin J. Kennedy

KJK Publishing, 2019

ISBN-13: 978-1798000991

Available: Paperback, Kindle edition

 

The Horror Collection: Black Edition is an anthology of horror short stories.

“The Lake is Life”, by Richard Chizmar describes a troubled, teenage girl whose parents are facing divorce. She seeks emotional refuge visiting her grandmother at a tranquil lake.  There is a bloody massacre, and the keys to who and why are in the girl’s past. Unfortunately, the author never clearly explains her past.

“Pie Bingo: Last Man Standing”, by Veronica Smith describes a dystopian future with overcrowded jails.  The authorities need to winnow the jail population. Prisoners can opt to play bingo for pies, conjugal visits and freedom. However, if they don’t win, they won’t like the consolation prizes. The story is memorable because of the gruesome, sadistic details of the contest.

“Goblin Financial”, by Lee McGeorge is a lesson about the consequences of bad debts. A woman reneges on a loan she should have used for her education, causing her creditors emotional pain. She runs, but they have a hideous debt collector, and a horrific way of making themselves whole.

Readers familiar with the concept of informed consent in human experiments will cringe at “The Switch”, by Mark Lukens.  A financially desperate man agrees to be locked alone in a room for pay and told he must not flip a switch on the wall. The purpose, benefits, alternative choices and risks are not explained to him. Readers can guess what happens; it’s not really an experiment, because the researchers know the outcome.

“Those Who Watch from on High”, by Eric Guignard is an interesting account of emotional and psychological stresses on a drone pilot. Bored, isolated and suffering from disrupted sleep/wake cycles, an Air Force lieutenant in the Nevada desert struggles with reality. Is he looking down at a terrorist’s young son in the Afghan desert with a drone, or is he watching the terrorist’s hut from the desert floor? When he gets the order to fire on the hut, will he obey? If he does, what will he do the next day?

“The Ghost of Agnes Gallow”, by James Byers is an impressive poem about a witch whose curse stalks a family over generations on Halloween Eve.  Reciting his poem of ten stanzas of rhyming couplets out loud adds to the enjoyment.

Kevin Kennedy warns that  “A Tarantino Oz”contains strong doses of sex, violence and profanity. Readers who dislike Quentin Tarantino’s movies and misogyny should skip this story. Kennedy says all fairy tales were originally horror stories. In this tale, characters of L. Frank Baum’s The Wonderful Wizard of Oz meet for an orgy and murderous rampage.

In “Smolder”, Michael Arnzen uses the well-known difficulty of stopping smoking and the Surgeon General’s health warning to draw readers into his story. Who knew that there is something magical about each word of  “SURGEON GENERAL’S WARNING: Smoklng Causes Lung Cancer, Heart Disease, Emphysema, And May Complicate Pregnancy”?  A concerned husband tries to help his pregnant wife kick the habit. He finds a hidden pack of cigarettes, but has no idea that calamity strikes smokers when words of the warning are destroyed.

 

Contains: Gore, graphic sex and profanity

 

Reviewed by Robert D. Yee

Book Review: Hellhole: An Anthology of Subterranean Terror edited by Lee Murray

Hellhole: An Anthology of Subterranean Terror edited by Lee Murray

Adrenaline Press, 2018

ISBN: 978-1-940095-94-3

Availability: Paperback, Kindle edition

 

Hellhole is a well-put-together anthology of horror stories, where the one common thread is that some of the action takes place underground.  Similarities end there, as the stories use mines, ocean volcanoes, underground city tunnels, river caves, and even the Moon as their settings.   What all the stories do well is two things: they deliver fast excitement, and they manage to take common settings and creatures and breathe new life into them, by throwing in enough twists to keep the reader interested.  There isn’t a bad story in the mix: the worst could still be rated at least as “fair.”  The rest all make the grade, from good to very good, with some being truly excellent.

The writing for all of them is solid, although the reader will have to adjust to different perspectives.  The majority are written in the third person, but there are some that use the first person, and even a couple written in the present tense, which some readers may find annoying.  In all of them, the action flows fast and hooks the reader within the first few pages: there’s no waiting around for unnecessary buildup of the plot.  One of the best examples is “Pit of Ghosts” by Kirsten Cross.  Tourists in an underground mine get a quick bit of background on the mine’s ugly history, then they are quickly stalked by creatures that somewhat resemble the Crawlers from the movie The Descent.  This might have only been an okay story if it continued on that path, but the story takes a major turn when the mine’s history plays into why the tourists were unwittingly chosen to be part of the group.  It’s a twist the reader likely won’t see coming, and it greatly elevates the quality of the story.

All of the stories do this to some degree: it’s what makes the book good.  In Jonathan Maberry’s “All the Devils are Here”, someone is trying to open an underground door to another dimension to unleash Old Gods. Seen it before.  But throw in a team of Special Forces soldiers with almost unlimited ammo trying to blast them apart, and you have something fun.  Michael McBrides’s “A Plague of Locusts” recycles the old “victims of biological experimentation gone wrong” plot and breathes new life into it with a fungus that does ugly things to its victims, allowing them to survive underground for decades.  Of course, someone has to go down there… and complete mayhem results.  For pure, over-the-top insanity, Jake Bible’s “Ginourmous Hell Snake” may be the winner.  Start with a big snake, add in an Amazon river cave, and a cult worshipping the snake.  Throw in two of the most entertaining characters in the book: trained mercenaries with futuristic weapons who act more like stoned California surfers, and are simply too laid back to be scared of anything.  When dudes meet snake, the craziness starts.  These aren’t the kind of stories you can read a little at a time– the excitement demands that the reader finish them right away.

The overall quality of the material in this anthology is high. The action and excitement is delivered in droves, and there are enough firefights and characters either torn apart or blown apart to keep gorehound readers satiated.  Factor in the originality shown to bring  tried and true plot devices roaring back to life, and you’ve got something the reader will not want to miss.  Recommended.

Contains: violence, gore

 

Reviewed by Murray Samuelson

 

Editor’s note: Hellhole: An Anthology of Subterranean Terror is a nominee on the final ballot for the 2018 Bram Stoker Awards in the category of Superior Achievment in an Anthology.

Book Review: The Devil and the Deep edited by Ellen Datlow

The Devil and the Deep: Horror Stories of the Sea edited by Ellen Datlow

Nightshade Books, 2018

ISBN: 978-1-59780-946-7

Availability: Hardcover, paperback, audiobook, Kindle edition

 

On the surface, it seems like a good idea.  A collection of short horror stories with the ocean as a common theme, written by authors with solid track records.  Unfortunately, it fails to live up to its premise.  In terms of story quality, there are roughly four treasures and a few nice baubles, but you have to dig through a lot of sand to find them.

These stories all come in at around 20 pages, so there isn’t a lot of space for character development or backstory, and things often happen for no reason.  That’s part of what makes writing short stories challenging.   But, you still need to create an interesting plot and make sure that each event ties into another, using limited space.  The stories here that qualify as treasure do that very well.  Christopher Golden’s ‘The Curious Allure of the Sea” is a perfect example.  A young woman finds a necklace bearing a unique symbol on her dead father’s boat.  She has it tattooed on her arm, and soon many different living (and sometimes dead) creatures are flocking from everywhere to be with her, and sometimes attack her.  The weirdness escalates, and she is soon forced to make difficult choices to try to save her own life.  This story is a perfect example of how to write an excellent short story.  You never get an explanation for why her dad had the necklace, or what the symbol means, but who cares?  Details like that can be skipped as long as the story makes sense and moves along, and it does.  Golden keeps in just enough to keep the plot rolling, and anything else is cheerfully tossed over the side.  Seanan McGuire’s “Sister, Dearest Sister, Let Me Show You to the Sea,” and Brian Hodge’s “He Sings of Salt and Wormwood” also do an excellent job of getting in fast, blowing the reader away, and getting out without any unnecessary filler.  Michael Marshall Smith’s “Shit Happens” also deserves praise. It’s an excellent story, and written in an off-kilter, hilarious way that reminds me of how Stephen King used to write for some of his oddball characters.  People don’t have sex, they are interested in “activities that would have a bedstead banging against a cabin wall into the small hours.”  Advice on hot sauce consists of  “some of those local brand bad boys will put you in a world of sphincter pain.”   It’s a great horror story, and the author’s hilarious way of narrating it will have you laughing out loud at times.

As for the other stories, a few are decent, but the rest suffer from the same problem: a lack of coherence in the plot.  They aren’t sleek, fast jetboats: they are more like a collection of parts thrown together to get from one harbor to another.  The authors do have some very original ideas and the tales start well, but then they get too metaphysical and abstract, which drags the story down.  Quite often, you will get to the end of a story and find yourself asking “what just happened?” The stories go in a sensible fashion for a while, then wander off the deep end into nonsensical events.  It’s a shame, because many of the stories had promise, but wound up as unrealized ideas, leaving this reader annoyed.

If you have the money to spare, it may be worth picking this one up for the few gems. Otherwise, the reader would probably be best to pass on this one.

Contains:  violence

 

Reviewed by Murray Samuelson

Editor’s note: The Devil and the Deep: Horror Stories of the Sea is on the final ballot for the 2018 Stoker Awards in the category of Superior Achievement in an Anthlogy.